"The universe is made of stories, not of atoms."
—Muriel Rukeyser
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Nicole Conn Chats with Dr. Mother Love!

Inspired by her mother, a classical-trained pianist who lived, recorded and worked in Morristown, NJ and Randolph, NY, LA filmmaker and author Nicole Conn decided to turn her attention from the big screen to pen Descending Thirds,










In the high-stakes world of classical music, Alexandra von Triessen, a gifted but insecure pianist, navigates the cutthroat International Ketterling Piano Competition. Dazzled by the charming Sebastian D'Antonio, she finds herself drawn into a web of intrigue surrounding his enigmatic and estranged brother, Conrad. Just as Alexandra's star begins to rise, a shocking discovery sends her world crashing down, exposing secrets and lies that threaten to destroy everything she's worked for.

Descending Thirds is a gripping story of ambition, betrayal, and the blurred lines between artistry and integrity. This page-turner explores the sacrifices we make in pursuit of our dreams and the devastating consequences of hidden truths. With two shocking twists that will leave you reeling, this unforgettable novel will resonate with anyone who has ever dared to reach for greatness.

The Great Midwest Book Festival Honor Nicole Conn's Novel Descending Thirds.




In the high-stakes world of classical music, Alexandra von Triessen, a gifted but insecure pianist, navigates the cutthroat International Ketterling Piano Competition. Dazzled by the charming Sebastian D'Antonio, she finds herself drawn into a web of intrigue surrounding his enigmatic and estranged brother, Conrad. Just as Alexandra's star begins to rise, a shocking discovery sends her world crashing down, exposing secrets and lies that threaten to destroy everything she's worked for.

Descending Thirds is a gripping story of ambition, betrayal, and the blurred lines between artistry and integrity. This page-turner explores the sacrifices we make in pursuit of our dreams and the devastating consequences of hidden truths. With two shocking twists that will leave you reeling, this unforgettable novel will resonate with anyone who has ever dared to reach for greatness.

 

Wake Forest Magazine Interviews Leo Daughtry

Harvesting Home

Double Deac Leo Daughtry draws on memories of his childhood tobacco farm to write a historical novel about the South.



Leo Daughtry (’62, JD ’65) drew inspiration and many of the characters for his historical novel “Talmadge Farm” from his years growing up on a tobacco farm in eastern North Carolina in the 1950s.

Daughtry, 84, grew up in rural Sampson County, about an hour southeast of Raleigh, on a farm owned by his father. He weaves a story of the wealthy Talmadge family and two sharecropper families — one white, one Black — whose lives intertwine against the backdrop of socioeconomic and racial changes sweeping the South that upend their lives in different ways. He draws from boyhood memories of dove hunting, moonshiners, segregation, the backbreaking work of harvesting tobacco and sharecroppers scraping to survive at a time when tobacco was king in North Carolina.

One reviewer described “Talmadge Farm” as a “stirring novel” with a “big, complicated portrait of family, place, race, class and greed.” The novel won first place in historical fiction in the 2025 Feathered Quill Book Awards and was named a finalist for the 2024 Goethe Book Awards for late historical fiction.

Daughtry and his wife, Helen, live in Smithfield, North Carolina. His granddaughters, Katherine Riley (’20) and Hannah Riley (’24), are also alumni.

Daughtry was a Judge Advocate General in the U.S. Air Force before founding law firm Daughtry, Woodard, Lawrence & Starling in Smithfield in 1969. He served in the North Carolina House and Senate for 28 years, and was House majority and minority leader, until retiring in 2017. A past member of the Alumni Council and School of Law Board of Visitors, he has endowed scholarships in the college and law school. The law school named its North Carolina Business Court courtroom in his honor in 2018. The North Carolina Bar Association established the N. Leo Daughtry Justice Fund in 2022.

Kerry M. King (’85) of Wake Forest Magazine talked with Daughtry by Zoom at his office in Smithfield. Excerpts from their conversation have been edited for length and clarity.​

Kerry King: Before we talk about “Talmadge Farm,” I’m curious to know why you came to Wake Forest and what it was like when you were a student.

Leo Daughtry: My brother-in-law (Bill Peak ’48, MD ’51) went to Wake Forest, and I followed Wake Forest sports — Dickie Hemric (’55) and players like that. There was a tournament called the Dixie Classic (held in Raleigh from 1949 to 1960) where the Big Four (Wake Forest, Duke, NC State and UNC-Chapel Hill) would play four other schools, and we would go to at least one game to see Wake Forest play.

 Wake Forest had recently moved to Winston. Dr. (Harold) Tribble (LL.D. ’48, P ’55) was president. We had chapel on Tuesdays and Thursdays. There was no dancing on campus. If we had parties, we’d have them off campus. For football games, we all wore suits. If you were lucky enough to have a date, you always got her a mum or flower to wear.

Wake Forest was great for me. It allowed me to leave the tobacco farm and go to college and experience life in a different way than I had known before. And Wake Forest was very patient with me. I tried to be a good student, but I just didn’t have the background. It took me a while to get my bearings.

The Vietnam War was really becoming an issue. I went into the Air Force (after graduating from law school) and served in Turkey, assigned to NATO.

KK: Do you remember any particular professors, either in college or in law school?

LD: Dr. (John) Broderick in English, Dr. (Emmett Willard) Hamrick (P ’83) in religion, Dr. (David) Smiley (P ’74) in history and Dr. (Kenneth) Raynor (1914) in math. Dr. (Marcel) Delgado got me through Spanish. I didn’t have Dr. (Ed) Wilson (’43, P ’91, ’93) for a class, but I certainly knew and liked him. He was one of the finest guys and represented Wake Forest so well. I’ve gotten to  know his son (Ed Wilson Jr. JD ’93), who is a judge.

In law school, Dr. (James) Webster (’49, JD ’51, P ’81), Dr. (Hugh) Divine, Dr. (Robert) Lee (JD 1928, P ’55, ’68), Dr. (Norman) Wiggins (’50, JD ’52). They were all good teachers.

KK: You had a long career as a lawyer and in the General Assembly. What inspired you to write “Talmadge Farm”?

LD: It had been germinating a long time. I wrote it from an outline I did when I was in the General Assembly. We’d have some debates that I didn’t have to be involved in, so I had some free time. I knew the characters I wanted in the book. The reason I chose the name Talmadge is because I didn’t know anybody named Talmadge so I could make him the bad guy. (Gordon Talmadge, a banker and the owner of Talmadge farm, is the book’s central character.) I would write the outline and then change it, and then write it and change it. I knew where I wanted to start and where I wanted to end.

Leo Daughtry ('62, JD '65), author of "Talmadge Farm"

KK: What were the major themes you wanted to write about?

LD: Well, sharecropping for one thing, and the 1950s. My most impressionable years were the late ’50s and early ’60s because I was a teenager. I saw all the changes that were beginning to occur in the South. I went to a very small country school, where half of the students at least were children of sharecroppers. I had Black sharecropper friends and white sharecropper friends. They had one thing in common. They were poor as church mice, and they had very little hope of getting ahead. Most of the kids that I knew wanted to get off the farm. Farms had gotten bigger, tobacco allotments had changed, and migrant workers were replacing the sharecroppers. And automation enabled farmers to be more efficient, and that just eliminated the sharecroppers.

(I also wanted to write) about change, how people have to change, and some people can change better than others. Gordon could not figure out how to change. He got left behind because of his inability to accept change.

KK: How much of the book draws from your experiences and people you knew growing up?

LD: Almost all of it. Gordon was invented; I had to have a villain. Everybody knows someone like Gordon. He had everything going for him, but he wasn’t very smart (and wouldn’t adapt to the changing South). Black people lived in a completely segregated environment then. I wanted to make all the women really strong (characters) because there were no women doctors or lawyers then.

KK: Alumni are sure to enjoy the tidbits you sprinkle in the book about Wake Forest, Winston-Salem, Old Salem and R.J. Reynolds. The book ends soon after one of the characters, David, graduates from Wake Forest. Was he based on you?

LD: No, but I really wanted David (the good son in the novel) to go to Wake Forest. I didn’t want the bad son (to go to Wake Forest). (One of the other characters) went to Bowman Gray (School of Medicine). And, I remember Christmas at Old Salem and those Moravian cookies.


Via Wake Forest Magazine

NEW FROM STORY MERCHANT BOOKS

 From Filmmaker Nicole Conn




In the high-stakes world of classical music, Alexandra von Triessen, a gifted but insecure pianist, navigates the cutthroat International Ketterling Piano Competition. Dazzled by the charming Sebastian D'Antonio, she finds herself drawn into a web of intrigue surrounding his enigmatic and estranged brother, Conrad. Just as Alexandra's star begins to rise, a shocking discovery sends her world crashing down, exposing secrets and lies that threaten to destroy everything she's worked for.

Descending Thirds is a gripping story of ambition, betrayal, and the blurred lines between artistry and integrity. This page-turner explores the sacrifices we make in pursuit of our dreams and the devastating consequences of hidden truths. With two shocking twists that will leave you reeling, this unforgettable novel will resonate with anyone who has ever dared to reach for greatness.






Renowned for her romantic lesbian-themed films, Conn's work includes the groundbreaking Claire of the Moon (1992), Elena Undone (2010), and "A Perfect Ending" (2012). She also earned critical acclaim for the award-winning documentary Little Man (2005) and the heartfelt drama More Beautiful for Having Been Broken (Nesting Doll) (2019).
Now, Conn brings her signature storytelling talent to the world of mainstream romance with Descending Thirds—a novel that transcends labels. Whether you're a longtime fan or new to her work, this story is for everyone to experience. Rich in drama, Descending Thirds also immerses readers in the competitive world of classical music and features original musical compositions.

Story Merchant E-Book Deal Richard Pena's Last Plane Out of Saigon! FREE March 17 - March 21!


Richard Pena’s compelling first-hand account, written in real-time, chronicles the last desperate year of this tragic war and the hasty departure of American troops from Vietnam.







LAST PLANE OUT OF SAIGON is a faithful reproduction of the journal of a draftee working in the operating room of Vietnam's largest military hospital during the final year of the war. Supporting historical and political context is provided by award-winning scholar, John Hagan.

Richard Pena’s entries were written in real time and, as they chronicle the last desperate year of this tragic war, present readers with a better understanding of the complicated final year of the Vietnam War from the inside, looking out. A year that tragically remains unfamiliar to most Americans.

This landmark book describes, in part, the hasty departure of American troops from Vietnam but is timely now as America again is challenged with multiple global conflicts. It is a gripping real-time account of the anger, resistance and resilience forged in one man by the horrors of Vietnam witnessed up close, in graphically human terms, touching on mistakes that were made then and which our country continues to make today. All Americans should read this important piece of history, bound to leave them with chills.

Richard Pena served in Vietnam as an Operating Room Specialist for the United States Army and left on the last day of American withdrawal. He is now a nationally renowned practicing attorney in Austin, Texas. He is a former President of the American Bar Foundation and State Bar of Texas and served on the Board of Governors of the American Bar Association.

John Hagan is the John D. MacArthur Professor of Sociology and Law at Northwestern University and Co-Director of the Center of Law & Globalization at the American Bar Foundation in Chicago. He has published nine books and more than 150 articles in nationally renowned magazines and journals.

New From Story Merchant Books Far From Longing by James Sard

Attraction is chemical. Love is elemental.



When two pharmaceutical reporters meet, he is overwhelmed by the impact of her presence. Appropriate to a fault, she is nevertheless unnaturally drawn to him. Neither could have imagined the fallout of that first encounter.

As their orbits close, they are plunged into a maelstrom of physical and emotional carnage. These paths cannot be random, yet they are unable to fathom the staggering evolutionary forces ensnaring them – or the tragic consequences that await.

Pulled deeper into a lethal game of industrial intrigue and swept up by the events driving the conspiracy, they must unlock its purpose while trying to decode whether anything they’ve felt is even real.

Set against the latest advancements in genetic engineering and the high-takes world of over-funded pharmaceutical interests, Far From Longing takes readers on a thrilling reset of literary mythologies, delving into the true costs of scientific breakthrough and the nature of love itself.

Stealing Time for Your Dream in 2025 - Part 2: What is Time?





What is time?


Unlike oxygen, an element which is objectively, scientifically definable, and more or less beyond our control, time is relative to perception and subject to choice. “Time,” Melville wrote, “began with man.” The Type C (creative) Personality learns to redefine time subjectively, in order to become successful by his own standards. Objective time, dictated by Greenwich Mean Time with an occasional correction for NASA, leads only to the conformity of repetition. Subjective time alone allows us to distinguish ourselves and to achieve our dreams of success.

Logos vs. Mythos

According to the classical Greeks, the two primary ways of perceiving the world were known to them as logos (for the Accountant’s logic) and mythos (for your onboard Visionary’s simultaneity). The Visionary’s belief in eternity in every moment is what makes the dreamer’s life change from barely bearable to ever enthusiastic. “To himself,” Samuel Butler wrote, “everyone is immortal. He may know he is going to die, but he can never know that he is dead.” The Visionary’s eternity is the experience of mythic time that occurs when you “lose yourself” in the pursuit of your dream. Its Brer Rabbit’s “briar patch” speech: “Throw me anywhere, but please don’t throw me in the briar patch!” The briar patch, of course, is Rabbit’s favorite place, his home.

Sometimes you’ll meet an old schoolmate after years and have the experience that “it seems just like yesterday” that you were having this exact same argument, or laughing for the same reason known only to the two of you. A moment passes, as the Accountant wrests control from the Visionary: “But, on the other hand, it seems every bit like the twenty years it’s actually been.” Has it been twenty years, or was it just yesterday? Faulkner said: “There is no such thing as was; if was existed there would be no grief or sorrow.” To the Visionary, time exists always in the present.

Accountant’s time

To the Accountant, who’s kept track of the years--and also the months, weeks, days, hours, minutes, and seconds--precisely, it’s been exactly twenty years, and he can prove it by reciting all the things that have happened to both of you in the interim. The Accountant clocks time with digital precision, obsessive checks with the Internet’s time services. The Accountant’s time is what keeps society sane, if you call today’s society sane.

But when the Accountant’s insistence dominates, you are denied making your dreams come true. The Accountant, nervous about anything intangible or “unseen,” doesn’t believe in dreams; or, at best, assumes the worst about them: “They¹re only dreams.” Human beings can’t fly.


Visionary time


To the Visionary, whose relationship with that same friend is/was intense, it’s just yesterday. The Visionary clocks time only by reference to intensity. Lovers live from embrace to embrace, the time that’s passed between them not counting. Have you ever felt like life would pass you by when you’re stuck in an endless left-turn lane during rush hour? How long does a second last if you’re perched at the parachute door of a plane at 15,000 feet about to make your first jump? How long is forty seconds during a 6.6 earthquake? Or at the edge of a cliff, about to rappel for the first time? A friend of mine described an encounter with a problem customer, “I spent an eternity with her for an hour and a half yesterday.”

The Visionary brings you mythic time when you engage in your dream with all your heart, mind, and soul; when you are occupied in doing something that "takes you out of time," or "takes you out of yourself." You're literally ecstatic--which, from its Greek origins, means "standing outside" yourself. "I don't know where the time went," is what you say when you've just passed fourteen hours creating the whole magical kingdom of Timbuktu on your drawing board--and your spouse, sent by the worried Accountant to tell you you've missed an important dinner party, is banging on the door because you've taken the phone off the hook.
Like Alice's White Rabbit, the Accountant would always have you believe that you’re late for a very important date. And the Accountant doesn’t like it one bit when your Mind’s Eye stops to question how important that date may be; or, whether you made the date in the first place or whether it was made for you. Dreamers insist on making their own dates because their Mind’s Eyes (the Mind’s Eye being that part of your mind that’s aware of the conflict between the onboard Accountant and the onboard Visionary) have learned how to insure that mythic time gets preference over logical time.

You’ve had this experience: You’ve told yourself you’re just going to steal "two hours" to work on your dream. You go into the briar patch. One hour and fifty-five minutes have gone by, during which you've been lost--fully engrossed in your quest, without a thought for the outside world that operates on the Greenwich clock. The hours have passed "like a minute" (the Visionary’s way of talking makes the Accountant crazy). Then, you look up at the clock to discover that only five minutes remain of your bargained for two hours. How did you know to look up at the five-minute mark? Because your Accountant never sleeps, even when he’s been taken off duty. If you decide to remain in the mythic time of your dream work beyond the five minutes remaining--that is, beyond the exactly two hours you set aside--the Visionary has won this particular encounter. The Accountant has lost. If you decide to quit "on time," you may think the Accountant has won, and the Visionary lost.

What’s wrong with this win-lose scenario is that it’s exhausting, and impossible to maintain in the long run. Most people, faced with this constant natural strife between the two aspects of their minds, have allowed the Accountant to take over entirely as the only peaceful alternative. They’ve chosen the Accountant’s conservative, safe way of behaving because the daily battle is too costly in energy and emotion. If the Visionary "wins" the five-minute battle, for example, and you continue working on your new invention for another four hours instead of the two you’d set aside, guess how hard it’s going to be for the Accountant to agree to the next two hours you want to steal. The Accountant will use every instrument in the arsenal of procrastination to postpone the trip to your dreamer’s workshop.

How to avoid losing time


Francesco Petrarch: It is appointed for us to lose the present in the expectation of the future.


Petrarch, the first "Renaissance man" and precursor of Eckhart Tolle, was aware that we spend a large majority of our time "somewhere else" than in the present moment. Planning for the future, worrying about the past--so much so that by the time you reach middle age the two horses, Past and Future, are engaged in a life-and-death race along your internal timeline. Competing for your vitality, stealing your present. The time you spend on past responsibilities, past regrets, past relationships, eats into the time available for growth and progress toward your future goals.

If we don't recognize "what’s going on here," as Accountant time and Visionary time battle in our perceptions, we can get very confused. When we get confused, the Accountant can take control of our lives. For most people, the Accountant has been in full control. Consequently, they are frustrated, bored, caught in a rut. With the help of Mercury’s powerful wand--whose two snakes represent the taming of past and future around the strength of present awareness--the entrepreneur’s now-open Mind’s Eye can transform the bloody battlefield into the altar of your hopes and dreams. Awakening his Mind’s Eye, Jack London said:

I shall not waste my days in trying to prolong them. I shall use my time.

This anti-Accountant declaration is made by your Mind’s Eye--which knows that only by marrying the Accountant’s logic with the Visionary’s myth will the present be captured for effective dream work, in lieu of the Visionary wasting the present in daydreaming, or the Accountant in obsessing about the past and the future. When your Mind’s Eye takes charge of these constant time wars, productivity combines with peace of mind. The photographer Ansel Adams said, "I’m amazed at how many people have emotional difficulties. I have none. If you keep busy, you have no time for them."


Next: Work-management doesn’t work

Stealing Time for Your Dream in 2025 – Part 3: Work-management doesn’t work


Work-management doesn't work 

Time and work (action) are, in one essential regard, opposites. Here are the laws of time-work physics: 

1) Time is finite. We only live so long and, while we’re alive, we’re allotted only 24 hours in every day. 

2) Work—or action--is infinite. Work, whether good or bad, always generates more work, expanding to fill the time available. 

Given these physical laws, it should be obvious that action is unmanageable; that only time can be managed. Yet people regularly sabotage themselves by trying to manage action. "First I’ll catch up with my day job, then I’ll take time for my dream," or, "First, I’ll get my family in good shape, then I’ll find time for dreams." 

Don’t get me wrong. Action is what we’re trying to find time for. Writers write. Craftsmen make tables or boats or flower arrangements. Actors and models go for auditions and interviews. Salespeople make sales calls--the more calls they make, the more sales. Dreamers take treks to exotic places. Shakespeare's observation, that "action is eloquence," is not only creatively productive; it’s the best way to stay sane. Even one phone call a day in the service of your dreams, means, if you take two days off each week, 200 calls per year. That’s definitely progress toward the mountaintop. Success comes inevitably on the heels of constant action, as the ancient Greek poet Hesiod pointed out in his almanac: "If you put a little upon a little, soon it will become a lot." 

My mentor Tom Bergin (Sterling Professor of Romance Languages and Master of Timothy Dwight College at Yale) was the author of fifty-nine books by the time he retired and eighty-three by the time he died. Yet he described himself as a "plodder." He just kept plodding away, in the vein of Hesiod. Tom and I exchanged hundreds of letters from the time I left Yale to the time he died. He taught me the relentless equation between consistent, minor actions and ultimate productivity. One day, by way of complaining about having no time to do any serious work because of all the trivial errands and duties he had to attend to, he sent me a quotation from Emerson: "Things are in the saddle and ride mankind." 

Against the accelerating incoming bombardment of the things of contemporary life, action happens only when we steal time to make it happen. Yet schedules, to-do lists, self-revising agendas are constantly being tested and found insufficient. They work for a while, then become ineffective. Without recognizing this reality, through the Mind’s Eye’s awareness, each time this happens it may send us into a tailspin that moves us further from success. Life delights in creeping in to sabotage our dreams if only to make sure we’re serious about them. One of my clients, after six months of working together to change her habits to become more productive, told me I was the "Ulysses S. Grant of time management." She told me that Grant wired Lincoln: "I plan to hammer it out on this line if it takes all summer"--and that his telegram was read along the way before it was handed to the beleaguered President. The jealous snoops told Lincoln, "You know, we have reports that General Grant drinks a considerable amount of whiskey." "Is that right?" Lincoln replied. "Find out what brand he drinks and send a case of it to each of my Generals." 

The human nature of time 

Archimedes: Give me a lever and I can move the world. 

Atchity: Time is the Dreamer’s lever. 

All you need to make your dreams come true is time. Using time as your most faithful collaborator begins with understanding its interactive characteristics and protean shapes. You’ll begin noticing that time behaves differently under different circumstances. When you’re concentrating, your awareness of time seems to disappear because you’ve taken yourself out of the Accountant’s time and are dealing with the Visionary whose experience is timeless. When you're away from your  quest, you become very conscious of time because your Visionary is clamoring in his cage to be released from the constraints of logical time. 

"You've got my full attention": compartments of time, time and energy, rotation, kinds of time, and linkage 

Time-effectiveness is a direct function of attention span. When you’re concentrating, giving the activity you’re involved with your full attention, you produce excellent results. When your attention span wavers and fades, the results diminish. Until you recognize that attention span dictates effectiveness, you’re likely to waste a great deal of time. 

The key to avoiding this situation is assessing how long your attention span is for each activity you engage in--and then doing your best to engage in that activity in appropriate compartments (allotments of time that you’ve found to be most productive). Since my particular career is multivalent, I pursue what I call a "rotation method” of moving among activities that support my producing, managing, writing, brand-launching, speaking, and managing my next  quest. I love all these activities, but not when I do them exclusively--each one having its own high ratio of crazy-making aspects that diminishes automatically when that activity is juxtaposed with the others. 

Except during a crisis in one of the four areas, at which point all other activities stand aside until the crisis is resolved, I find it stimulating to spend an hour working on production-related matters, then spending the next hour on calls that manage various client projects in development. I’ve also learned that it’s a waste of time to try to control things that only time can accomplish--such as making a phone call, then waiting next to the phone for a response to it; or staring at the toaster waiting for the toast to pop up. The only time you have anything approaching direct control of anything is when the ball is in your court. During that moment I focus on getting the ball out of my court into someone else’s court so that I’ve done what I need to do to make the game continue. Success is all about what you do while you’re waiting. 

Rotating from one activity to another ensures that the outreach begun in Activity A will be "taking its time" while you’re engaged in Activities B, C, and D. When the phone rings from the A call, you interrupt D to deal with it--and it’s generally a pleasant interruption, knowing that one facet of your career is vying with another for your attention.

An hour is probably an average attention span compartment for work. But the length of the particular compartments (remember that "compartments" are allotments of time given to a particular work activity) changes from time to time as your attention span for that activity evolves. During the original drafting of this book, for example, I spent two hours a day writing, whereas before I began the draft my attention span allowed me to spend only an hour or less a day thinking about the book and gathering my notes for it. 

There’s no magical formula for determining attention span; it changes as you and your circumstances change. Yet once determined, attention span is the mastering rod between the serpents, the compartment of time where past and future meet in a present that feeds from the first and nourishes the latter. 

Obviously attention span is related to your energy level at different times of day, and with regard to different activities. Activities that drain you should not be scheduled one after the other, but should alternate with activities that create energy for you. 

Energy and attention span will also be different depending on whether you’re at the beginning, in the middle, or at the end of a particular objective. Your attention span is most in danger of sabotaging you in the middle, where it’s easy to confuse your fatigue from the hard work of plodding forward with some sort of psychological upset caused by the process you’re engaged in. Usually that situation can be resolved by shortening the allotments of time you’re devoting to the present objective; or changing the activities around which you’re scheduling this objective’s compartments. 

When a particular compartment is nearing its end, use the last few minutes of it (when the Accountant comes back online to remind you that the time is "almost up") to jot down what you’re going to do the next time you revisit this compartment. This automatically puts your Visionary and Accountant into a percolation mode in which they bat things back and forth "in the back of your mind" while you¹re busy working in the next activity’s compartment.

Next: Where does the time go?


Congratulations A.M Adair Quarter Finalist in the Table Read My Screenplay – Cannes 2025 Competition!

 


Story Merchant author A.M. Adair's screenplay Origin is in contention for a professionally directed table read in front of a live audience during the 2025 Cannes Festival.

Based on her novella Origin Story. A woman wakes from a coma to find herself in prison with no memory of who…or what she is. The vicious attack that almost killed her erased all that she was. 

But not what she did.
Her name is Elyse Tyson.
And she’s a serial killer.
Or at least she was.





A. M. Adair is a retired Chief Warrant Officer from the United States Navy with over 21 years in the Intelligence Community—specializing in counterintelligence and human intelligence. She has been to numerous countries all around the world, to include multiple tours in Iraq, and Afghanistan. Her experiences have been unique and provided her imagination with a wealth of material to draw from to give her stories life. A lifelong fan of the genre, she is an associate member of International Thriller Writers. Her debut novel, Shadow Game, is the first book in the Elle Anderson series. It was published in October 2019 and then was turned into a graphic novel in January 2022. Book 2, The Deeper Shadow, was released in November 2020, and the explosive third installment, Shadow War, was released in March 2022. Autographed copies of her books, news, and interviews are available on amadair.com. She lives in Tennessee with her husband Jake, her daughter Arya, and son Finn.

Sampson’s Leo Daughtry Pens Debut Novel



 It’s been 10 years in the making, but former North Carolina state Representative and Senator Leo Daughtry has released his debut novel “Talmadge Farm.”

“My first and last, probably,” Daughtry joked over the phone about his book. “It’s a lot of work.”

Daughtry is a Sampson County native now living in Smithfield. His 320-page novel is available now for purchase at Amazon and Barnes & Noble.

He said last week that he’s spent years creating outlines for the book and then throwing them away before doing another one, all because they did not fit the story he wanted to tell.

“I probably started doing outlines 10 years ago. And I would do an outline, tear it up, and do another one. But I had in my head about what I wanted to do,” he said.

And that idea was to create a story based on events that he lived through growing up in Sampson County, namely sharecropping, the research into tobacco and how that affected the industry, and other societal changes taking place in the 1950s and 1960s.

“I wanted to have a book to sort of show the lives of the sharecroppers. And then show the changes that were taking place in the late 50s and 60s,” he admitted.

Daughtry went on to explain that his childhood of living in a rural town and going to a rural school where most of his classmates were the children of sharecroppers gave him the inspiration to write about their hardships and what happened to them as sharecropping started to die out.

“I went to a very rural school,” Daughtry explained of his years in the Hobbton district. “And in my class, I would say over half of the students, my classmates, were the children of sharecroppers. That was the way, in those days, that was the way farming was done.”

Making a living as a sharecropper, he said, was “a desperate and hard thing to do.” And that as the years went on, especially in the 1950s, it “became clear that sharecropping wasn’t really a good way to live.”

“Many of the children left the farm when they grew up,” Daughtry explained, “and some moved up north, particularly the African Americans. Many of them went into the army to get off the farm.”

He also mentioned woman getting clerical certificates to get an office job instead of working as a maid or in the fields, all of which were explored within the pages of “Talmadge Farm.”

But having children leave wasn’t the only change that happened to sharecropping families in this time.

Daughtry explained that the advances in technology and the growth of the farms led to sharecroppers leaving completely.

“You had the mechanization on the farms. Farms got larger, they consolidated, and so there was just no place for sharecroppers,” Daughtry said. “So, they left the farms. Some involuntary and some voluntary.”

Which then led to an influx of migrant workers, a subject that Daughtry also touched upon in his book. Other major events he talked about included segregation, the Vietnam War, and women’s rights.

And when talking about farming, Daughtry knew he would have to talk about the changes the tobacco industry and its farmers faced.

“Tobacco was king, but it was not going to be there forever. It was a contradiction. It was a way to make a living and support your family. And that’s a good thing. And then on the other hand, it was killing people who smoked and that’s a bad thing,” he explained.

Most of all, Daughtry wanted to tell a story through lenses of different characters, each with their own unique tie to the fictional Sampson County he had created in his book. They were characters, he said, that were easy to write and show the way that people in that time period could have adapted to all the changes happening around them.

“I think it was easier for the young people in the book to adapt and to change than it was for the older people. Their way of life was certainly, for the landowner, very satisfactory. They had someone going to work. They had someone looking after them. In other words, they had maids and cooks. They had a good life, and they didn’t particularly want to change,” Daughtry said about writing some of the characters.

A press release sent out by Books Forward gives “Talmadge Farm” the following synopsis:

“It’s 1957, and tobacco is king. Wealthy landowner Gordon Talmadge enjoys the lavish lifestyle he inherited but doesn’t like getting his hands dirty; he leaves that to the two sharecroppers – one white, one Black – who farm his tobacco but have bigger dreams for their own children. While Gordon takes no interest in the lives of his tenant farmers, a brutal attack between his son and the sharecropper children sets off a chain of events that leaves no one unscathed. Over the span of a decade, Gordon struggles to hold on to his family’s legacy as the old order makes way for a New South.”


via Sampson Independent