"The universe is made of stories, not of atoms."
—Muriel Rukeyser
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Showing posts with label Angels in the Snow. Show all posts
Showing posts with label Angels in the Snow. Show all posts

Most Important Lesson Every Screenwriter Should Learn: Don't Wait

 Every project has its own clock!

~ Ken Atchity




In 2015 I, and my dear producing partner Norman Stephens, produced a sweet little Christmas movie called Angels in the Snow for UPnetwork. I had only been trying to get that movie produced for twenty years! I sold it to TNT once and came close to a deal at Hallmark another time. My client Steve Alten’s Meg after twenty-two years, finally premiered in 2018. What was I doing for the last twenty years? Not Waiting!

Award Winning, Nominated Atchity Productions!



A  STORY MERCHANT company


The Meg - Awards


2 wins & 5 nominations

 2021

New Zealand Cinematographers Society

Won, Gold Award

Specialised Cinematography

Kina Scollay

Underwater photography

 2019

Golden Trailer Awards

Nominated, Golden Trailer

Best Home Ent Horror/Thriller

Warner Bros. Pictures, Trailer Park

Nominated, Golden Trailer

Best Billboard

 2019

Young Artist Awards

Nominated, Young Artist Award

Best Performance in a Feature Film: Supporting Young Actress

Shuya Sophia Cai

2018

Chinese American Film Festival (C.A.F.F.)

Won, Golden Angel Award

Best Actress

Bingbing Li

Won, Golden Angel Award

Best US-China Co-Production Film

 2018

Golden Trailer Awards

Won, Golden Trailer

Golden Fleece

Warner Bros. Pictures, Trailer Park

 2018

IGN Summer Movie Awards

Nominated, IGN Award

Best Action Movie

2018

New Zealand Cinematographers Society

Won, Gold Award

Specialised Cinematography

Andrew McGeorge


Kennedy Detail  - Awards

1 Nomination

 2011

News & Documentary Emmy Awards

Nominated, Emmy

Outstanding Historical Programming - Long Form

Lisa McCubbin (producer), Kenneth Atchity (executive producer), Gerald S. Blaine (producer), Brooke Runnette (executive producer), Chi-Li Wong (executive producer), Grant Axton (producer), David Garfinkle (executive producer), Jay Renfroe (executive producer), Vince DiPersio (co-executive producer), Liza Maddrey (producer) Discovery Channel


Erased - Awards

1 win & 2 nominations

2015

SOCAN Awards

Won, SOCAN Award

Domestic Feature Film Award

Jeff Danna

 2014 - Jutra Awards

Nominated, Jutra

Best Make-Up (Meilleur Maquillage)

Colleen Quinton

Nominated, Jutra

Best Editing (Meilleur Montage Image)

Dominique Fortin


Hysteria – Awards

2 nominations

2012

Casting Society of America, USA

Nominated, Artios Award

Outstanding Achievement in Casting - Feature - Studio or Independent Comedy

Gaby Kester (casting director)

2011

Rome Film Fest

Nominated, Golden Marc'Aurelio Award

Tanya Wexler


Gosepl Hill – Awards

2 wins

 2009

Nashville Film Festival

Won, Rosetta Miller Perry Award

Giancarlo Esposito

 2008

Ft. Lauderdale International Film Festival

Won, Jury Award

Seashell Best of Fest

Giancarlo Esposito


Adam Resurrected - Awards

1 win & 1 nomination

 2009

Valladolid International Film Festival

Nominated, Golden Spike

Best Film

Paul Schrader

 Won, Best Music

Gabriel Yared


Joe Somebody - Awards

1 nomination

2002

Young Artist Awards

Nominated, Young Artist Award

Best Performance in a Feature Film - Leading Young Actress

Hayden Panettiere


Falling Over Backwards - Awards

4 nominations

1991

Genie Awards

Nominated, Genie

Best Achievement in Sound

Abbey Neidik National Film Board of Canada (NFB)

 Nominated, Genie

Best Performance by an Actor in a Supporting Role

Paul Soles

Nominated, Genie

Best Sound Editing

Diane Le Floc'h, Gudrun Christian, Abbey Neidik, Andy Malcolm, Michele Cook

 

1990

Valladolid International Film Festival

Nominated, Golden Spike

Best Film

Mort Ransen

  

Angels in the Snow - Awards

1 nomination

 2016

Young Artist Awards

Nominated, Young Artist Award

Best Performance in a TV Movie, Miniseries, Special or Pilot - Young Actor

Kolton Stewart

 

The Lost Valentine - Awards

1 win & 6 nominations

 2012

Movie Guide Awards

 Nominated, Grace Award

Most Inspirational Television Acting

Betty White

 Nominated, Grace Award

Most Inspiring TV Program

 Nominated, Grace Award

Most Inspirational Television Acting

Katie McGrath

 Nominated, Grace Award

Most Inspirational Television Acting

Sean Faris

 Won, Faith and Freedom Award

 Television

 2012

Screen Actors Guild Awards

Nominated, Actor

Outstanding Performance by a Female Actor in a Television Movie or Miniseries

Betty White

 

2011

Gold Derby Awards

Nominated, Gold Derby TV Award

TV Movie/Mini Supporting Actress

Betty White

  


Story Merchant has experience in all realms of entertainment placement, from television series, specials, and movies, to studio, mini-major, and independent feature films.

As a producer’s representative, our team analyzes a film’s potential and determines the best distribution channels, whether theatrical, DVD, television, or some combination of the above. With our experience in the international market, we also identify the sales company that best fits an individual film based on our relationships with key executives at dozens of sales companies. Once we identify the best suited sales company, we negotiate all terms of the sales agency agreement to the producer’s and his financer’s best interests.

We focus on securing the most trustworthy distribution avenue that will maximize audience outreach. Our management of the film’s distribution guarantees that the producer retains control of the film’s success.
Contact Ken Atchity for more information.


Angels in the Snow - Streaming on Amazon!



amzn.com/B018JG96RE





For cable networks, holiday movies are the gift that keeps on giving

Photo Credit: UPtv


Even Ebenezer Scrooge might have been impressed with how TV networks are profiting from holiday movies.

Along with early displays of decorations by retailers, the continuous loop of holiday music on radio and the festive color of Starbucks coffee cups, nothing rings in the season quite like the volley of holiday movies that flood the small screen.

Hallmark and its Hallmark Movies spinoff, for example, are showing 21 new original Christmas-themed movies this year, up from just 13 in 2010. Lifetime has seven of its own, and the Atlanta-based cable TV channel UP TV has three in its bank, in addition to returning holiday movies of years past.

These holiday movies are proliferating because they're cheap to produce, generate strong ratings and lots of advertising revenue for the television networks. Hallmark parent Crown Media Holdings credited its holiday programming for helping to spur an 11% increase in advertising revenue last year to $328 million.

November and December are key months for advertisers that want to get in front of consumers in festive moods. Advertisers spent $13.8 billion on television spots during November and December last year, comprising 18% of all ad dollars spent in 2014, according to ad-tracking firm Kantar Media.

"Advertisers are attracted to eyeballs," said Jason Maltby, head TV buyer at the prominent advertising agency Mindshare. "There's the added benefit that holiday programming tends to be upbeat and positive, and you're always looking to put your brand message in an environment that makes people feel good."

The television channel guide is littered every year with festive titles such as "Murder, She Baked: A Plum Pudding Mystery," "The Flight Before Christmas" and "Elf" as dozens of original and acquired movies, as well as a long list of specials, roll out on cable, broadcast and streaming networks in November and December. In some cases, the Yuletide ringing started on Halloween.

Broadcast networks rely more heavily on specials and perennial favorites such as "It's a Wonderful Life" and "A Charlie Brown Christmas," which celebrates its 50th anniversary this year.

But the surge of holiday programming is more apparent on cable, where networks such as Hallmark, Lifetime, ABC Family and the small channel UP can dedicate weeks, or months, of programming to the genre.

The holly jolly is working. ABC Family saw its ratings double last year in the holiday period that encompassed the week of Thanksgiving through the first week of January, according to Nielsen.




The network's programming block, dubbed "25 Days of Christmas," is more heavy on acquired movies such as "The Polar Express" and "Dr. Seuss' How the Grinch Stole Christmas," as well as the occasional holiday-themed episode of its original series. The block has proved to be such a key tent-pole event through the years that in 2007 the network launched a supplemental block, "Countdown to 25 Days of Christmas," for November.

"The holidays are one of the biggest times of the year for families all across the country," said Salaam Coleman Smith, ABC Family's executive vice president of strategy and programming. "There's been such a wealth of Christmas movies and programming that have been created over the years … [that] we really felt like there was a unique opportunity to create this stunt that featured the best of Christmas content. There's something for everyone."

Hallmark, meanwhile, saw its ratings last year nearly double in the holiday period. UP TV experienced a 74% bump, while Lifetime saw it's ratings go up 4% in the holiday period compared with the rest of the year.

"Viewers are really rabid for this content," said Michelle Vicary, executive vice president of programming for Studio City-based Hallmark Channel and Hallmark Movies & Mysteries. "All we hear every year is that people want more of it."

Additionally, these programs are good investment for cable channels because they are inexpensive to produce and are evergreens, returning for years to come. These two-hour movies cost about $1 million to $3 million to produce, which is equivalent to the cost of producing one episode of an hourlong drama on cable.

TV movies on the Big Four networks have waned in recent years as broadcasters have preferred long-form series that keep viewers engaged over an expanded period of time. That has created an opportunity for some cable networks to become the main suppliers of holiday movies.

The investment in made-for-TV movies is a less risky one on cable because the platform allows for repeated plays the year that a movie debuts and beyond.

"You hear people say, 'We watch your movies while trimming the tree' or 'We watch your movies while wrapping gifts,'" said Barbara Fisher, UP's senior vice president of original programming. "And for us networks that are geared toward families, it's a no-brainer to be in this space."

The holiday movies are popular in part because they follow a simple formula: a Scrooge-like character discovering his or her Christmas spirit; someone stranded while trying to get home for the holidays; and, of course, the heartwarming romance.

There's also a growing roster of talent eager to star in holiday movies. Actresses such as Candace Cameron Bure, Beverley Mitchell and Lacey Chabert have become mainstays of the genre.

"It makes me giggle," said Cameron Bure, who this year stars in "A Christmas Detour" on Hallmark. "I will wear the title proudly. I get so many messages from people saying, 'I hope you have a new Christmas movie coming out.' I love that people know me from those."

Mariah Carey, the unofficial queen of the holidays with her hit "All I Want for Christmas," directed and stars in "A Christmas Melody" for Hallmark. And Dermot Mulroney, also for Hallmark, stars in "North Pole: Open for Christmas."

"The stigma of doing cable TV Christmas movies has really diminished in the last few years," said Tim Johnson, the producer of Lifetime's "Becoming Santa" and "A Gift Wrapped Christmas." "Ten years ago, it was harder to get actors to do it. Now we're getting calls from agents saying, 'We have this client who wants to do a cable Christmas movie.' They know the audience is there."

Of course, the flood of holiday dramas could reach a tipping point. But for now at least, they are ratings gold for some networks.

Planning has already begun for next year's slate and beyond, and expansion in the number of hours dedicated to the programming and/or the number of original TV movies is expected. Hallmark, for one, is looking to increase its output of originals to 28 in 2018.

"The demand is there and the suppliers are there and there's room for more," said Dan Angel, an executive producer of "The Bridge" on Hallmark. "We just have to keep up."

Reposted from the LA Times


Angels in the Snow Sunday, November 22nd at 7 pm ET


When nothing short of a miracle can hold a deteriorating family together, a Christmas getaway sets the stage for a miracle to occur. A heartwarming family story of love,loss, and rediscovery.

‘Buffy’ Movie Star Kristy Swanson Joins UP TV’s ‘Angels in the Snow’

TheWrap



Ken Atchity with Kristy Swanson on the set of Angels in the Snow

Christmas offering will revolve around two families trapped in a cabin by a blizzard

Kristy Swanson is moving on from vampires to angels.

Swanson, star of the film “Buffy the Vampire Slayer,” has signed on for the UP TV Christmas movie “Angels in the Snow,” which began production last week in Vancouver, Canada.

Based on the Rexanne Becnel novel “Christmas Journey,” the domestic drama revolves around two very different families who find themselves snowbound together in a luxurious cabin during a Christmas blizzard. The affluent yet troubled Montgomery family is headed by workaholic real estate developer Charles (played by Chris Potter of UP’s “Heartland”) and his wife Judith (Swanson) a former New York fashion editor who he’s trying to mend fences with.

The couple bring their three cell phone-dependent, squabbling kids — Alexandra, Jennifer and Emily — on a getaway to the cabin that Charles has built. However, when a snowstorm makes them a prisoner of their “dream home,” the parents start fighting, and Emily makes a wish to keep her parents together.

Meanwhile,the Tucker family show up on the doorstep of the cabin, exhausted and in need of shelter after their van slides off the snow-covered road.

As the families wait out the storm, it soon becomes evident that the Tuckers offer an example of love, togetherness and caring that is seemingly gone from the Montgomerys’ lives. But perhaps the Tuckers’ example — and friendship — can reignite the Montgomery family’s spirit this season.

“The UP premiere movie ‘Angels in the Snow’ is a captivating family drama with heart; strong, diverse characters; and more than a couple of surprises,” UP’s senior vice president, original programming Barbara Fisher said. “Starring fan-favorite Kristy Swanson and popular ‘Heartland’ star Chris Potter as the struggling Montgomerys, the drama is our first Christmas film to go into production this year, and will be a key component of our popular, annual Christmas programming slate in 2015.”

The cast also includes Colin Lawrence (“The 100″), Catherine Lough Haggquist (“Continuum”) and Nick Purcha (“iZombie”), among others.


MarVista Entertainment and Odyssey Media are producing “Angels in the Snow,” with Norman Stephens, Ken Atchity, Kirk Shaw, Keith Shaw executive producing, Chi-Li Wong co- executive producing. Ken Atchity, Chi-Li Wong and Julie Brazier wrote the treatment of Becnel’s novel, with Brazier (UP’s “My Mother’s Future Husband”) responsible for the adapted script.

George Erschbamer (“My Mother’s Future Husband,” “My Name Is Sarah”) is directing.

Reposted from The Wrap


Eye on the Angels


KJA on set of "Angels in the Snow," Maple Ridge, Canada



Photo by DP Cliff Hokanson