"The universe is made of stories, not of atoms."
—Muriel Rukeyser
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Ken Atchity Joins the Jury on the Bengaluru International Short Film Festival 2021 - International Competition Section

Ken will also be available for be available for a discussion during the festival onf creative writing. 




BISFF was conceived on an ambitious dream-fuelled evening, and the strength provided by multi-award winner Prakash Belawadi it came to fruition, Prakash who continues to be the festival mentor. 

The idea of BISFF was to create a platform for young and amateur filmmakers, where they could screen their shorts to discerning audiences and, more importantly, find constructive and critical feedback from experts in the field. In the very first edition of the festival in 2010, there were only a total of 40 short films submitted. This number rose to 3500+ shorts in 2019, where we saw an eclectic mix of Indian and foreign language films. The journey has been a struggle, but a very thrilling and fulfilling one. Today BISFF has the distinction of being one of the largest Short Film Festivals in India.

Read the first chapter of the new Daniel Rinaldi thriller, PANIC ATTACK by Dennis Palumbo


 READ EXCERPT: Panic Attack by Dennis Palumbo  




It was 26 years ago this month that the seed that would become the MEG franchise took root in Steve Alten's mind!

 

I was thirty-five at the time and living in West Boca Raton, Florida in a rented townhouse with my second (and present) wife, Kim, her daughter Amanda (age 10), son Chad (age nine), and our six month old daughter, Kelsey. I had moved down to South Florida four years earlier to open a Water Resources distributorship, hiring and training sales reps to sell whole house water treatment systems. We struggled to break even and I eventually closed up the office, running reps out of the townhouse. After a year I was the only one left and began searching for a new career. I tried several MLMs but never made a dime. And then, in August of 1995, I read the cover story of this issue of TIME magazine which introduced me to hydrothermal vents and the Mariana Trench, the deepest most unexplored location on Earth. I remember thinking, “Wouldn’t it be cool if that prehistoric Great White shark I read about when I was a teen was still alive down there… hell, I’d read that book! Better yet…” I drove to the library in West Boca and found the picture of six nerdy scientists seated in a giant shark jaw. Researching Megalodon produced very little other than the fact that they were not like the marine reptiles that went extinct 65 million years ago, these sharks were super predators that only disappeared 2 million years ago or less…

As a sales manager and (before that) a basketball coach, I believed in the power of setting a goal (read THINK & GROW RICH by Napoleon Hill). Convinced I had a great story to tell, I set the goal to become a best-selling author. I would complete a week of extensive research at my local library (no internet back then), create an outline, and then begin writing the manuscript to “White Death.” Water treatment home demos ran from 4pm to 10 pm on weeknights and all day Saturdays, so the only time I could write was in the morning when I watched my daughter (Kim worked in a doctor’s office from 9am to 4pm) and late at night. Every morning I’d feed Kelsey breakfast, then pop on Barney while I wrote, editing the previous day’s 2-4 pages before working on new pages. At the time I did not own a p/c, the original 450 page (single space) manuscript was written on a word processor that could only save 3,000 words per file… ugh. Kim got home around 4pm and I’d head out to try and sell water systems door to door to pay the bills. Each night upon returning home, I’d say goodnight to my wife and worked from 11pm to about 3 am – often falling asleep on my keyboard.

QUESTION: How do you eat an elephant? ANSWER: One bite at a time. Same for writing a novel – you write a 400+ page manuscript a page at a time. By January I had completed the first phase of my goal (the manuscript); phase-2 was to get it to a publisher. With no connections or a clue, I purchased a book: How To Get Published which said I needed a literary agent.

Following the instructions, I wrote a 2-page query letter and sent it to every literary agent in the book that handled fiction. Of the 60 to 70 letters sent, I received about 30 rejection letters. The only interested agent was Ken Atchity at AEI in Los Angles. Ken believed my story had the potential to be a great book and movie – only it needed a ton of editing. He would assign an editor to work with me and teach me and then Ken would represent my manuscript to publishers, but his fee ($6,000) had to be paid up front. I didn’t have the money, but I did own a 1971 Chevy Malibu convertible my Dad had bought for me when I was eighteen. So I sold my car and borrowed the rest from a side job I had been working on and under the tutelage of my agent and editor, rewrote the book.

Meanwhile, I kept on writing every night and every weekend, and the new manuscript was amazing. In May, Ken and a producer associate (Warren Zide) optioned the first 100 pages of MEG and a treatment for the rest of the book on a first-look deal to Disney’s Hollywood Pics. And then, on Friday the 13th in September 1996 I went to work -- and was fired. Seems the Boys no longer needed me to babysit them. I drove home with no job and $45 in the bank. Kim was upset, but I said, “Don’t worry, hon – this is the best thing that could have happened - now I have more time to work on my next book!” 

Steve with Ken Atchity and Joel McKuin signing his million dollar deal.


Four days later Ken started a bidding war between the top publishing houses in the U.S. for the pub rights to MEG and a treatment for a Mayan Doomsday story. We went with the second highest offer from Bantam-Doubleday, the pub who had published JAWS (a 2 book, $2.1 million deal) and the rollercoaster that has been my career over the last 25 years started up a steep slope.

In October, MEG was named book of the Frankfurt Book Fair, BDD optioning the pub rights to over 20 countries. In July of 1997 the hardback of MEG: A Novel of Deep Terror hit bookstores and in August the NY Times, USA Today and Wall Street Journal best-seller list, buoyed by this interview:



What to read more?  Subscribe to Steve's Newsletter at: https://www.stevealten.com/

Alan Gibson's Rendezvous in Budapest!


With one of our Atchity Productions, Gibson Global and Vanishing Frame's The Seeding Budapest team, producer and award winning director Vandad Kashefi, waiting for our table at Menza.


Ken Atchity and the Path to Success with Dr. Marcia Sirota

Marcia is all about long-term results. She works with individuals and organizations that want to take charge and empower themselves and their people to improve positivity, personal responsibility, performance and leadership.

Listen here

Survey: Most people prefer reading paper books over digital books on tablets, phones

 


LONDON — Digital books on tablets, smartphones, and devices like Amazon’s Kindle are certainly convenient, but according to a new survey most people still prefer a good old fashioned paper book. There’s just something satisfying about turning the page and holding a physical book in one’s hands, as over two-thirds of adults say they always opt for a real book over digital reading.

Put together by Oxfam, researcher polled 2,000 respondents in the United Kingdom regarding their thoughts on paper books versus digital books. Close to half (46%) enjoy physically turning pages and 42 percent prefer the feel of a physical book in their hands. One in four say they love the smell of paper books. Meanwhile, another 32 percent feel like they become much more immersed in the story while reading a paper book and 16 percent go for traditional books because they remind them of libraries.

The look and feel of books is still special

Interestingly, over a third of respondents (35%) enjoy buying paper books because that allows them to proudly display them on their bookshelf as a background during Zoom meetings.

All in all, only 16 percent of adults prefer digital books and a meager eight percent who favor audio books. On average, the survey finds most adults own 49 books and read for three hours per week. 


"People prefer to read physical books because they offer something more tangible and grounded. There’s something that can feel more “permanent” about real books over digital formats,” says Dr. Elena Touroni, a consultant psychologist and co-founder of The Chelsea Psychology Clinic, in a statement. “Reading offers us a form of escapism. It provides us with a break from our everyday lives, and often also, an opportunity to learn something new and expand our minds.”

What’s old is new again

Over half the poll (58%) read to relax, while 46 percent usually read as a break from the real world. More than three in 10 like to read as a means of learning something new and 39 percent read to feel happier. Close to half (45%) have been reading more ever since COVID lockdowns began. Moving past the pandemic, 84 percent plan to take a few books with them on vacation this year.

Three-quarters say they’re considering donating books they’ve finished and 72 percent usually buy used books themselves. Moreover, this research suggests that books are the top item most adults are willing to buy used. Seventy-one percent say they buy used books because it is cheaper and 52 percent do it because it is better for the environment.

Nearly one in five (18%) just like the smell of used books, while another 18 percent like the texture of a second-hand book. Fifteen percent of respondents just love the idea that they might find a note or letter written inside a used book. Nearly one in two people (45%) like to ponder where their old books have been before landing in their hands. Generally speaking, 49 percent of adults often buy second-hand items, with goods such as books, clothes, CDs, DVDs, and cars topping the list. Six in 10 adults believe buying used items is just as good as buying new.

The survey was conducted by OnePoll.

DREAMWORKS: Dream and Art - CREATIVE DAYDREAMING Gretchen Lanes

 

Gretchen Lanes: Self-Portrait, 1978-79. 


Often when I paint I am in a state of daydreaming. When I start a painting, I may have chosen the subject matter, but the content and context of the subject are yet to be revealed. One way this occurs is through rendering of detail. Concentrating on a small area, I lose over-all perspective. When I become "lost" in detail, my ego-consciousness wanes and I'm then able to tap into the symbols and information available in the dream realm. The ego dictates and manipulates waking reality. In the dream state, ego does not interfere; there is more freedom to encounter unknowns. 

My painting is about that encounter. Because the paintings are born greatly from a dream state, as finished products they are seen as dream-like. The viewer is prone to interpret them as his own. Though my images are extremely personal, the "stuff" of dreams is universal. They become the dream property of the viewer. 


Kenneth Atchity. Dreamworks 2:3: Spring 1982 (Dreamworks Magazine) 


Moonlit Cowgirl


Still Life




Dr. Meg Van Deusen Author of Stressed in the U.S. on THE MOUTH OF MANLINESS

 


The Mouth Of Manliness with Nick Noise. Talking mental health, well being and everything under the sun. Expect tears and laughter as he shares real stories with real people.



Check out her book Stressed in the US: 12 Tools to

Tackle Anxiety, Loneliness, Tech-Addiction, and more

AVAILABLE on AMAZON

Fingers Crossed For Vicki Fitzgerald's Kill List!


 

“Good things come to those who wait and are brave enough to chase their dreams.”

Kill List has already attracted five-star reviews since publication on March 24, 2021. The pair are finalizing the film treatment to pitch to Hollywood agents.

Kill List is an extremely high concept idea, and those do not come around often. It has the potential to make a fantastic series adaption, possibly spanning several seasons.

After a decade as a journalist, Vicki founded the South West public relations firm, Paramount PR, which focused on tourism and the hospitality industries before committing to writing full-time. She has now published three novels and is working on the fourth.





Emilia has a secret hobby; killing. 

She’s hunting the Dark Web gamers who stole her life. 

The players underestimated Emilia’s will to survive and her thirst for vengeance. It’s her game now. Her rules, her kill list, and she’s an unlikely accomplice teaching her how to get away with murder. 

But revenge has a price that’s breath-taking and disturbing. 

Can Emilia overcome betrayal and tragedy to settle the score and end the game?