"The universe is made of stories, not of atoms."
—Muriel Rukeyser
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Showing posts with label creative writing. Show all posts
Showing posts with label creative writing. Show all posts

Story Merchant Book Deal: Writing Treatments to Sell by Kenneth Atchity and Chi-Li Wong

$.99 September 9 - September 13!



Writing treatments that sell is a first book of its kind devoted entirely to the function of treatments in film and TV and how to write and present effective ones. The book is a collaboration by Kenneth Atchity and Chi-Li Wong, partners in Atchity Productons.

Kenneth and Chi – MA
AVAILABLE ON AMAZON
is sincerely honored by your willingness to share your knowledge and adventure relating to this new book. So without any further ado here are all our questions.

What made you initiate the idea of providing a guide like Writing Treatments to Sell? 

The most frequent question we were getting from clients—novelists as well as itinerant screenwriters was “what is a treatment?” We realized that book answering this question would be helpful.

Who was your target audience? 

The book’s target audience is anyone who wants to write or sell a story to the motion picture or television world.

Who ended up putting pen to paper?  

We have a process where we outline the content together, Chi-Li takes a shot at the first draft, then Kenneth does the next, etc.

Is the book specifically targeted for the film industry only? 

Although we targeted the book to the film industry, in the years since it was first published we've learned that its useful to writers of all kinds—children’s books, novels, etc.—because it helps them to “get the story straight” before launching into the actual drafting.

Why a book based specifically on treatments? 

Because a treatment is a unique creature that will never itself see publication or production, and therefore everyone wonders why it even exists.

What is a “treatment?” 

To quote directly from the book: “A treatment is a relatively brief, loosely narrative written pitch of a story intended for production as a film for theatrical exhibition or television broadcast. Written in user-friendly, dramatic, but straightforward and highly visual prose, in the present tense, the treatment highlights in broad strokes your story’s hook, primary characters, acts and action line, setting, point of view, and most dramatic scenes and turning points.” The book goes into detail about the meaning of each phrase in this definition, distinguishing the treatment from “coverage,” “synopsis,” “outlines,” among others.

The Story Merchant itself is all about content, branding and consultation in the entertainment and media arena. How does this book tie into the bigger plan of Story Merchant? 

This book, like Atchity’s How to Publish Your Novel or Write Time: A Guide to the Creative Process, from Vision through Revision is a tool by which the Story Merchant shares experience in the commercial world of stories with aspiring storytellers.

Does reading the book create a sense of more business for Story Merchant or is it more directed towards internal growth for each and every writer / screen writer? 

We can’t spend time with every storyteller out there who needs guidance, so we wrote this book to  help anyone who’s motivated enough to buy it—now available in ebook for the first time. But that’s not to say Story Merchant has found coaching clients through this and Atchity’s other books.

Being an aspiring author myself, I find that optimism and endurance are two of the main things to hold onto while craving for acknowledgement towards your own work, what is your advice towards fellow aspirers who look up to yourselves for hope? 

We’ve learned that hope is great, but determination is even better, when it comes to success. Just keep working on your career, whether you’re in a good mood or not, whether you’re hopeful or not. Work is the only sure road to success.

In general how has publishing and moving into the entertainment industry changed for writers. I mean – I myself sometimes wish that I had started writing ten years earlier as it seems as if the market might have been less chaotic. In today’s time it’s as if everyone can put pen to paper and call themselves an author. How do you define the word author, writer? 

A writer is someone who WRITES, and who cares enough about her writing to find an audience for it. While everything else has changed, that definition has not changed and will not change.

Last but not least, what else can people look forward to? Being in the industry you are it is important to recreate your image and stay in the zone with current trends, how do you intend on moving forward while carrying the weight of years and years’ experience in the existing field? How do you mould yourself to be eye catching and present in the future?  

We've just launched Story Merchant Academy a brand new online course designed for writers to improve their storytelling.  Sign Up Now

As always, thanks a lot for your presence and willingness to Share.  

Thanks for providing this wonderful forum.

 

9 Powerful Secrets That Will Supercharge Your Fiction

Secrets are the engine that keep a story moving forward.

by Ruth Harris





Shhh!

Secrets.

Everyone has them.

Every book must have at least one because secrets are the jet-powered engine that propels fiction forward. Ever notice how many blurbs in the daily BookBub email include the word secret?

Secrets provide motivation, plot, character, even a setting (a haunted house, anyone?) From Madame Bovary to Carrie, from Rebecca to Big Little Lies, from thrillers to romance, from mystery to women’s fiction to sci-fi, every story revolves around a secret.

Secrets ripple outward and can produce unexpected consequences a writer can take advantage of. Secrets need to be protected, denied, defended, and excused. This means they will have predictable (and unforeseen) consequences. These consequences will affect the people who guard them, excuse them, or wilfully blind themselves to their existence.

People with secrets are good at keeping them—until they’re not—or else until some external event spills the beans.

For example: a nuclear leak from a secret underground testing site that becomes a global headline. The slip up—the “tell”—will then become a major turning point in a novel.

In fiction, secrets must be revealed, and the tension secrets create must be resolved. As you plot, plan or pants your book, you will find that a well-chosen secret will provide you with a focus.

That focus will energize your writing—and your book.

1. Secrets With A Silver Lining
Silver lining secrets can work well in romance or cozy mysteries.

What if someone finds out that the Famous TV Chef thinks the local greasy spoon makes better french fries? Yes, better than than the ones FTC makes in her fancy, custom-designed, multimillion-dollar kitchen.

While that might be embarrassing, it won’t kill anyone unless someone adds poison. (That could work in a thriller or a mystery). Of course, that might not even necessarily end the FTC’s career. With shrewd PR, the Greasy Spoon Affair could make that chef even more famous. As long as the FTC doesn’t serve Greasy Spoon fries for $35 a pop in her pricey restaurant and pass them off as his/her own. Then someone might call fraud and costly lawsuits might ensue.

And a cute, sexy lawyer might appear to make all the bad stuff disappear and provide a HEA for our beleaguered heroine.

2. State Secrets

State Secrets are the meat and bones of thrillers from Eric Ambler and John Buchan to Charles McCarry, Ian Fleming and John Le CarrĂ©. The plots of spy novels revolve around characters adept at uncovering secrets, keeping secrets, stealing secrets and, in The Manchurian Candidate by Richard Condon, secretly transformed by brainwashing into a deadly weapon—a sleeper assassin, programmed to kill without question or mercy.

The cast of characters holding state secrets also include—

    The spy who can’t be trusted: the treacherous double agent.
    The scientist—mad or otherwise—who has created—by accident or on purpose—the formula for a new, population-decimating chemical weapon.
    A powerful world leader—a paragon of enlightened leadership or a Stalin-esque dictator—suffering from a fatal disease or destructive neurological condition that must be concealed—or else!
    An secret international conspiracy—ever hear of a well-publicized conspiracy?—whose goal is world domination.
    A top-secret assassination plot the hero must uncover and stop.
    A fatherly-looking but secretly demented, power-crazed lunatic who threatens the stability of international financial markets and, thus, world peace itself.

3. Secret Baby

A classic trope, the secret baby often—but not always—occurs as a romance subgenre. To mention only a few, there are SEAL’s Secret Babies, Vampire Secret Babies, and Billionaire’s Secret Babies. You will find lists of secret baby romance novels at FictionDB, at GoodReads and at SmartBitchesTrashyBooks.

In my novel, Love And Money,  (Get it free with the link below…Anne) , the mistress and the wife of a wealthy man deliver babies at almost the same time. The half-sisters, who do not know of each other’s existence, grow up in different worlds, one a beautiful, indulged heiress, the other a wrong-side-of-the-tracks neglected child, a dramatic disparity that allowed me to write about class, envy, privilege, resentment and ambition.

4. Family Secrets

Family secrets take a starring role in sagas and women’s fiction—and in memoirs.

    An upstanding citizen who is in reality a deadbeat dad who might—or might not—reconcile with his children.
    A PTA shining star but secretly neglectful mom who might—or might not—see the error of her ways.
    The sibling who stealthily cheats his brother/sister out of his/her inheritance
    The rich/powerful/vindictive/creepy relative no one wants to cross.
    A family fortune created through hard work and persistence—or was it?
    The alcoholic/mentally ill relative whose erratic, unpredictable behavior affects several generations.
    An accidental death that wasn’t so “accidental”
    The blurb for Alan Cumming’s #1 New York Times bestselling memoir, Not My Father’s Son, refers to “deeply buried family secrets that shaped his life and career.”

5. Dark Secrets


These are the secrets that form the spine of mysteries.

    Who-dun-it?
    Why’d-they-do-it?
    How’d they do it?
    How can the MC track down the bad guy or gal?

When someone shoots aging bad-girl rocker Morgan Le Fay and threatens to finish the job in Anne’s The Lady of the Lakewood Diner, people assume the perp’s a fan of Morgan’s legendary dead rock-god husband. However, the real reason for the attack may be a secret buried in Morgan’s hometown where her childhood best friend may be the only person who knows the dark secret that can save Morgan’s life.

Anne uses that one secret to propel the plot forward throughout the book.

6. Open Secrets

Open secrets are the emperor-has-no-clothes, Harvey Weinstein, Jerry Sandusky, women’s gymnastics’ category of secrets. These are the secrets that can be used to ensnare numerous connected characters who might or might not be related.

Open secrets create a Potemkin Village faux reality in which characters who need to protect themselves from exposure—and consequences—pretend not to know what they actually do know. Lost in a web of confusion, deceit, evasion and denial, these characters are forced by circumstances over which they have no control to become liars, hypocrites, and classic unreliable narrators.

“Everyone knows” but no one says anything—until someone does—at which point your plot attains jet speed velocity.
Open secrets can be played for drama—or even for humor.

    The Big Boss is a predatory sexual abuser so people who must work with or for him keep their distance, whisper warnings to others, know better than to share an elevator or after-work drink with him, go to great lengths to make sure they are never trapped alone in his office/hotel room with him.
    No one admits that Uncle Jim is an incompetent screw-up who can’t keep a job. However, when he wears a suit and tie, he looks like he belongs in a boardroom—until he insults a powerful CEO. At which point, the company’s stock takes off and everyone gets rich by mistake and Uncle Jim is forced to straighten up and fly right.
    Aunt Susie has a shoplifting problem but the family pays off stores to keep her out of jail and her “problem” is never mentioned—until she lifts a hundred-thousand dollar diamond ring and, this time, the family can’t afford to pay and all hell breaks loose.
    Cousin Bill, captain of the football team, has tried suicide several times, but the family refuses to admit/confront his mental health issues—until he is photographed pointing a gun to his head on the sidelines at the Big Game.
    Niece Eileen is about to marry her long-time girlfriend but none of the family will help her pick out her dress or plan her wedding because “everyone knows no one in our family is gay.” Drama, tears, laughter, and hugs ensue.

7. Secrets We Keep from Ourselves

These are the character-driven secrets. In We Need To Talk About Kevin, Lionel Shriver unveils a bleak reality as the MC reveals feelings about motherhood, marriage, and family kept secret until her young son murders classmates and she is forced to confront her own possible responsibility.

Other examples:


Your MC is an addiction expert who doesn’t realize his/her own kid is an addict. S/he misses the signs: the switch to long sleeve shirts or blouses, the constant need for money, the requests for “loans” that don’t get repaid, the frequent questions about “when will you be home?” so your MC never sees his/her kid high.

The wife who doesn’t see tip-offs to her husband’s affair although the clues are in plain sight.

In my NYT bestseller, Decades, Evelyn Bain sees signs of her husband’s affair all around her. The unexplained late nights at the office. The way he disappears for weekends for “business.” His provocative banter with his friends about their extra-marital sexual exploits. But she denies their meaning to herself. Until the secret is dramatically revealed and Evelyn’s life is turned upside down.

8. Secret Dreams

Secret dreams provide the skeleton of Cinderella stories. They often lie at the heart of romance in which the couple need to unlock each others’ secrets in order to achieve their HEA.

    The girl (or guy) jilted/left at the altar who has vowed never to fall in love again—until s/he meets Ms. or Mr. Right. But they must resolve the injury of the past.
    The couple who break up but meet again and must work through the secret anger/misunderstanding that has kept them apart.
    The gorgeous guy who has women falling all over him, but who secretly yearns to find The One.
    The beautiful, successful entrepreneur who doesn’t have time for romance—but secretly longs to be swept off her feet.

9. Secret Super Power?


Fabulous, fantastic, incredible, killer first drafts.




Read more at Anne R. Allen's Blog... with Ruth Harris

This a wonderfully informative and entertaining blog.  I recommend checking it out.



New From Story Merchant Books Leo Daughtry's Talmadge Farm

 



It's 1957, and tobacco is king. Wealthy landowner Gordon Talmadge enjoys the lavish lifestyle he inherited but doesn't like getting his hands dirty; he leaves that to the two sharecroppers - one white, one Black - who farm his tobacco but have bigger dreams for their own children. While Gordon takes no interest in the lives of his tenant farmers, a brutal attack between his son and the sharecropper children sets off a chain of events that leaves no one unscathed. Over the span of a decade, Gordon struggles to hold on to his family's legacy as the old order makes way for a New South.

TALMADGE FARM is a sweeping drama that follows three unforgettable families navigating the changing culture of North Carolina at a pivotal moment in history. A love letter to the American South, the novel is a story of resilience, hope, and family - both lost and found.

Ken's Weekly Book Recommendation: Writing Treatments to Sell by Ken Atchity and Chi-Li Wong


As Hollywood insiders know, the first step in selling your story idea for film or television is preparing a treatment, the brief pitch that sells the concept to a busy producer or agent.  ⁠

This manual is a step by step guide to writing the perfect treatment, and to using it to perfect your dramatic art and market your work to entertainment buyers and gatekeepers.⁠

Available on Amazon

Dr. Kennet Atchity's Film Courage Interviews

In these Film Courage videos, Dr. Ken Atchity (Author, Publisher, Producer), shares how his own pursuit of living his dreams and what blocks most people's road to success.




FILM COURAGE TITLE

VIEWS

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Quit Your Day Job and Live Out Your Dreams

1,459,474

40 K

How To Be Productive: Understanding Time, Work and Creativity

184,637

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A Writer's Time: Making The Time To Write – Full Interview

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Sell Your Story To Hollywood: Writer's Guide To Show Business

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How To Guarantee Success In Show Business

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Starting A Career In The Movie Business At Age 43

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Trump Is The Most Creative Producer In The World

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Advice I Wished I Received

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427

Being A Professional Screenwriter Is Not A Magic Trick

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There Are 3 Ways To Break Into Hollywood And I Didn’t Use Any Of Them

29,521

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15 Screenwriting Lessons People Learn TOO LATE

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3 Biggest Screenwriting Mistakes Beginners Make

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Most Important Lesson Every Screenwriter Should Learn

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Truth Is That A Screenplay Can Be Written In One Week

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Top 10 Rules For Editing A Screenplay

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Writing Treatments That Sell

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3 Rules Beginning Screenwriters Need To Know

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Here’s Why Writing A Screenplay Is Harder Than Writing A Novel

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It’s Easy For A Great Script To Go Nowhere In Hollywood

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Can Any Book Be Made Into A Movie?

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3 Things Every Great Story Has To Have

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The Assumption That Most Writers Get Wrong

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A Formula For Writing A Great Story

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Character Development Is About These 3 Things

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How Writers Can See The Shape Of Their Story: Intensity Graph

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Being An Artist Is Lonely

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Every Artist Has A Calling

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Power Of A Work Of Art

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Common For An Artist To Be Depressed After Finishing Their Work

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The Drama Of The Gifted Writer

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View videos here! 

BUY THE BOOK - HOW TO QUIT YOUR DAY JOB AND LIVE OUT YOUR DREAMS: Do What You Love for Money BUY THE BOOK - SELL YOUR STORY TO HOLLYWOOD: Writer’s Pocket Guide To The Business Of Show Business BUY THE BOOK - WRITING TREATMENTS THAT SELL: How To Create And Market Your Story Ideas To The Motion Picture and TV Industry

In this Film Courage video, Dr. Kenneth Atchity (Author, Publisher, Producer), shares how his own pursuit of living his dreams spawned a book on the subject and what blocks most people's road to success

Have a listen here: https://lnkd.in/gtsXPc3



 

Dealing With Your Type C Creative Mind: Maintaining Your Creative Spark




For all storytellers—novelists, screenwriters, journalists, nonfiction writers, and children’s book writers. Sometimes the struggle to publish can drain even the strongest creative dynamo. Here's how to recharge your creativity, to keep your career going...and going...and going... 

Learn more: http://www.thewriterslifeline.com/

Dealing with your Type-C Creative Mind – ⁠ Perseverance





For all storytellers—novelists, screenwriters, journalists, nonfiction writers, and children’s book writers.⁠
⁠
Learn more about One-on-one coaching to help understand a Type-C personality and equip you with practical tools to make yourself more productive and less frustrated with storytelling.⁠
⁠
Learn more: http://www.thewriterslifeline.com/



Dealing With Your Type-C Personality: Time⁠ and Work



Learn more about One-on-one coaching to help understand a Type-C personality and equip you with practical tools to make yourself more productive and less frustrated with storytelling.⁠
⁠

Learn more at www.thewriterslifeline.com

Ken's Weekly Book Recommendation: Sell Your Story to Hollywood!

⁠
Through the expanding influence of the Internet and the corporatization of both publishing and entertainment, the process of getting your book to the big screen has gotten more complicated, more eccentric, and more exciting.⁠
⁠
This little book aims to help you figure out how to get your story told on big screens or small. ⁠



⁠
Available on Amazon 

Dealing with your Type-C Creative Mind Chapter 4 ⁠


4 Ways to Succeed as a Writer⁠

⁠

For all storytellers—novelists, screenwriters, journalists, nonfiction writers, and children’s book writers.⁠
⁠
Learn more about One-on-one coaching to help understand a Type-C personality and equip you with practical tools to make yourself more productive and less frustrated with storytelling.⁠
⁠
Learn more: http://www.thewriterslifeline.com/


Getting Your Story Straight: Setting

Chapter 4 – Setting


⁠
Professional coaching tips to help you figure out point of view, structure, and master all the elements of story.⁠  
⁠
Learn more: http://www.thewriterslifeline.com/

Chapter 3 “Dealing with your Type-C Creative Mind” – What is a Type C?

For all storytellers—novelists, screenwriters, journalists, nonfiction writers, and children’s book writers.⁠



Learn more about One-on-one coaching to help understand a Type-C personality and equip you with practical tools to make yourself more productive and less frustrated with storytelling at http://www.thewriterslifeline.com/ ⁠ 

Follow Ken's series on IGTV @storymerchant ⁠Facebook @thestorymerchant


Chapter 2 “Dealing with your Type-C Creative Mind” – What’s Going on In There⁠

Whether they ask the question aloud or not, people always want to know what makes a writer's mind work. 

For all storytellers—novelists, screenwriters, journalists, nonfiction writers, and children’s book writers.⁠⁠ 

If you'd like more details or enroll in one on one coaching to perfect your story visit  The Writer's Lifeline 


Getting Your Story Straight: Heroes

Welcome to "Getting Your Story Straight" series on Instagram @storymerchant. 




Professional coaching tips to help you figure out point of view, structure, and master all the elements of story. If you'd like more details or enroll in one on one coaching to perfect your story visit: http://www.thewriterslifeline.com/


Dealing with your Type-C Creative Mind

For all storytellers—novelists, screenwriters, journalists, nonfiction writers, and children’s book writers.

Sometimes the struggle to publish can drain even the strongest creative dynamo. Here's how to recharge your creativity, to keep your career going...and going...and going...





Learn More about One-on-ONe coaching to help understand a Type-C personality and equip you with practical tools to make yourself more productive and less frustrated with storytelling.


Getting Your Story Straight Series by Ken Atchity

Welcome to "Getting Your Story Straight" series on InstagramTV @storymerchant Getting Your Stories Straight Series by Ken Atchity. Professional coaching tips to help you figure out point of view, structure, and master all the elements of story.


For Writers, Silence Might Not Be Golden After All



Certainly, many eminent writers from the past shunned clamor. Consider Marcel Proust. To remark that the French writer was sensitive to auditory interference would be an understatement. The man was positively neurotic about it. He treated the bedroom in his Paris apartment where he wrote like a sensory deprivation chamber—shutters closed, drapes drawn, the walls lined with sound-absorbing cork. It wasn’t enough. He wore earplugs too.

Anton Chekhov was similarly beset by hypersensitivity to sound. So was fellow obsessive Frank Kafka, who described his condition in his signature surreal style by saying that “I need solitude for my writing; not ‘like a hermit’—that wouldn’t be enough—but like a dead man.” Sadly, by the time he got his wish, it was too late to do anything about it.

The correlation between high-level inventiveness and difficulty in filtering out sensory inputs is understandable, given that open-mindedness is a hallmark of the creative personality. The problem for off-the-chart geniuses like Proust, Chekhov, and Kafka was that their minds were a bit too open. Everything got through. Hence the extreme measures they took to avoid being immobilized by incoming stimuli.

...silence isn’t as golden as it sounds. Absolute noiselessness tends to focus our attention, which is helpful for tasks that entail accuracy, fine detail, and linear reasoning, such as balancing our checkbook or fixing a Swiss watch. It’s less supportive of the broad, big-picture, abstract mind-wandering that leads to fresh perspectives and a creative work product. On the other hand, excessive noise overwhelms our sensory apparatus and hinders our ability to properly process information at all. In between lies the sweet spot—noise not so loud that we can’t hear ourselves think, and not so quiet that we can’t help but hear ourselves think.

Read more