"The universe is made of stories, not of atoms."
—Muriel Rukeyser
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Showing posts with label Art Johnson. Show all posts
Showing posts with label Art Johnson. Show all posts

Story Merchant Books E-Book Deal Art Johnson's Marilyn My Marilyn Free January 29 - February 2!


 

Marilyn My Marilyn by Art Johnson 


Available on Amazon 


In Art Johnson’s last novel, he continues his style of combining historical fact with fiction to offer the reader a steady stream of drama, tension and humor. Marilyn, My Marilyn reveals fresh insight into the most iconic woman of modern times, not as a biography, but with a view of a nation which often buries the truth with its dead.

Archaeolibrarian - I Dig Good Books! Reviews Art Johnson's Marilyn My Marilyn


purchase on Amazon.com

It’s the summer of ’62, and twenty-five-year-old journalist Rory Long receives a phone call at quitting time: it’s Marilyn Monroe. She wants to personally compliment him on a review he wrote of the new collected works of poet Carl Sandburg.

She then enlists the cub reporter to tell her story; she doesn’t want to be remembered as a joke. When they meet, Rory is captivated by her knowledge of classical music, art and literature. As their relationship intensifies, Rory experiences a coming-of-age inspired by this side of Marilyn few know, and at the same time, Marilyn is influenced by Rory to begin reassessing her own life.

But when Rory’s boss assigns him to write an article on the unsolved murder of the Black Dahlia, paranoia and tension mount. File papers go missing, then mysteriously return. An unknown covert organization watches Marilyn Monroe’s every move, thinking she may hold a clue to the Dahlia case. And just when Rory can feel he’s getting closer to the truth, J. Edgar Hoover himself intervenes to request that Rory be reassigned. Rapid changes are about to unfold in the land of the free, and they may be more costly than even Rory can surmise.

In Art Johnson’s latest novel, he continues his style of combining historical fact with fiction to offer the reader a steady stream of drama, tension and humor. Marilyn, My Marilyn reveals fresh insight into the most iconic woman of modern times, not as a biography, but with a view of a nation which often buries the truth with its dead.

An extremely well written fictional account of the friendship between a journalist and Marilyn Monroe, in the lead up to her death.

I loved the character of Rory Long and his determination to not be put off Marilyn and his decision to show Marilyn as he saw her.

His depiction of Marilyn is also refreshing and although it shows the known sides, it gives another facet to her.

I’m aware this is a fictional account but it does hook you in and causes you to rethink those who you think you know. Maybe we all need to look a little closer at the people we know in public and in private.

A lovely, sensitive and brave version of which it is not only enjoyable, but believable.




About the Author

Art Johnson has been a highly regarded musician for over forty years and has performed with everyone from Luciano Pavarotti, Lena Horne, Randy Crawford and Mark O'Connor, as well as being an Academy Award and Grammy Award participant. He is a solo recording artist with ten Cd's to his credit. He has toured all over the globe and his life experience has produced his first mystery/suspense/detective thriller, "The Devil's Violin" which in it's debut has caught the attention of the reader as well as the reviewers. He lives in Monaco where Her Serene Highness Princess Charlene has requested a copy which is now in the Palace. His taut crisp prose has been well received and his newly gathered fans as an author are waiting for the next book.


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Guest Post: The Open Secret – Art Johnson

Art Johnson was a very gifted composer and talented multi-instrumental musician and author.  Art passed away earlier this month.  It was a pleasure and an honor to work with Art on his books and film.



I am an American by birth. In 2002 my wife and I moved to Nice, France where she had spent her childhood. I have remained in the region ever since. The term ex-patriot is not comfortable. I prefer to think of myself as a transplant.

I was part of the vast music scene based in Los Angeles from 1968 through the early 80’s; recording on jazz and pop albums, as well as T.V. and film music for various companies like A&M Records, Twentieth-Century Fox, Warner Bros, and Universal.

The pressure of real-time-perfection in the recording studios, aware of executives gathered around
debating the relevancy of every note you played, would occasionally tempt one to break away from studio politics. A phone call from the management of a top recording artist, heading out for the road, would be just the ticket. Touring the globe was a fantastic experience, but it is not the romantic picture that most of the public conjures up. You are constantly on the move with just two or three days in each city, never having the time to adjust: packing/unpacking, airports, noisy hotel rooms, late meals, useless sound-checks, even more useless rehearsals, and the ever-changing itinerary surprises. Unlike the pressure in the studios, the perfection demanded in live performance offered the musician the opportunity to react with a thing called an audience: playing in real-time for people who paid to get in the door, always offers an honest appraisal of the performance moment.

Aside from wine, women and song, the greatest pastime for touring musicians in the days before IPads and the internet, was reading.

Most touring musicians were very well read individuals. With hundreds of hours of flight time and anonymous hotel rooms, reading became a psychological necessity. Dashing through LAX, one early morning, late for a flight, I ran into a fellow road-warrior who, of course, was also a few minutes behind schedule. As he ran past, he tossed me a book, “This is perfect for you,” he shouted, fading into a crowded corridor. The book was William Butler Yeats’s, Mythology’s, and it was perfect for me. This seminal gathering of Irish folk tales and Yeats’s veiled, dream-like memories of the poet’s time spent in mystical contemplation and magical ritual with groups who studied Transcendental Magic, in the late 19th century, sparked my interest.

devil's violinFor the next few years, throughout the 80’s, I read and wrote poetry, essays and kept intricate journals for hours each day as I gathered a small, but powerful library of rare treatises on Hermetic subjects: tomes that Yeats and his circle drew inspiration from.
In 1988, a book of forty poems was published in Los Angeles, by Silent House Publications, a small, intimate publishing house which is no longer with us. As I was delivering coordinated lectures and readings, the slender volume sold surprisingly well. After the excitement faded, I continued to write and study, but a life in music was taking most of my time as a performer, lecturer and educator.

Nearly twenty-five years later, I was transformed into a fiction author of detective/mystery-suspense novels. I’m not exactly sure how this happened, but I soon realized how much those years tucked away in a garden apartment, with a library and candles, contributed to the task of constructing a novel.

art2All poets earn by their hard work, acute powers of observation. The constant sifting through images, gathered into the mental-emotional state, brings about the distillation and re-defining of experience, which can be compared to the complexities of an alchemical formula—the tearing down and re-combining of elements.

A few years ago my wife and I were visiting relatives in Italy. One night, just before going to sleep, a half-dozen names came to my mind, with brief descriptions of each character. I turned out the light, confident I would recall these characters in the morning. Two minutes later I was sitting up in bed taking notes: as a poet, you learn to never trust your memory to recall an image received from those supposedly, unknown sources.

The following morning, I sat for breakfast, with just a cup of coffee, a pencil and my notebook. Six roughly outlined chapters for, what would eventually become, The Devil’s Violin, were written then. Because I wasn’t eating, the Italian grandmother asked my wife why I didn’t like her cooking. She told her I loved her cooking, but right now I was beginning a new book. Everyone at the table smiled, except for grandmamma: she kept trying to shove an overflowing plate in front of me every time I set the pencil down to take a sip of coffee!


A life spent creating, has taught me that all imaginative endeavors, no matter what the genre—music, literature or the visual arts, derive their inspiration from the same source. This vision; the will-power and desire of an individual, relies on the ritual of transformation, guided by faith and belief in the self. Art and Magic are nothing more, or less, than making the invisible—visible.
Transition is an open secret.

Deadly Impressions, and The Devil’s Violin by Art Johnson are available here.

 Reposted from BooksGoSocial 

In Memoriam: Art Johnson


Art Johnson was a very gifted composer and talented multi-instrumental musician, having toured with Lena Horne, recorded with Barbara Streisand, and accompanied Pavarotti.  Art was also a wonderful storyteller and author who battled two diseases at the same time: Parkinson’s and polio, and yet created words and music every minute of his life.

Born in San Diego, California in 1945. At the age of twenty-three, Arthur Johnson moved to Hollywood where he spent the next twenty-one years as a studio musician, composer for films and records and touring musician to the stars. In 2002, he moved to Monaco with his wife Patricia.

He continued to perform and teach throughout his illness as well as completing an autobiography entitled Memoirs of a Sideman (excerpts and other writings here), and three novels, The Devil's Violin, Deadly Impressions and recently Marilyn My Marilyn. Listen to his music  for Marilyn, My Marilyn Film.



Have You Heard Book Review Gives Art Johnson's Deadly Impressions Five Stars!

Billionaire Ezekiel Fick is extremely worried. His pride and joy, his granddaughter, Stephanie has been kidnapped. He'll do whatever it takes to get her back. Using his contacts among the elite of the United States, Zeke demands action from everyone!  To the LAPD and private investigator Arnold Blackburn, this seems like an ordinary kidnapping. They all seem to follow the same game plan. This one, however, stops being ordinary when no demands are sent to Zeke. Everyone is contacting their sources to try to find Stephanie. Will it be enough help?
purchase on Amazon.com
This book surprised me. I felt it was going to be another simple mystery. WOW was I ever wrong. Mr. Johnson leads you subtly and carefully down a path of twists and turns. The intrigue and suspense is off the charts.  While reading this book, I was certain I knew who dun-nit only to be proven wrong over and over. The writing style is terrific. The characters well defined and easy to understand. I also loved the history tie-in. This book is an easy read and perfect to curl up with. I know you'll enjoy it as much as I did.

I gave this one 5 cheers out of 5 because of the twisted ending it has.

Reposted from Have You Heard Book Reviews


Story Merchant Books Launches Deadly Impressions!



Story Merchant Books launches Art Johnson's second detective thriller Deadly Impressions after his premier critically acclaimed The Devil's Violin.  The musician/writer who worked with Lena Horne, Tim Buckley and Pavarotti to name a few resides in Monaco.

His new novel begins with the kidnapping of Pasadena billionaire Ezekiel Fick's granddaughter.   Enter ex-LA PD Lieutenant Arnold "Arney" Blackburn who has become a private eye since his dismissal from the force.  The abduction is not following the rule book and an LA drug lord, a Chicago gangster, and a host of Hollywood's " A " list are all potentially involved. 

Eighty year old Ezekiel Fick hides a life changing secret in his past. His uncle Roderich a preferred architect of Adolf Hitler left him a fortune in impressionist paintings by none other than Claude Monet, works that were thought to be destroyed nearly a century ago.

Tensions mount as Arney joins forces with FBI agents Chris Clarke and Carlos "Chubbs" Gonzales, (The Devils Violin) to weed through the overgrowth of the Hollywood Hills in search of the missing girl. But who are her real abductors?  Even PI Arney Blackburn is completely baffled by the time the final curtain falls. He never saw this one coming. 

Deadly Impressions pits ghosts from the past against those phantoms in control of the present to weave a haunting story that will stay with you long after you close the cover.

Mysteries Galore Reviews Art Johnson's The Devil's Violin

Reviewed by Dianne Woodman



The Devil’s Violin begins with an act from the past that sets in motion an unexpected chain of events tying all the players involved in the story together. Niccolo Paganini, a world famous violinist termed by many as the Devil because of his extraordinary skills, is on his deathbed in Italy. Niccolo has promised his cherished violin to the mayor of Genoa so that it can be put on display in the museum. However, he wants the 1742 Guarneri to remain in the family, so he hides it along with secret documents that are inside the case under the floorboards in his apartment and leaves an exquisitely crafted forgery of the instrument for the museum. He plans to tell his son where the real violin is hidden, but dies without revealing his secret.

The story then moves forward to the present day in Los Angeles. Max Pendleton, a Hollywood film producer, hires two top-notch thieves to steal the violin from the museum. Plans for keeping the heist under wraps go slightly awry when a violinist in Italy is found with his throat cut, and the man fleeing the scene is described as a man dressed all in black. This act triggers a manhunt led by Special FBI Agent Chris Clarke for the man in black, since the MO at the murder scene is consistent with a contract killer who has eluded the FBI for years.

Art Johnson has artfully integrated believable and relatable characters into a story filled with violin history, secret societies, deception, intrigue, greed, and non-stop action that keeps the reader invested in the outcome of the story. The tension builds throughout the novel culminating in a nail-biting confrontation in Italy between the players who have a vested interest in locating the violin. There are surprising twists and turns in the plot that makes for an engrossing mystery thriller. The few minor grammatical mistakes do not detract in any way from the overall enjoyment of the story.

The author has left it open for this book to be the beginning of a highly entertaining and captivating series. There are unanswered questions involving a couple of the key players who assisted the FBI, and Special FBI Agent Chris Clarke has a new case to solve.


Reposted from Mysteries Galore


Interview - Art Johnson - Jazz Guitarist, Violinist, Composer and Author of The Devils Violin

Art Johnson is an American born Jazz Guitarist, Violinist and composer who has recently written the novel The Devils Violin. Art thanks so much for granting us this interview. The Devils Violin holds a 4.7 star review on Amazon and is reviewed as one of the most enticing mystery thriller novels to date.

Art based on your very musical background you have toured with Lena Horne, recorded with Barbara Streisand, and accompanied Pavarotti. 

You have been on MTV - participated in Academy Award and Grammy Award music, acted as a California State University professor and lecturer to name but some. Which of these have you enjoyed the most?

Touring with Lena Horne is a standout for sure. It was three years and we became good friends, which is not typical in an employer/employee situation. But in truth, all of these experiences are connected like a chain of events and each setting has had great worth to me as a human being as well as a musician.

What made you decide to write The Devils Violin?

Actually, the book wrote me! I was vacationing in a village near Parma and just before going to sleep the names of the main characters came to me with a brief description and I wrote them down before turning out the lights. When I awoke in the morning I sat at the breakfast table with ten Italian relatives and began to write the first few chapters. They of course wanted to know why I wasn’t eating.

Was it easy to cross the bridge from musician to author?

Easy …? I started writing poetry in the 1980’s so I had spent time with word-play. To me, the creative element no matter what the medium is rooted in the same source: the imagination. If it is well trained the crossing over is not too difficult.

Can you tell us a bit more about the plot, without giving away any secrets?

The violin world is extremely complex. The instrument is difficult to play, and if you want to really have a great sound it is probably one of the most expensive instruments for a person to purchase. There are violin brokers, dealers and auction houses that are tempted to alter the lineage of an instrument to make it appear more valuable.
The devils violin is about deception and greed as a cast of characters from Hollywood film producer who is obsessed with rare antiques in particular violins, FBI agents, two professional thieves, a master violin forger, and an elderly couple of great mystery who are after the violin case because it is believed that an alchemical treatise or formula that Niccolo Paganini use to expand his powers over the instrument is stuffed inside.
The FBI is after an assassin who is suspected to have killed a violinist in Cremona Italy who is on their most wanted list. All the characters, like spokes on a wheel are spinning around the violin that was used by Paganini to forge his career.

Can you give us more insight into your main character?

That is difficult because the sneak – thief Gus happy and FBI special agent Chris Clarke compete to be the main character throughout the book.

Would you ever consider adopting this novel to film?

I couldn’t think of anything I’d like more.

The novel has been available since February this 2014, to date reviews have been great. Will there be a second novel within the series?

I’m working on it as we speak. Not a true sequel but several of the characters are returning to this semi-sequel.

Does having an existing fan base compliment your novel retail?

That is difficult to say. People are generally reticent to recognize you away from what you are known for. I certainly hope that my fans will be curious enough to read the book but I’m not sure how that will work out.

 Are you looking to further your writing career?
Yes.

You alternate your performances between the U.S and Europe, have you ever thought about expanding your travels to Australia, South Africa and so on? (If you do decide to come to RSA – Johannesburg, I have just the venue.)

In the last fifty years I’ve done thousands of performances. Now I am recording for ITI records in the States who has signed me to a life-time contract. I’m taking a break from live performance.

Are there specific events, fans can look forward to? Author signings, musical appearances?

As of this moment I am just staying on Monaco where I reside with my wife Patricia and my publisher is working hard to promote my novel. It’s a wait and see period which is a very interesting one for me.

What does the future hold for Art Johnson?

Hopefully, what I would wish for everyone. Good health, happiness and the drive to continue to create and offer something of value to those around me.

What would you say has created the success behind your name?

Honestly, I have no idea. Right place/ right time maybe?

Did you ever think you’d achieve everything you have done so far?

I didn’t start playing until I was seventeen years old: very late for a start in this business. I am grateful for every achievement that has come my way.

Places where fans can connect?



Art thanks so much for giving us some insight into your exciting new world. We wish you well in this new endeavour. 

Story Merchant Books Launches Art Johnson’s The Devil’s Violin

A special FBI investigator and a neurotic sneak-thief cross paths when the world’s most prized violin becomes the centerpiece of intrigue.



purchase on Amazon.com




Prologue
When there is no hope for the future and the present is constant pain, then the past will absorb the soul searching for good things. (Ancient Hindu proverb)
A faint smile formed around the hollow cheeks of the bedridden man. Rain continued to slash the windows. This sound was transformed into melodies. Showers of ascending and descending notes flooded his consciousness. Crisp images embedded in memory arrived in rapid succession. The hundreds of concerts and the cities they were held in: women and the rooms he made love to them in. The money—oh yes, the millions he earned and lost in four decades.
He had jumped off the edge of the universe and changed the way the world would listen to music: the artist as prophet. With his singular imagination, he was shaping the future. The flow of sounds and textures would follow in his wake.
In his possession was a well guarded ritual passed down through the centuries by a chosen few: the artists, philosophers, writers, mathematicians, musicians and speculative scientists. The power of this manuscript, properly interpreted, had increased his musical vision. This document and scores similar to it were at the foundation of cultural, political and social change throughout the ages. Secret brotherhoods with one credo: to know, to dare, to be silent.
After re-inventing violin technique and performing with a personal passion beyond belief, audiences became suspicious. He appeared to be from another world. Many people were convinced that he was in league with the Devil. More than a few believed him to be the Devil. The image he had created for himself always caused him regret. It was impossible for anyone to understand the turmoil experienced in the process of making the invisible, audible.
Today his mind was at war with his body. He knew he was dying. In the darkness of his Mediterranean apartment a vampire was sucking the blood from his veins. Long, pointed finger nails scraping the marrow of his bones. Surely, God must be laughing.
Crawling out of bed with only the strength of his arms to aid him, he grabbed the knife from the table and crouched on the floor. His breathing was labored, but for the sake of his son he must finish what he’d begun three days ago. When Achilles returned with the doctor he would tell him the secret.
He removed the final plank of the flooring and inserted the violin case with the real 1742 Guarneri into the hiding spot, the instrument fashioned by the erratic genius of Cremona which had been his life-long companion: the voice which soared among the clouds.
Tucked behind the lining inside the case was the document he valued most dearly, translated from the original Latin into Italian and English: the magic formula of his success.
The ailing legend replaced the planks, making sure they looked untouched.
The copy of the Devil’s violin he purchased in Paris a decade ago was on the bed. Last week, he had promised the real Guarneri to the mayor of Genoa, the city of his birth, for their museum. They would always believe the copy to be the original. His smile returned. The prophet knew that as time passed, the value of the original violin would increase a thousand fold. This unique instrument must be kept in the family.
Niccolo Paganini welcomed the new healer with little enthusiasm. He told his son that they would need to talk after the examination. There was no time for last words. One of the most mysterious personalities that ever lived died within minutes of the doctor’s arrival.
The next day, Achilles emptied his father’s apartment and removed the body unaware of the treasure buried beneath the floor.
1
Emily Parker loved the older neighborhoods of Los Angeles. Tonight she was in one of her favorite 1920’s mansions. She held up her half-empty martini studying the image of two inverted triangles formed by the glass and its contents; an ancient alchemical symbol for the earth. The people around her enjoying Hollywood film producer Max Pendleton’s party seemed to disappear. Her mind was elsewhere. The alcohol made her memory fuzzy around the edges yet the drug also allowed her to focus on the past. Not the decades that most people would review, but the deep past. Lifetimes of awareness experienced over centuries. Where would she be without Jonathan? He had rescued her during a time of political unrest when the Church and the populace were at war.
A voice came from over her shoulder. “Mrs. Parker?” Emily turned to discover a young man smiling at her. “I just had to meet the wife of Jonathan Parker.”
She shifted slightly. “How do you know my husband?”
He pulled up a chair. “I’ve just started to work for Max. I’ve seen Mr. Parker before but only met him tonight. Wow, he’s something else.”
Emily stared into his face. “What’s your name?”
He finished a sip of his Dewar’s. “Roscoe, Roscoe Barnes.”
”Well Roscoe, I agree with you, but why do you think so?”
Roscoe straightened his back. “We had a meeting a few minutes ago upstairs with our new Saudi clients. Your husband spoke Arabic. That blew my mind. We’re working on a new investment deal. The sheiks want a piece of Hollywood.“
Emily grabbed another martini off a passing tray. “Well young man, there are a lot of bilingual people floating around this village. It’s not that big a deal.”
Roscoe grinned. “Granted, but not many of them are investment geniuses who speak Arabic and play the violin like a god.”
“Where did a violin come from?” Emily spilled a few drops of her drink.
Roscoe pretended not to notice. “You don’t know about Max’s collection? I didn’t either until tonight, but upstairs behind a sliding panel are half a dozen old fiddles. Evidently they’re worth a small fortune. Max was selling one and Jonathan played it. Incredible.”
Emily asked Roscoe for a cigarette. He didn’t smoke but said he would find her one. The martinis were taking effect. She began to laugh thinking about ‘fat’ Max with a violin. When Roscoe returned with a pack and a gold trimmed ash tray, he lit one for Emily and sat back down.
“There’s one thing I just don’t understand,” Roscoe said with an exaggerated smile, “How in the hell does one man learn so much in one lifetime?”
Emily took a long drag of her cigarette. “Indeed, that is a curious thought worth examining.”
She stared off into space and Roscoe, realizing she was finished with their conversation, stood up and moved back into the crowd of party makers.
2
The boyish thief threw on his Ray-Bans as he stepped out into the summer sun along Santa Monica Boulevard. His meeting with Max was a tough one. The heists were getting more complex.
“People want what they want and don’t give a shit how they get it.” Gustav Edward Happy lit up a Camel and headed for his car. “Yep, and that’s why I have a job.”
Max paid well and Gus knew he’d be earning every penny on this new assignment. The job was in Europe and he’d never been farther than Las Vegas. “What the hell,” he thought, “the Dodgers are on a losing streak—no reason to hang around.”
The flight from LAX landed in Milan Monday morning. The sixty kilometers to Parma was travelled by train. Gus had experienced motion sickness since he was a kid. As the tundra of the Tuscan country side flew by two beers soothed his parched throat and kept him from puking.
It was the middle of August and Parma was empty. The sun beat down on the ancient cobblestones. There were no hordes of tourists.
His first day in Italy found Gus Happy alone in a small café waiting for his contact, someone named Mario. They were late. He fondled his espresso cup nervously while staring at the blue glow of his cell phone. A dry wind was blowing along the street reminding him of the Santa Anna’s in L. A.
What the fuck had he gotten himself into this time? The feeling that someone had followed him from the train to his hotel yesterday was making him nervous. Two months ago he celebrated his fortieth birthday in Vegas. That night he’d felt on top of the world. Now it seemed that he was staring up from a dark ravine.
He ate but felt empty inside. Sitting on the terrace of the bistro with his back against the wall, he chain smoked. He checked his watch. He’d give it another fifteen minutes and then head back to the hotel. It was time to be cool. He knew his imagination could play tricks on him.
He was born into a family of thieves. The night he began his career, Uncle Eddy stopped by to take him for a drive. They drove around in a 1983 Lincoln town car. It was black, inside and out. The seats smelled like perfume. After a while Eddy veered down an alleyway in Tarzana and brought the car to a halt. He turned to Gus. “You know son, you’ve always been my favorite nephew. You’ve got brains.” Between glances at his nephew, Eddy’s eyes were darting around nervously. “Tell me, did you ever ask yourself what your father and I and your other uncle in Seattle do for a living?”
Before Gus could answer Eddy jerked open the driver’s door and ran down the alleyway like an athlete. Gus stared at his uncle and another man as they disappeared around the corner. Total silence. His heart pounded like a drum. Was he imagining all of this…was it a dream? Would he wake up soon?
Gus jumped as he heard the sound of two gun shots crack in the air. Within a few seconds Uncle Eddy ambled back to the car sporting his big-toothed smile. Settling back in his seat he started the engine and handed Gus a Franklin. “Thanks for keeping me company. If you’re interested there’s more where this came from.”
That had been the beginning. The past twenty three years rolled by in a blur. Nothing was distinguishable. His mind had wandered but he knew it was time to concentrate.
Thieves and poets have one quality in common: the trained faculty of observation. Gus could sense someone bearing down on him. His eyes scanned the street. To his left, two older women were walking, arm in arm, their heads bent in close to hear one another. On his right a beautiful woman was staring at him, smiling as if she were coming to greet a lover. She stopped in front of Gus and extended her right hand.
“You must be Gus,” she said with an Italian accent. “I’m Maria, sorry to be a little late.” Gus stumbled to his feet. He recognized her as the person who followed him from the train station. He moved around to offer her a chair. “Sorry, I was waiting for someone called Mario.” He held out the note that the desk clerk had given him that morning.
“Oh Signor, in Italian the letter ‘a’ sometimes looks like an ‘o’. Maria patted his cheek. “It is my fault. I should have been on time.” She sat down crossing her olive colored legs. Her dress was simple, low cut, fitting her slender body without clinging to it. A crowned straw hat and huge oval sunglasses completed her statement. Gus thought of Sofia Loren.
He began to mentally size up his options before speaking. Maria ordered two more espressos. Due to his fatigue and anxiety Gus was spaced out. The last thing he had expected from Max was to hook him up with a female. “Well Maria, what’s our next move?”
“You don’t know?” Maria giggled as she spoke. Gus’s cell phone went off. The sound was deafening in the empty plaza. Maria smiled at Gus. “You’d better answer it, it’s probably Max.”
3
After a brief update with Gus, Max confirmed a few details with Maria and then locked away his untraceable cell phone. The tension in Gus’s voice made him chuckle. Max felt confident about the casting of this odd couple. A man and a woman would be less conspicuous in the process of acquiring such a treasure. The screenplay was flawless. The actors were perfect for the roles.
Max swiveled in his chair to look at the Hollywood hills. Soon, he would be the owner of one of the rarest works of art on the planet and no one would know until it was too late to do anything about it. The most important violin in existence would soon be his. He would need to tell Jonathan about his latest escapade. Max needed to keep his right-hand man up to date. If something did go wrong, Jonathan was the ideal problem solver whose insights were invaluable.
He lit a cigar. Producer Max Pendleton arrived in Los Angeles from Chicago thirty two years ago with sixty six bucks in his pocket and an ailing 1977 Oldsmobile ‘88’. He came with one idea in mind: to take over the film industry. He had absolutely no knowledge of the cinema other than he liked to go to the movies. Max was twenty four years old and completely full of himself.
Within days of being in Hollywood, he had bluffed his way onto the Paramount lot, convincing the security guard that he’d been mugged on Sunset Boulevard on his way to a meeting with the producers of “Happy Days”. Max was a born schmoozer.
When he was eighteen years old he lied about his age to get a job as the manager of a small branch of the Ringling Brothers and Barnum and Bailey circus. The troop would be touring the mid west. Even in his teens, his burly appearance and pock-marked complexion got him into the meanest bars on the south side of Chicago. In his six months as a circus boss, there wasn’t any trick in the book that he hadn’t dealt with or dealt out. Max could sell Eskimos sun tan lotion.
He rotated his chair to face the small Pissarro landscape on the wall behind his desk. Standing, he moved in for a finer view of the details. If it hadn’t been for Jonathan Parker’s contact in Europe, he wouldn’t be enjoying this up close and personal relationship with a masterpiece from the Impressionist era. It hadn’t come from an auction house or been purchased from a private collection. It just arrived one day at the garden gate in a perfectly ordinary box hand-delivered by the postman.
Max tidied up his desktop then went downstairs to prepare for his wife’s birthday party. He hoped that none of the staff had revealed the big surprise for the evening. It had taken a lot of pull to get Sting to pass by and serenade her with a few of her favorite songs. The Cartier necklace flown in from the shop at the Hotel de Paris in Monaco should also put a smile on her face.
4
Maria talked to Max with her hand cupped over the mouthpiece. Gus watched the sun fading around the piazza. A shadow fell across the terrace. Their waiter was lighting candles at each table. Maria snapped the phone shut and the sound brought Gus back to earth. “It’s time for a walk.” She gathered up her purse and signaled for the check.
In the few minutes he’d known her, Gus realized she was used to calling the shots. He wasn’t sure why Max had put them together. He decided to let it play itself out and see where it went.
Maria headed toward the basilica. Gus tagged along. After a few quick glimpses at Gus she spoke. “Tell me Mr. Gus, what do you know about the world of violins and their history?”
Gus lit a cigarette. “My grandfather had one, but I never heard him play it.”
“Oh, you come from a musical family?” Maria responded enthusiastically. Gus snapped. He grabbed Maria by the arm and guided here into a dark alley. “Look,” he said with his eyes on fire, “I’m a con man, a pretty damn good thief and I’m here in the middle of Italy with someone I know nothing about getting ready to knock over a museum for a violin… a violin for Christ’s sake? I don’t fucking believe it. I’ve got half a mind the chuck the whole thing and get the hell out of here pronto.”
Maria made no attempt to release her arm from his grip. She stood smiling at his tirade. “My goodness, you have more of a temper than the Italians…yes?” Gus removed his hand. “I tell you Signor Gus Happy, it is as if you were going to steal a new Porsche but had never seen one. This job could set us both up for life but without the proper background on the object in question we will fail. It’s as simple as that. Max hired me to be with you, to fill in the blanks but I am not working with little boys who can’t take the pressure. So right now, you decide, in or out?”
Gus felt a monster headache coming on. “Okay, okay,” holding his forehead, “go ahead, educate me. But I warn you, I’m not here to waste time. Max hired me to do a job, nothing more. He flicked his cigarette into a fountain. “Where do we start?”
Maria let out a maniacal giggle. “We start at my apartment where I fix us dinner. You are tired and will need much strength for our adventure.”
“Our adventure” Gus thought, “What the hell is this, Harry Potter?” Right now he needed to eat and sleep. Maybe the morning would bring the picture into focus. Besides, he was too tired to argue with Sofia Loren’s little sister.
Winding through the narrow streets on the other side of Strada Della Reppublica in the heart of Parma, Gus barely noticed the trendy boutiques and coffee houses dimly lit with amber or yellow lamps. Everything just swirled above and below him as if he were trying to claw his way home after an all night bender.
Maria jostled her purse for a set of keys and turned into a small courtyard overgrown with beds of flowers and guarded by an ancient olive tree.
She sprinted into the darkness to switch on the lights. Gus looked around. It felt like a smaller version of Max’s mansion in Hollywood. Educated taste permeated every nook and cranny reeking of an indefatigable check book.
Maria threw together a pasta salad accompanied by a bottle of Chianti. Gus settled himself down on an over-sized puffy divan which begged him to fall asleep. Before he knew it they’d gone through the entire bottle of wine. Maria sat at his side with her legs in lotus position. Her empty wine glass dangled between thumb and first finger. She observed Gus for a few moments then got up and returned with a blanket and pillow. “You are too tired to work tonight. Take what I say with you to your dreams.” Maria bent down to whisper in his ear. “The piece of history we are about to steal is like no other on this planet. Although there are others like it, this one is the most coveted of them all because it belonged to the Devil.”
Gus heard her last words as if he were at the bottom of a well. He felt the cold pillow under his head as he sprawled out. Soon he was off the radar.
5
Gus awoke to the sound of birds singing. He had no idea where he was. He willed his eyes to open one at a time. His left eye winced at the sudden profusion of sunlight. When he opened his right lid both eyes focused on a pair of sheer draperies fluttering in the breeze. A chill ran over him. He pulled the comforter up around his neck. A slow exaggerated yawn escaped as he pulled himself up. Through the curtains he could see Maria seated at a small table in an overgrown garden. Things looked different after a full night of sleep. Maria appeared like a goddess in her white robe, the sunlight dancing upon her face. She was calmly reading a magazine and sipping her coffee. Caffeine. Gus needed to ward off the numbness.
“Good morning!” He yelled out through a smoker’s cough. With a quick snap of her head, Maria smiled and waved.
“Buon giorno” she returned, gracefully stepping in from the garden. She smiled as she scurried past him. “Stay where you are. I will bring coffee and pastries.” Gus fumbled for his cigarettes, trying to shake off the coma. Maria reappeared with a tray. “You look a mess.” She poured him a cup.
Gus took it and grabbed at the pastries. “What the hell time is it?”
She could barely understand him with his mouth full. “It is almost noon. I let you sleep in.”
Gus drained his second cup.
Maria was in motion. “Listen, I have to dress and go shopping. We have much to do today and will not be tourists. You will find everything you need upstairs in the bathroom, first door on your right. I’ll be back within the hour and we’ll have a light lunch and begin your education.” She let out another maniacal giggle as she went upstairs to change. Gus thought her to be the happiest woman on the face of the planet or nuts; probably both.
After she left, he decided to stroll through the apartment room by room, investigating his new partner.
On the dresser in her bedroom were various framed photos of what were probably family and friends. The antique bureau was full of carefully folded lingerie and underclothes. Sexy designs which were classy but not over the top. The clothes in her closet were organized from left to right by function and color. Gus searched through all the boxes on the shelves but didn’t find a weapon or any other life-threatening device. There was a spare bedroom, sparsely furnished, which didn’t seem lived in.
After taking his shower he examined the medicine cabinet. It contained cold remedies and vitamins but no prescription drugs. The door was secured on a large closet in the hallway between the two rooms. He thought about picking the lock but left it alone.
Moving downstairs he headed for the kitchen. It was very modern compared to the rest of her living space. Marble counter tops, Italian appliances along with polished copper skillets which hung over the stove. The area was too neat, too perfect to be used very much. Inside the refrigerator were a tray of butter and a carton of past-use milk. She didn’t appear to be a home-body.
Returning to the front room where he spent the night, he crossed over to a small office. Inside was a huge table mounted with a computer and tower. An orange plastic box full of hard-drive discs sat next to the monitor which were numbered but not labeled. Behind the desk was a book case with subjects about art history, antiques, biographies and travel. On the top shelf rested seven books bound in black leather, untitled. Gus took one down. Scattered throughout the pages were plates of angels playing music surrounded by strange symbols and Zodiac signs. Gus returned the book carefully and stared off into space. “What makes this woman tick? Is she some kind of heavy intellectual or just out of her mind?”