"The universe is made of stories, not of atoms."
—Muriel Rukeyser
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Rekindle Your Creative Spark: How Writers Can Restore Motivation and Build a Sustainable Career

 

By Dr. Ken Atchity
Founder, Story Merchant • CEO, Writers Lifeline
Adapted from Writer’s Digest

Even the most passionate writers experience burnout.

At Writers Lifeline, we work with writers at every stage—emerging, mid-career, and established—who find themselves creatively depleted by the long, uncertain road to publication. The struggle to publish, break through, and sustain a writing career can quietly drain even the strongest creative drive.

If you’re feeling stalled, discouraged, or disconnected from your work, this isn’t failure—it’s a signal that your creative energy needs renewal.

Why Writers Lose Motivation

When you first committed to becoming a writer, motivation came easily. The challenge was exhilarating. Creativity felt limitless.

Over time, rejection, isolation, and market uncertainty can replace joy with exhaustion. What once felt promising may now feel impractical—or even foolish.

This happens when the struggle overtakes the purpose.

The creative process follows a predictable cycle:

  • Motivation leads to focused work
  • Work without rest leads to exhaustion
  • Exhaustion leads to frustration
  • Frustration leads to self-doubt
  • Doubt requires reassessment and renewal

A professional writing career—whether in publishing, film, or television—demands continuous remotivation. That’s why career support systems like Writers Lifeline and Story Merchant exist: to help writers stay in motion without losing themselves.

 

12 Rules to Reignite Motivation and Overcome Creative Burnout

 

Rule #1: Write Regardless of Mood

Professional writers cannot afford to wait for inspiration.

If productivity depends on feeling good, the work will stall. Writers who build lasting careers understand that discipline creates momentum, and momentum restores confidence.

As Edmund Burke said:
“Never despair—but if you do, work on in despair.”

Rule #2: Take Strategic Breaks—Not Permanent Ones

When progress feels impossible, step away briefly—but consciously.

Say: “I’m taking three days off.”
Not quitting. Not abandoning the project.

Never decide the fate of your writing when you’re exhausted. Fatigue distorts judgment. Most projects regain clarity after rest.

Rule #3: Understand That Difficulty Is Normal

Writing is one of the highest expressions of human creativity. It is supposed to be difficult.

I once shared a panel with Louis L’Amour after the publication of his 93rd novel. He told the audience, “I feel I’m finally beginning to master my craft.”

That statement should encourage—not discourage—you. It means the challenge never disappears, and neither does growth.

Progress is success.

Rule #4: Rebuild Self-Trust

Self-doubt afflicts every writer, no matter how accomplished.

Negative voices—whether from others or within—must be identified and neutralized. Often, writers need to reassess how much time, structure, and professional guidance they’re giving their work.

This is where Writers Lifeline’s coaching and mentorship programs help writers restore confidence through action, not affirmation.

Confidence grows when you keep writing despite uncertainty.

Rule #5: Turn Fear Into a Creative Ally

Fear is not a warning sign—it’s evidence that the work matters.

Psychologist David Viscott observed:
“If you have no anxiety, the risk you face is probably not worthy of you.”

Writing flourishes when fear is acknowledged and faced. When you stop avoiding fear, it sharpens focus and deepens engagement.

Rule #6: Surround Yourself With Positive Influences

Creative momentum thrives in supportive environments.

Distance yourself from habitual naysayers, even when they mean well. Seek out mentors, peers, and communities that reinforce possibility.

At Story Merchant, we believe sustainable creative careers are built inside communities of belief, not isolation.

Rule #7: Take Responsibility for Your Career

Waiting to be discovered is a form of magical thinking.

Most successful writers struggled for years, enduring rejection and revision. Career progress comes from engagement—learning the industry, refining your work, and making informed decisions.

That’s the mission behind Writers Lifeline: helping writers actively shape their careers instead of waiting for permission.

Rule #8: Take Charge of Your Thinking

Your thoughts shape your creative reality.

When you can envision success, you prepare yourself to recognize opportunity. You cannot fail at being yourself—everything you experience contributes to your growth as a writer.

Even doubt has value when it’s met with action.

Rule #9: Control What You Can

You cannot control the market, trends, or timing.

You can control:

  • The next page you write
  • The next revision you complete
  • The next professional step you take

Focus there. Progress compounds.

Rule #10: Live as the Writer You Want to Be

Function follows form.

If you want a sustainable writing career, organize your habits, schedule, and priorities as though that career already matters—because it does.

Writers benefit from regular fine-tuning at every stage of development.

Rule #11: Celebrate Your Courage

Choosing the creative path is an act of bravery.

You may never regret “the road not taken,” because you chose to take the difficult one. Writing demands resilience, discipline, and faith—and those qualities deserve respect.

Honor yourself for staying in the work.

Rule #12: Practice Being Present

Creative people often live in the future.

Meditation, exercise, long walks, and time away from routine reconnect you with the present moment—where perspective and clarity return.

Most of the time, this is where motivation quietly reappears.

Rekindling Your Spark Starts With Support

Reigniting creativity isn’t about forcing inspiration—it’s about structure, accountability, and self-respect.

At Writers Lifeline, we help writers overcome creative burnout, refine their craft, and navigate the realities of publishing and entertainment—without losing their voice or purpose.

The struggle is not a sign to stop.
It’s a sign that you’re doing meaningful work.

 

 

The Pygmalion Myth: Why Writers Never Stop Rewriting the Dream

 

The wish-fulfillment archetype—the dream made flesh—has haunted storytelling for centuries. Few myths express it more powerfully or persistently than the story of Pygmalion. From ancient sculpture studios to modern cinema, the Pygmalion myth continues to shape how writers explore transformation, desire, power, and rebirth.

For writers, this myth is more than a romantic fantasy. It’s a durable narrative engine—one that reveals why audiences are endlessly drawn to stories of becoming.

The Original Pygmalion Myth: When Art Becomes Life

In Greek mythology, Pygmalion is a Cyprian sculptor, priest, and king who turns away from human relationships and devotes himself entirely to his art. From ivory, he sculpts a flawless maiden and names her Galatea, meaning “sleeping love.” He dresses her, adorns her with jewels, and falls deeply in love with his own creation.

Moved by his devotion, Pygmalion prays to Aphrodite for a wife as perfect as his sculpture. The goddess visits his studio, recognizes Galatea as nearly a reflection of herself, and brings the statue to life. Pygmalion returns home, kneels before the living woman, and the two are wed under Aphrodite’s protection—an idealized ending rooted in divine approval and fulfilled longing.

At its core, the myth rewards action: the dreamer does something about the dream.

The Pygmalion Story Structure Writers Still Use

Across centuries and genres, the Pygmalion myth follows a recognizable pattern:

  • The protagonist encounters something unformed or undervalued
  • A dream or ideal is projected onto that subject
  • Skill, discipline, money, or power is applied to transform it
  • The creator falls in love with the result—or pays the price for trying to control it
  • The story resolves in fulfillment, loss, or moral reckoning

This structure is endlessly adaptable because it mirrors a fundamental human impulse: the desire for reinvention and rebirth.

From Shaw to Hollywood: Pygmalion Enters Modern Consciousness

While the myth never vanished from Western literature, it gained renewed force with George Bernard Shaw’s Pygmalion, which reframed the story to examine class, gender, and power. Shaw stripped the myth of divine intervention and replaced it with social engineering and uncomfortable consequences.

My Fair Lady, the musical adaptation, softened Shaw’s critique but embedded the myth permanently in popular culture. The line “Look at her, a prisoner of the gutter!” captures the modern Pygmalion impulse perfectly: transformation as aspiration—and entitlement.

Pygmalion Variations in Film and Popular Culture

Thanks to the creativity of writers, producers, and directors, the Pygmalion myth has generated countless memorable screen stories:

  • Pinocchio (1940): Geppetto wishes his wooden puppet could become the son he never had
  • One Touch of Venus (1948): A window dresser kisses a statue of Venus to life—with romantic complications
  • Educating Rita (1983): A working-class woman seeks education and outgrows the mentor who reshaped her
  • Can’t Buy Me Love (1987) and Love Don’t Cost a Thing (2003): Popularity is purchased—and paid for
  • She’s All That (1999): A makeover bet turns into genuine love
  • The Princess Diaries (2001): A social misfit becomes royalty, discovering connection matters more than power

Each version tests the limits of transformation—and the ethics behind it.

Pretty Woman and the Fantasy of Reinvention

Pretty Woman (1990) takes the Pygmalion myth to its most escapist extreme. Vivian (Julia Roberts), an idealized sex worker, is remade through wealth and access by Edward (Richard Gere), a businessman emotionally disconnected from real intimacy.

The now-iconic Rodeo Drive shopping montage distills the pleasure audiences take in visible transformation. It’s fantasy, yes—but fantasy that reveals how deeply the myth still resonates.

When Pygmalion Turns Dark: La Femme Nikita

The most unsettling—and arguably richest—use of the myth appears in La Femme Nikita (1990). Under ruthless mentorship, a street-level drug addict is reshaped into a lethal, sophisticated assassin.

Here, transformation is violent, coercive, and morally ambiguous. Yet the underlying myth remains intact: rebirth into a more powerful, more controlled version of oneself—at a terrible cost.

Why Writers Keep Returning to Pygmalion

The Pygmalion myth appears in unexpected places—from My Dream Girl to Million Dollar Baby—because it taps into a universal emotional truth. Whether romance is involved or not, the deeper reward of the myth is renewal.

In Million Dollar Baby, the unformed matter arrives asking to be shaped. The mentor doesn’t fall in love—but is transformed himself. This reversal reveals the myth’s true engine: both creator and creation seek rebirth into a more meaningful state of being.

What the Pygmalion Myth Teaches Writers

For writers, Pygmalion offers enduring lessons:

  • Transformation drives narrative momentum
  • Power dynamics matter as much as romance
  • Change always carries unintended consequences
  • The desire to remake another often masks a need to remake oneself

Understanding this myth helps writers create deeper characters, stronger arcs, and stories that resonate beyond genre.

Writers Lifeline: Supporting the Transformation Behind the Page

Every writer is a kind of Pygmalion—shaping raw ideas into living stories. But transformation can be emotionally demanding, isolating, and overwhelming.

Writers Lifeline exists to support writers through that creative process—offering guidance, emotional support, and professional insight when the work feels heavy or the dream feels distant.

Because behind every transformation story is a creator who also deserves care.


First published in Produced By, the official magazine of the Producers Guild of America.

Story Merchant Books and The Writers Lifeline launch new Audio Book Service

 

 

Why Now Is the Time to Turn Your Book into an Audiobook

Audiobooks have quietly become one of the most powerful forces in publishing. While print and E-books remain essential, audio is where many readers are discovering new authors, revisiting favorite stories, and building a deeper connection with the books they love. For working writers and author-entrepreneurs, that shift is not a trend to watch from the sidelines. It is an invitation.

We have added full-service audiobook production for a simple reason: a manuscript that works on the page increasingly deserves to live in the listener's world as well. This blog walks through why audiobooks matter, what a professional production actually involves, and how we approach the process with our authors.

Why Audiobooks Matter Now

The audiobook audience is no longer a niche. Millions of readers now experience books primarily through their headphones or car speakers. They listen while commuting, cooking, exercising, traveling, or simply resting their eyes at the end of the day. For many of them, "reading" means pressing play.

That shift creates real opportunities for authors:

  • Reach a wider audience- Audio puts your work in front of people who may never sit down with a print or ebook, but who happily consume several hours of audio each week.
  • Increase accessibility- Audiobooks provide access for people with visual impairments, reading challenges, or busy schedules that make sustained reading difficult. A well-produced audiobook can be the difference between someone knowing your work and never encountering it at all.
  • Deepen engagement- When your story is delivered through a skilled performance, the emotional connection often strengthens. Characters feel more vivid, ideas land more clearly, and listeners stay in your world longer.

If you think of your book as a conversation with your reader, an audiobook is that same conversation spoken aloud, with all the nuance of tone, pacing, and emotion that text alone cannot fully carry.

Why Professional Production Matters

It is technically possible to record an audiobook on your own with a microphone and basic software. It is also very easy to end up with distracting background noise, uneven volume, inconsistent pacing, and passages that do not sound the way they read. Listeners are more discerning than ever, and platforms like Audible and Apple Books set clear quality standards.

A professional audiobook production pays attention to details that most listeners will not consciously notice but immediately feel:

  • Clean, consistent sound with no hisses, pops, or room noise.
  •  A narration style that fits the genre and tone of your book.
  • Accurate pacing that allows the meaning to land without dragging.
  • Careful handling of names, places, and technical terms through a pronunciation guide.
  • A smooth experience from chapter to chapter, with no jarring changes in level or tone.

For authors who have invested years in writing and revising, it makes sense to bring the same level of care to the audio edition.

The Story Merchant Audiobook Process

Our goal at Story Merchant Books is to make audiobook production clear, structured, and as stress-free as possible. We handle the technical complexity so you can stay focused on the story.

Story Merchant Books offers a streamlined process designed for quality, clarity, and ease:

  1. Submit Manuscript – Receive a free quote based on your book’s length and narration preferences.
  2. Casting – Choose from 200+ professional narrators or record the book yourself with guided support.
  3. Preproduction – Establish narration style, finalize pronunciation guides, and set production logistics.
  4. Recording – Directed sessions ensure consistent tone, pacing, and performance.
  5. Postproduction – Includes all editing, mastering, and quality control.
  6. Client Approval – You’ll have the opportunity to review the full audiobook before it’s delivered.
  7. Delivery – You'll receive the audiobook file that you can upload to your chosen distribution platform.

Flexible Packages, Tailored to Your Book

Every audiobook project is different. A tightly focused business book, a sprawling epic novel, and a personal memoir will have different needs in terms of length, narration, and creative support.
For that reason, we offer flexible packages built around:

  • The number of finished audio hours.
  • Whether you prefer a professional narrator, to narrate the book yourself, or to use multiple voices.
  • The level of extras you want, such as custom cover art for audio, a teaser trailer, or short audio clips for social media and marketing.

Packages are available based on finished hours and level of production; call or email for a tailored quote for your specific project.

Is Your Book Ready for Audio?

If you have a completed, edited manuscript, your book is a strong candidate for audio. If you are still revising, the process can begin with planning and casting, so that you are ready to move into recording once the text is locked.

You do not need to decide everything at once. Many authors start with simple questions:

  • Does my audience listen to audiobooks?
  • Would my voice or a professional narrator be a better fit for this material?
  • How do I want listeners to feel while they are in this story?

Those questions are a good starting point for a conversation.

Next Steps

If you are ready to explore audiobook production-or simply want to know what it would look like for your specific book-you can reach out with your manuscript's approximate word count and your goals for the audio edition. We will put together a clear, no-obligation quote and an outline of how the process would work for you.
Your book already exists in one powerful form: on the page. An audiobook gives it another life, in another medium, for a growing audience that wants to hear your story.
Contact Us for a Quote
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3 Essential Screenwriting Rules Every Writer Needs to Remember

3 Rules Beginning Screenwriters Need To Know - Dr. Ken Atchity

Insights from Ken Atchity — and Why They Matter to Your Creative Well-Being

Beginning a screenplay can feel overwhelming. The blank page, the pressure to “get it right,” and the constant self-doubt can quietly drain confidence before the story even takes shape. In a powerful and clarifying YouTube conversation, literary manager Ken Atchity breaks screenwriting down to three foundational rules that every writer—especially those early in their journey—needs to understand.

These rules don’t just strengthen scripts. They also ease the emotional strain writers often carry when navigating uncertainty, rejection, and creative fear.

Rule #1: Everything Must Be Connected

One of the most common mistakes new writers make is treating scenes, dialogue, or characters as isolated moments. Atchity emphasizes that nothing in a screenplay should exist without purpose. Every line, action, and beat must connect to the larger story.

When writers struggle, it’s often because they’re trying to “force” moments instead of letting the story flow organically. Understanding connection helps reduce that pressure. When each piece supports the whole, the story—and the writer—can breathe.

Writers Lifeline insight: Feeling stuck often comes from disconnection—either within the story or within yourself. Talking through your work with a trained listener can help restore clarity and confidence.

Rule #2: Think in Dramatic Order, Not Logical Order

Stories are not instruction manuals. They don’t have to unfold in strict chronological or logical sequence. They need to unfold in a way that maximizes emotional impact.

Atchity reminds writers that audiences respond to drama, tension, and revelation—not explanations. When writers let go of logic and embrace dramatic order, storytelling becomes more intuitive and less mentally exhausting.

Writers Lifeline insight: Perfectionism and overthinking are frequent sources of creative anxiety. Supportive conversation can help writers trust their instincts instead of second-guessing every choice.

Rule #3: Story Is Architecture

A screenplay is like a building: if one beam is weak, the entire structure suffers. Atchity stresses that storytelling is design, not decoration. Everything must support the emotional and dramatic weight of the narrative.

This perspective shifts writers away from self-criticism (“I’m not good enough”) toward craft (“How can this be strengthened?”). That shift alone can dramatically reduce creative burnout.

Writers Lifeline insight: Writers often internalize structural problems as personal failure. Having a safe space to talk through challenges can prevent discouragement from becoming paralysis.

Why These Rules Matter Beyond the Page

At The Writers Lifeline, we see firsthand how creative struggles impact emotional well-being. Doubt, isolation, and fear of failure are common—especially among emerging writers trying to find their voice.

Ken Atchity’s advice is a reminder that:

  • You don’t need to know everything at once

  • Struggle is part of the process, not a sign of inadequacy

  • Craft and confidence grow together

When writers feel supported, they write better stories—and live healthier creative lives.

You’re Not Alone in the Process

If writing has begun to feel overwhelming, isolating, or emotionally heavy, The Writers Lifeline is here. Our trained listeners understand the creative process and provide confidential, judgment-free support for writers at every stage.

You don’t have to figure it out alone.
Sometimes the most important breakthrough starts with a conversationust tell me 

What's Standing in the Way of Achieving Your Dreams?

Available on Amazon 

How to Quit Your Day Job and Live Out Your Dreams: Fear, Friendship, and the Line You Choose

How to Quit Your Day Job and Live Out Your Dreams was never intended as an invitation to reckless leaps or romanticized risk. It is a book about courage with clarity. About understanding that what we often call “security” is not the same as safety—and that familiarity, when it no longer fits who you are becoming, can quietly become a trap.

Over decades of working with writers and creatives, I’ve seen one force stop more careers than failure ever has: fear. Not fear of incompetence, but fear of change. Fear of stepping out of line. Fear of disappointing the people who are most comfortable with us staying exactly where we are.

Why Fear Stops Writers More Than Failure

Writers rarely fail because they lack talent. They stall because fear convinces them that the cost of change is too high. Fear whispers that now is not the right time, that stability should come before fulfillment, that wanting more is irresponsible.

This kind of fear is especially dangerous because it often arrives wearing the voice of reason. It sounds like practicality. It sounds like concern. And it often comes from people we trust.

Friends vs. Friendly Associates: A Necessary Distinction

One chapter of How to Quit Your Day Job and Live Out Your Dreams explores the critical difference between true friends and friendly associates. I learned this distinction firsthand when I chose to leave the academic world and walk away from a tenured position.

At the time, I believed I had many friends. What I discovered was that I had a few friends—and a much larger circle of people who were comfortable with me only as long as I stayed where I was.

Some thought I was foolish in a benign way. Others were openly angry, convinced I was ungrateful or reckless for abandoning what they viewed as security. What became clear over time was that their reactions were not really about me. They were about fear. And, in some cases, envy. They wished they could make a similar leap but could not bring themselves to do it.

The Line You Choose to Stand In

Years earlier, while appearing on The Dr. Joyce Brothers Show, I met a man in his eighties who had just earned a law degree from the University of Chicago.

He told Dr. Brothers that four years earlier, while standing in line to register for classes, a young person behind him tapped his shoulder and asked, “Sir, are you sure you’re in the right line?”

He turned around and replied, “What line should I be in?”

That exchange has stayed with me ever since. Because it captures something essential about possibility. There is no age limit on ambition. No expiration date on reinvention. No authority deciding when it’s “too late.”

That man stood in line without apology and earned his degree at 86. What separated him from countless others wasn’t intelligence or opportunity—it was his refusal to let fear decide for him.

Reinvention Has No Expiration Date

At its core, How to Quit Your Day Job and Live Out Your Dreams is a roadmap for reinvention at any stage of life. It affirms that there is no single “correct” path, only the one that aligns with who you are becoming.

For writers and creatives, choosing the uncertain path—writing the book, changing careers, telling the truth—almost always triggers resistance from others. That resistance can be subtle or overt, but it is nearly always rooted in fear.

How Writers Lifeline Helps Writers Move Forward

That’s why Writers Lifeline exists: to help writers recognize fear for what it is, separate external voices from internal truth, and move forward with clarity instead of paralysis.

Writers Lifeline Services offers support for creatives navigating uncertainty, transition, and self-doubt—especially during moments when the pressure to stay in line feels overwhelming.

Because the real question isn’t whether you’re standing in the right line.

The real question is whether you’re brave enough to stand in the line that belongs to you.



CREATIVE MINDS: In Praise of Fear

 

In Praise of Fear: Why Author and Psychotherapist Dennis Palumbo Is Right About Creativity and Anxiety


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Every generation of writers is told some version of the same lie: that fear is a weakness, a defect to be conquered, or a signal that you’re not cut out for the work. Dennis Palumbo, thankfully, knows better.

In his recent Psychiatric Times column, “In Praise of Fear,” Palumbo—former Hollywood screenwriter (My Favorite Year) and longtime psychotherapist to artists—offers a lucid, deeply humane meditation on fear as an essential companion to meaningful creative work. I encourage every writer to read the piece in full.

Palumbo’s argument is not theoretical. It is lived. It is earned.

Fear Is Not the Enemy of Serious Work

Palumbo reminds us that emotions are not moral categories. Fear is not bad. Courage is not good. They are information—signals from the interior life that tell us where the stakes are.

In my experience working with writers across genres and decades, the absence of fear is rarely a virtue. More often, it signals disengagement. The writers who feel nothing are not brave; they are not fully invested.

Fear shows up when the work matters.

Palumbo puts it plainly: the creative mind draws its power from the same inner terrain that produces doubt, anxiety, and vulnerability. To exile fear is to exile the source of the work itself.

The Mountain Is the Work

One of the most memorable passages in Palumbo’s essay recounts his attempt to climb the Grand Teton while researching a screenplay. Frozen on a ledge, he admits his fear to his instructor, who responds: “Good. Otherwise, I wouldn’t climb with you.”

Fear, the instructor explains, keeps climbers present. Alert. Alive.

Writing works the same way. Fear focuses attention. It sharpens judgment. It forces us into the moment where the next handhold—the next sentence—actually matters.

Writers who try to eliminate fear often end up writing safely. Or not at all.

Why Trying to “Kill” Fear Is a Mistake

Palumbo rejects the popular advice to conquer or destroy fear. After decades of clinical work with writers, musicians, filmmakers, and artists of every stripe, he has never seen fearlessness produce better art.

Fear reveals what we care about.
Fear marks emotional truth.
Fear energizes the work when it is acknowledged rather than denied.

What drains creative power is not fear itself, but the effort required to pretend it isn’t there.

Why Writers Need Support, Not Platitudes

This is where many writers get stranded—aware of their fear, but unsure how to work with it. Palumbo’s clinical insight reminds us that fear should be taken seriously, but not indulged. Explored, but not obeyed.

At Writers Lifeline, the focus is not on eliminating anxiety or forcing productivity. It is on helping writers stay in relationship with their work when fear inevitably arises—during drafting, revision, submission, or success itself.

Fear is not a reason to stop. It is often the sign that you are exactly where you need to be.

Read Dennis Palumbo’s Essay

Dennis Palumbo’s original essay, which is thoughtful, generous, and precise in ways only long experience allows.

I strongly recommend reading “In Praise of Fear” in Psychiatric Times:
https://www.psychiatrictimes.com/view/in-praise-of-fear

Some climbs are meant to be difficult.
Half excited. Half terrified.
That sounds about right.

Celebrating Excellence: Justin Allen Price Earns Voice Arts Award Nomination for Talmadge Farm

Nothing excites us more than seeing a story we believe in rise to new heights. That’s exactly what’s happening with Leo Daughtry’s powerful debut novel, Talmadge Farm—a project that began its journey through The Writers Lifeline, where we worked closely with Leo to help shape, refine, and prepare the manuscript for publication.  We’re thrilled to share that the audiobook edition of Talmadge Farm, narrated by the exceptional Justin Allen Price, has earned a nomination from the Society of Voice Arts and Sciences (SOVAS) for Outstanding Audiobook Narration – Fiction. This nomination places Justin among industry greats, including Martin Sheen and Matthew McConaughey, who appear across other categories. Winners will be announced at the January gala in Beverly Hills.

From Manuscript to Award Recognition

Leo Daughtry’s story first took root at The Writers Lifeline, where he developed the narrative with our editorial and creative support. From there, the book became part of the StoryMerchant Books publishing family—a natural next step in bringing this deeply personal historical novel to readers and listeners everywhere.

We take great pride in seeing a project that began with us continue to thrive, grow, and earn recognition on the national stage.

A Narrator Honored and Grateful

Justin Allen Price shared his heartfelt reaction to the nomination:

“I can’t even begin to describe the feelings I felt when I saw my name listed amongst such incredible people. Mostly, I feel out of my league, but I’m so happy to be doing this thing that I love. To everyone I’ve met along the way: thank you. Congrats to all my fellow nominees!
And thanks so much to SOVAS—and especially to Audio Sorceress and Leo Daughtry—for the opportunity to tell this incredible story.”

Justin’s humility and passion mirror the authenticity he brings to his performance—one that beautifully amplifies Leo’s writing.

Industry Praise Confirms the Impact

AudioFile Magazine praised the audiobook as

“a notable listening experience.”

Their review underscores the emotional richness, textured setting, and multigenerational drama that make Talmadge Farm a standout work of historical fiction.

A Shared Win for Story Merchant Books & The Writers Lifeline

This nomination is more than an individual achievement—it’s a milestone for everyone involved in the creative journey of Talmadge Farm. From early development through The Writers Lifeline, to publication with Story Merchant Books, to audiobook production with outstanding collaborators, this is a full-circle success story.

Experience Talmadge Farm for Yourself

👉  Ycan find the book here: Talmadge Farm or Listen on Amazon & Audible: https://www.amazon.com/dp/B0D3WW6BHL/

Congratulations once again to Justin Allen Price and Leo Daughtry. We are proud to have supported this book from its earliest pages and excited to see its continued recognition.


Listening to Leo Daughtry Tell the Story Behind Talmadge Farm

  


In a recent episode of Star Communications' show We Should Know, host JW Simmons sits down with Leo Daughtry to talk about his novel Talmadge Farm and the world that shaped it. Over the course of the conversation, Leo walks through life on a tobacco farm in northern Sampson County, his years in public service, and why he chose to capture the years 1957-1967 in fiction.

Talmadge Farm, published by Story Merchant Books, follows a large tobacco operation, the families who own it, and the families who work it during a decade of rapid change in eastern North Carolina. The book has clearly struck a chord: it is now the #1 best-selling paperback in Amazon's Historical Event Literature Criticism category, with more than 4,000 copies sold and record-breaking November sales, even passing classics in its category like The Great Gatsby and Don Quixote.

The Writers Lifeline has been supporting the marketing and promotion of Talmadge Farm as the book finds new readers well beyond Sampson County.

[embed]https://youtu.be/l1DGkb9j0yI?si=n5FkyGVad2d5q-VC[/embed]

You can listen to the full interview here:  We Should Know - Leo Daughtry on Talmadge Farm

And you can find the book here:  Get Talmadge Farm on Amazon

The world Leo writes about

In the interview, Leo starts with the basics: he was born in 1940 and grew up on a tobacco farm in northern Sampson County. His father owned land and worked with sharecropping families, both white and Black. From a child's perspective, he remembers farm work as "really hard work"-hauling, hanging, and cropping tobacco at around 130 pounds-and remembers that "sharecroppers in those days were poor." There was very little to carry a family from one season to the next.

He also remembers segregation as a simple fact of daily life. Black families had a separate school. They could not eat in most local restaurants. They had to use different water fountains and could not try on clothes in some stores. What stuck with him most was the bus ride: he would get on one school bus while friends who lived just a couple hundred yards away got on another.

The novel takes that world and gives it a specific shape. Talmadge Farm is an 1,800-acre operation owned by Gordon and Claire Townage. Gordon comes from a family that built a bank and accumulated land; Claire comes from a family that owns the drugstore in town. Together they represent the comfortable, confident top of the local ladder.

On the same land live two sharecropping families, one white and one Black. They farm, raise children, and try to get through each year under a system where the land and the credit belong to someone else. Their lives are different in many ways, but they share the same basic vulnerability: if the crop fails or the numbers don't work, they have few options.

Leo describes Talmadge Farm as historical fiction. The characters are composites of people he knew, but the events and conditions are drawn from what he remembers:

  • the separate schools and facilities of the 1950s
  • the expectations placed on women before no-fault divorce and reliable birth control
  • the central role of tobacco in small-town economies
  • the arrival of the Vietnam War and what it meant for young men who joined the military as a way off the farm
  • the shift from tenant farmers to migrant crews as farms grew larger and more mechanized

In the interview, he talks about recap tires, bootleg liquor, and long overnight trips to sell vegetables in northern markets and haul used taxi tires back to be recapped. Those details show up in the book as part of the everyday effort to keep families afloat. There's nothing romantic about it; it's work, improvisation, and survival.

A few moments that stand out

The conversation also touches on several key moments from the book without giving away every twist.
One is an incident involving Ella, a Black teenager whose mother has worked in the Townage household since she was very young. Gordon Junior, the landowner's son, assumes he can take what he wants from her. When he tries to force himself on Ella, her brother steps in and stops him. In the world Leo is describing, this is not just a family conflict. There is a real risk that the legal system will side with Gordon Junior, not with the sharecropper's family. The scene in the novel grows directly out of that imbalance.

Another thread runs through the lives of Gordon and Claire themselves. At the beginning of the story, they appear to have every advantage: land, money, status, and a sense that the system is built for them. As the years go by, the tobacco economy changes, social expectations shift, and Gordon's refusal to adapt catches up with him. Late in the book, he tells Claire that, after everything else is gone, "we're all that we've got left." Coming from a man who once saw himself as untouchable, that line lands with particular weight.

Leo and JW also talk about the gradual disappearance of tenant farmers and the arrival of migrant crews. As he tells it, workers were sometimes gathered off the streets in Florida-some struggling with mental illness or addiction-loaded onto old school buses, driven north, and put to work in the fields under strict control. In the novel, these crews are part of a new phase on the land, replacing the older sharecropping structure but bringing their own set of problems.

Why the story feels current

Although Talmadge Farm is set between 1957 and 1967, the interview keeps circling back to the present. Leo remembers how few divorces there were in the 1950s, and how strongly women were expected to stay in difficult marriages. He and JW then look at how the arrival of the pill and later changes in law began to alter that dynamic. They move from the segregated schools of his childhood to later years when students finally began attending school together.

They also compare political life then and now. Leo talks about serving in the legislature in the 1970s, '80s, and '90s, when lawmakers with very different views could still sit down, argue, and eventually pass a budget. He contrasts that with more recent years, where compromise is often treated as weakness and budgets sometimes stall for years.

Later in the conversation, they jump forward to today's technology: rare earth magnet manufacturing in their region, artificial intelligence, satellite communications, and driverless cars. JW brings up Elon Musk's comment that work might become "optional" someday because of automation. Leo doesn't claim to know how that will play out, but he does say that in his own time, people who refused to adjust to change were often left behind.

That combination-clear memory of one decade of rapid change, plus an awareness of the changes happening now-is part of what gives the interview (and the book) its energy. The story of Talmadge Farm is firmly rooted in one place and one period, but the questions underneath it are familiar:

  •  Who holds power when the rules are written a certain way?
  • What happens when the economic base of a community shifts?
  • How do people at different points on the ladder experience the same event?
  •  What carries forward when one system ends and another begins?

Where to go next

For anyone interested in this chapter of North Carolina history-or in how a lifetime of experience can become a first novel-Leo's conversation with JW Simmons is a good entry point. It gives context to Talmadge Farm without turning into a lecture, and lets you hear the voice behind the story.

You can watch or listen here:

👉 We Should Know - Leo Daughtry on Talmadge Farm

Read the review in Southern Literary Review - book review of Talmadge Farm:  https://southernlitreview.com/reviews/talmadge-farm-by-leo-daughtry-2.htm

👉 Get the book on Amazon: Talmadge Farm by Leo Daughtry

Talmadge Farm is published by Story Merchant Books. The Writers Lifeline has been working with Leo and Story Merchant on the marketing and promotion side so the book doesn't just appear and vanish, but continues to find its audience over time.

If you'd like to explore similar support for your own work, you can read more about our services here:

👉 The Writers Lifeline - Marketing & Publishing

From Gambino: The Rise to Gambino the Film


John Woo and Nicolas Cage are reuniting for a new crime biopic, Gambino, with Cage set to play New York mob boss Carlo Gambino. The project is being launched at the American Film Market with WME Independent handling sales, and it has already been covered in detail by both Variety and Deadline.

According to those reports, Woo will direct from a script by George Gallo (Bad Boys) and Oscar-winning writer-producer Nick Vallelonga (Green Book). Nicolas Cage will portray Carlo Gambino in a character-driven crime drama backed by producers Cassian Elwes, Edward Zeng of NextG Films, Robert Daly Jr., and David Lipper of Latigo Films, with NextG Films financing. Cage, Gallo, Vallelonga, and Ken Atchity are also producing.

The film also grows out of Gambino: The Rise, a true-crime novel by James E. Pierre that was developed with Ken Atchity, published by Story Merchant Books, and moved step by step toward the screen over several years.

Before there was a film called Gambino, there was a manuscript on Ken's desk.

James E. Pierre's novel Gambino: The Rise follows Carlo Gambino's journey from Sicily to New York, tracing how a quiet, observant man builds and maintains power inside the criminal underworld. The story looks at what power actually looks like when it is exercised without noise: through patience, family ties, agreements, and long memories rather than public theatrics.

Pierre has described how his interest in this world began with a violent incident he witnessed as a child, an experience that stayed with him and eventually led him to research the Gambino family in depth. Out of that research came a story with enough scope to support a full-length book and enough dramatic spine to interest film producers.
In his client testimoinal, Pierre sums up the turning point in that journey in a single line:

"Ken Atchity was the first person to believe in me and in Carlo Gambino, the main character in my book, Gambino: The Rise."

He explains that he felt for a long time as though he might be the only person deeply interested in Carlo Gambino's life and organization. Working together changed that perception. The material stopped feeling like a private obsession and became a story shaped for a broader audience: readers first, and potentially viewers later.
That shift involved specific, practical work. The manuscript needed structure and pace that would satisfy crime readers and also make sense as potential source material. Development focused on clarifying Gambino's arc as a character, tightening the narrative spine, and grounding the history in vivid scenes rather than abstract explanation.

Story Merchant Books and Publication

Once the manuscript had been developed to that point, the next question was how to bring it to market.

Gambino: The Rise was published by Story Merchant Books, an imprint designed for stories with strong narrative and commercial potential. In this case, the goal was not only to reach readers but also to present the story in a form that agents, managers, and producers could evaluate quickly.
Publication through Story Merchant Books gave the project several advantages:

  • A professionally produced novel that could stand on its own.
  • A clear record of the property and its author.
  • A stronger foundation for discussions with producers and financiers.

From there, the project entered the long, less visible phase of any serious book-to-film journey: proposals, meetings, early option activity, re-packaging, and the ongoing work of keeping the story in circulation until the right combination of talent and timing emerged. The recent Woo-Cage announcement is the visible result of that long stretch of quiet effort.

Why Gambino Works on Screen

Not every strong novel belongs on the screen. Some stories are too interior or diffuse and lose too much when compressed into a two-hour format. Part of the work with Pierre was identifying what made Gambino: The Rise particularly suited to adaptation.
Several qualities stood out.

A central figure with genuine dramatic weight

Carlo Gambino is not an invented composite. He is a documented figure whose life intersects key phases of twentieth-century organized crime. The novel presents him as a man who exercises power through patience and understatement. That kind of character gives an actor real range and gives a director a clear line around which to build the film.

Built-in moral tension

The book does more than list crimes and alliances. It examines how family, loyalty, fear, and ambition interact inside Gambino's world, and it asks what that world costs the people who live inside it. That tension between loyalty and violence, honor and survival, gives the story more depth than a simple catalogue of events.

A workable narrative frame

Accounts of the film describe a structure that uses the perspectives of people around Gambino, including journalist Jimmy Breslin. The book already leans toward that kind of framing. The empire is seen through the eyes of those who observe it, report on it, and live under it, which gives the story a way to handle decades of history without becoming a list of headlines.

A fully visual world

The settings in Gambino: The Rise range from early New York streets and cramped apartments to back-room meetings and the quieter spaces where long-term power is negotiated. That variety allows a film to move between intimate conversations and wider set-pieces while staying grounded in a specific reality. When development work began, these qualities made it clear that the book "wanted" to be a movie. The task over the following years was to align that potential with the right team. The current package, with Woo directing and Cage in the title role, reflects that alignment.

The Work Behind the Scenes

From the outside, a project like Gambino can look like a stroke of luck: a writer finishes a manuscript, the right person happens to read it, and a film comes together. Luck always plays some part, but the day-to-day work is more disciplined than that.

On this project, the work inside The Writers Lifeline and Story Merchant looked roughly like this:

1. Development and coaching

The manuscript went through structural and line-level feedback. Notes focused on character, stakes, pacing, and clarity. The aim was a book that could satisfy demanding readers and also give producers a clean, comprehensible story spine to work with.

2. Publication strategy

Rather than wait indefinitely for a traditional publisher to understand and support the project, Ken used Story Merchant Books to bring Gambino: The Rise to market in a timely, professional way. That decision balanced the creative needs of the story with the realities of the marketplace.

3. Packaging and advocacy

Once the book was out, the focus shifted toward presenting it in the film world: crafting loglines, preparing pitch materials, and introducing the project to producers who are actively interested in crime and biographical stories. Advocacy in this context means returning to the project repeatedly, adjusting the approach, and keeping the story in the conversation over time.

4. Sustaining momentum

Film development rarely moves in a straight line. People attach and detach, financing changes shape, schedules collide. A central part of the producer's role is to keep a story like Gambino from slipping off the table during those cycles, and to recognize when the right moment and team have finally arrived.

That is the same kind of process outlined in The Writers Lifeline's coaching programs: finish the work on the page, position it intelligently, and stay with it long enough for it to find its audience.

What Writers Can Learn from Gambino's Path

Most writers will not see their book adapted with this particular combination of director, star, and producers. The Gambino journey is not a formula. It does, however, illustrate several practical points about moving from page to screen.

  • A manuscript with film potential still has to work as a book.
    The first obligation is to the reader. Talk of adaptation is meaningful only after the story holds together on the page.
  •  The "right" publishing route depends on the project.
    Some books are best served by a traditional submission process. Others, like Gambino: The Rise, benefit from a more direct path through an imprint that can move faster and keep adaptation in view from the beginning.
  • A committed partner matters.
    Pierre's experience shows the value of having someone who can see the story's potential, ask candid questions, and stay with the project through years of development and market shifts.
  • Adaptation is a long-term game.
    The distance between finished manuscript and film announcement is measured in years, not months. Understanding that reality makes it easier to keep doing the work at each stage instead of expecting an immediate jump from draft to greenlight.

How to Follow Gambino from Page to Screen

Readers and writers who want to follow this story more closely have several places to start.

  • Read the source. Gambino: The Rise by James E. Pierre is available on Amazon here. The novel is the best way to understand the character and world at the core of the film.
  • Learn more about how The Writers Lifeline works with writers. The Writers Lifeline's coaching options at
    https://thewriterslifeline.com/coaching-programs/ outline the kind of editorial and strategic support that helped shape Gambino: The Rise
  •  Watch the conversation between Pierre and Ken.For a more personal view of how the relationship developed and how the project evolved, watch their joint appearance on Deborah Kobylt Live here:
    https://deborah-kobylt-live-james-pierre-and-ken-atchity/.

Dr. Bazan New Book: Brain Aging and Resilience

In his new book Dr. Bazan explores the Adaptability of the Human Brain in the Face of Aging and Adverse Conditions.




Brain Aging and Resilience explores how amazingly adaptable our brains can be—even as we grow older or face difficult conditions. Drawing on decades of research, personal stories, and historical insights, Dr. Nicolas Bazan challenges common myths about aging. He shows that our neural networks can keep changing and supporting a rich, meaningful life well into old age.

The book traces how scientific understanding of the brain has evolved—from early beliefs about inevitable decline to modern discoveries about plasticity and regeneration. Dr. Bazan breaks down key topics like oxidative stress, neurogenesis, lifestyle factors that influence cognitive health, and new therapies that could boost brain resilience. He also offers practical, science-based tips readers can use to strengthen their own cognitive well-being.

Experts around the world praise the book. Nobel laureates describe it as a unique, enlightening, and inspiring guide to healthy aging—highlighting Dr. Bazan’s rare combination of scientific expertise, personal storytelling, and deep humanity.

The cover features a remarkable MRI scan of a 103-year-old man who maintained normal cognition. Despite age-related brain atrophy, his anterior cingulate cortex—an area linked to emotion, decision-making, and social behavior—remained strikingly well preserved. This real-world example underscores the book’s central message: the aging brain can be far more resilient than we once believed.


Check out this interview with Dr. Bazan about his research for this book: https://www.fox8live.com/video/2025/11/03/dr-bazan-new-book-brain-aging-resilience/