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Library Journal Reviews
September 1, 2009
Dracula the Un-Dead
BYLINE: Patricia Altner
SECTION: REVIEWS; Fiction; Pg. 109
LENGTH: 223 words
Stoker, Dacre & Ian Holt. Dracula the Un-Dead. Dutton. Oct. 2009. c.416p. ISBN 978-0-525-95129-2 . $26.95. F
Dracula: The Un-Dead
Dacre Stoker and Ian Holt
Dutton,Oct 2009, $26.95
ISBN 9780525951292
Twenty-five years has passed since the horrific events of 1897 ended with Dracula turning into dust; none involved have moved on as each remains haunted by the encounter with the Count. Mina and Jonathon married, but neither obtained closure when the vampire was killed; stressed and estrnaged, they conceal from their son Quincey what happened. Seward survives with heroin while Holmwood became a hermit. Their mentor Van Helsing obsessively lives for the return of Dracula as the vampire’s death was his life’s goal so he has nothing else. Scotland Yard believes Van Helsing was involved in the unsolved Ripper murders.
In 1912, Stoker is frustrated as he struggles to convert his horror thriller Dracula to the London stage. However, although the author knows the full truth, he and the others except perhaps the ever vigilant Van Helsing are unprepared for a gruesome serial killer horrifying London. Scotland yard once again believes a fanatic Van Helsing is deeply connected to the killings, but too old to perform them. Those involved with what happened back then find themsleves and their loved ones under siege as if Van Helsing’s belief the Count will return from the dust has occurred. The survivors of the previous encounter regroup to battle evil again although they are unsure who stalks them.
This is a super vampire thriller that brings forward the stars of Dracula into the Edwardian Era with a where are they now tale. The clever story line is fast-paced while introducing the audience to the survivors of the previous horrific encounter to include Bram Stoker. Dacre Stoker and Ian Holt explore the essence of evil and good through a cast of humans who have used psychological defense mechanisms to barely survive and a vampire who may or may not be Dracula, but has the same attitude re the food chain as well as a thirst for the blood of vengeance. Filled with terrific twists fans of Dracula and those who appreciate a strong historical urban fantasy will relish the THE UN-DEAD.
Harriet Klausner
Stoker, Dacre & Ian Holt DRACULA: The Un-Dead Bram’s great-grandnephew teams up with Dracula buff Holt to reclaim vampire lit from the unholy, unlettered legions churning out today’s fang-and-cloak stuff. This big, blood-filled kitchen sink of a debut boasts a vast cast of characters: Bram Stoker himself, as well as his nefarious Count, Jack the Ripper, Jonathan Harker, Dr. Van Helsing, Oscar Wilde, “blood Countess” Elizabeth Bathory, a mysterious Eastern European actor and a whole bunch of extremely hot 
(but also extremely cold, being dead and all) vampire chicks of uncertain gender preference. Bathory is definitely the heavy of the story, and it seems she’s spoiling to outdo the number of grisly murders she is said to have committed in life, aided by a coterie of spidery bloodsucking assistants. As befits a multigenerational saga that springs from a book that had few survivors, some familiar characters are on the other side of the live/dead line, and some—well, some are indeed in the undead camp. There’s lots of good old-fashioned polymorphously perverse degenerate romping (“Every orifice in her body became his plaything”). Stoker and Holt are careful not to go too far afield from the conventions of the original; Van Helsing, for instance, comes armed with “crosses, wafers, holy water, a wooden stake, a Bowie knife, and a crossbow armed and ready to fire,” rather than some postmodern substitute for all that good wood and metal. Yet this competently (but no more than competently) written sequel—endorsed by the Stoker family, the publisher assures—has plenty of contemporary twists, including a weird Darth Vaderish turn at the end that some Bram-faithful readers may find magnificently silly. Flies and spiders, master! Big, messy, lots of fun—and not Stephenie Meyer.
