"The universe is made of stories, not of atoms."
—Muriel Rukeyser
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Showing posts with label Time Management. Show all posts
Showing posts with label Time Management. Show all posts

How To Be Productive: Understanding Time, Work and Creativity by Dr. Ken Atchity



Film Courage: One of your many books Ken is WRITE TIME? And in the forward you say that the world can be divided into two people, productive people and non-productive people. And you say that productive people have a love affair with time. I’ve love to know what makes someone on the right side of time and what make someone where time is their enemy?

Dr. Ken Atchity, Author/Producer: Well that’s a very good question put in a very intelligent way that makes it hard to get a handle on it because time is…time doesn’t really exist. Time is a human construct, we created time. Squirrels and chipmunks don’t have much idea of time. They know that the sun rises and the sun goes down and they know that it rains but they don’t think the way that we do and they don’t keep track of their birthdays for example, only humans do that. And it’s unfortunate because you’re only as old as you think you are. And that’s the way a squirrel looks at it and nobody is arguing with the squirrel about it but humans know better.

Some people look at time as the enemy and some people look at it as a friend. There is an old Spanish saying that is “There is more time than life,” which I always thought was a wonderful way of looking at it because that is what a productive person would say “there is more time than life.” And another Spanish or Italian saying says that “Life is short, but wide.” And that’s another way of productively looking at it. Like people say “How can you do as much stuff as you do?” Well that’s because that’s what I do. I don’t do anything else. And I used to give classes on time management and do a lot of studies on it, in fact WRITE TIME is filled with time management theories. And one of the things I noticed about people was they had no idea where their time went. And they go “I don’t know where you find all the time.” And I would say “I don’t know where you lose it.”

I mean we all have the same amount of time and they go “How much time do we have by the way? How much time is in a week?” And 2 out of 10 people can ask the question right off the top of their heads because they’ve never really multiplied 25 by 7 and realized exactly how many hours there are in a week.

Everybody has the same amount of time. So what I would do in a time management class at UCLA or elsewhere is I would say let’s chart your time this week. I just want you to make a chart of what you do with your time and let’s come in and talk about it next week when we come back together. And they would come back in and that was before I asked them how many hours there were in a week I would wait for the third week to ask that question.

And some people would come in with 98-hour weeks and some people would come in with 62-hour weeks and nobody seem to agree in general how many hours there were in a week because the hours they gave me didn’t add up, they didn’t make sense. They’d say “I sleep six hours a day.” But it turned out in the third week of analysis that instead of 6 hours a day they were actually sleeping 10 hours. They just were telling themselves they were sleeping 6 hours a day.

How much time do you spend talking on the telephone? Most people thought they maybe spent 15 minutes a day, when in fact it might be an hour a day. And watching television (of course). Some people said they were only watching an hour a day when they were actually watching three hours a day.

But a productive person knows exactly how long it takes to do something. Like when I write a screenplay or a book, I can tell you how many hours it takes to do it and so I know that I can get it done in a certain amount of time. Agatha Christie apparently wrote as many as 10 books a year. She had to use four or five pen names because she just kept writing. When you think about it writing is a function of how fast you type. Because I always say (in my writing book including that one) if you’re making a rule not to sit down to write if you don’t know what you’re going to write then you’ll never waste any time and you’ll never have writer’s block. So simply don’t sit down until you know what you’re going to write. It’s just a matter of how fast can you type. So it’s better to be walking along the beach thinking about the structure of your story then it is to be wasting a lot of time sitting in front of the computer typing stuff and throwing it away and all that stuff. Just figure it all out in your head. “Well what if I forget it?” Well guess what? If you forget it that’s probably good. You are forgetting forgettable things? You won’t forget it when it starts getting really good. Because then it will do what Faulkner said, it will start haunting you and you won’t be able to forget it and then you’ll just write it down.

William Saroyan was asked once how long it took him to write the Human Comedy because somebody had told the journalist it had took him three days and he said “No, it took me all my life to write it. It just took me a few days to type it out.”…(Watch the video interview on Youtube here).




Stealing Time for Your Dream in 2025 -- Part 5: How to Make "the clock of life" YOUR clock

 


 How to make '"the clock of life" your clock:

 

The stopwatch

Mercury’s contemporary magic wand for taking command of your time is the stopwatch. Here’s how you use this magical wand: 

You know the clock on the wall will keep ticking away relentlessly until the day has gone by. You even know how it keeps ticking at night--why else would you awaken at 5:59 on your digital bedside clock when you’ve set the alarm to go off at 6:00? You know the telephone seems wired to that damned clock, life’s interruptions seem wired to it, the myriad distractions that flesh is heir to seem wired to it--and you recognize that, as a result, you yourself and your dreams have been wired to the Accountant’s clock for way too long. Your world has been defined by that relentless, uncreative clock. You are desperate to realize your Goal Time.

Today you stop the world. You buy a stopwatch. I suggest buying the simplest one you can find, one that allows you to stop the seconds and restart them, without the other countless modes that will drive you crazy unless you’re training race horses. Hang the stopwatch above your computer, your telephone, your work table--above whatever altar serves the god of your dream. Promise yourself that, no matter what happens on that wall clock, you will work on your dream at least one hour before you go to bed tonight. 

Or two hours. Try one first, then expand slowly and naturally in the direction of that Goal Time. Keep it as simple as you can and still make it work for you. Using the stopwatch allows me the illusion of freedom you value highly, but also ensures the constant sense of disciplined progress toward the success you’ve mapped out for yourself.

Nothing is more satisfyingly inevitable than the achievements that time creates from small, stolen increments. One hour a day is thirty hours a month. Thirty hours a month will inevitably produce results, especially if you’ve programmed the three parts of your mind effectively to make the best possible use of that one hour. Imagine how quickly planning his quest will move forward, having assigned five hours a week to the operation. 

If the one-hour-per-day approach doesn't work for your unpredictable schedule, or makes you feel too disciplined, make it a weekly approach. One of my workshop students was having trouble keeping to his contract that he’d put in two writing hours per day. After several give and takes, we came down to the real reason he was having problems: He was leaving his day job in order to be free, and the daily discipline we’d been discussing made him feel enslaved again. I asked him if he’d be comfortable committing to a weekly number of hours, to bringing in his stopwatch to the next session with ten hours on it.

 "And I could do them in whatever configuration I choose?" 

"Absolutely. The whole idea is to find a way of tricking your mind into allowing you to live by your own clock." 

He came in the next week with 10:06 on his stopwatch, and the weeks after with 10:04, 9:56, 10:10. He’d found a way of using the magic wand to give him that necessary illusion of freedom and control combined with the satisfaction of real progress in committing hours to his career transit. 

Don’t forget that only you can call "time out!" 

Anon: It's not over until the fat lady sings. 

Atchity: It's not over, but you can call time out. 

I used to wish I could call time out to give myself time to regroup and figure out the meaning of life. I used to fantasize about building in an extra, dateless, hour-less day each week to give us time off: no appointments, no phone calls, no deadlines. But that is daydreaming, undisciplined Visionary thinking; and we are trapped in an Accountant’s world. 

You can get time out on a regular basis by stealing it. Now that you’ve embraced your career transit and are living the entrepreneurial life, don’t forget to give yourself the benefits that your day job employer was forced to give you. Sometimes we are so excited about doing the things we love on a daily basis that we forget to give ourselves a break from them. “I don't need a vacation. My life is a vacation!” 

Everyone needs vacations. Most people need them because work is exhausting. The entrepreneur needs them because vacations bring perspective and creative insights that are unavailable under the daily pressures of the career transit. "To do great work," Samuel Butler wrote, a person "must be very idle as well as very industrious." The entrepreneur, as both employer and employed, must schedule his vacations, with alternate dates in mind in case "something comes up" that forces a change. You are accomplishing just as much if not more when you "go away for the whistle" and allow your mind to play. 

Vacations for the dreamer are excursions into Visionary time. "Getaway time," like the aboriginal "dreamtime," puts your Mind’s Eye in direct touch with the Visionary’s view of what you've been doing on a daily basis, and what you could be doing more creatively. Traveling away from "Base 1" is always good for the dreamer because it causes a "cross-pollinating" effect among your objectives, goals, and projects. Traveling anywhere away from a project is a kind of vacation, and nearly always a creative advantage; but traveling should be distinguished from true vacations. Going to New York on business, or going home to see your family for a week, are vacations that can bring fresh perspective. But in both cases there are too many things "to do" for the most constructive form of abandonment to occur. A true vacation is being on the island of Maui, where, after a couple of days of readjustment to "heavenly Hana," your "to-do" list consists of two items, and you somehow never quite get around either to doing them or to caring that you didn't. You notice suddenly that the days seem long, immense; that time has become, as Jorge Luis Borges puts it, "like a plaza." Smaller getaways can produce the same effect: mountain hiking; wandering through the museum; deep-sea fishing for a day; just "hanging out" at Grand Central Station or at the Plaza Oak Bar watching the world go by. During a true vacation Mercury can bring you an Olympian perspective, where the patterns of your life and activities become apparent among the tangle of busyness.

It is precisely at such times that "chaos theory" applies itself to the  creative process. Chaos theory posits the all-important impact of tiny random events on the long-range prediction of physical cycles. Weather patterns could be predicted accurately were it not for "the butterfly effect": Somewhere a Monarch butterfly fluttering from flower to flower (an incident too small to measure) minutely disrupts the passage of the breeze, and a thousand miles away a middle-sized storm turns into a tornado. Chaos theory is the despair of Accountants, who spend their lives trying to predict regularity as though chaos didn’t exist. But to the Visionary, chaos is the staff of Mercury. The German philosopher Friedrich Nietzsche, in Thus Spake Zarathustra, his most Visionary work, wrote: "One must still have chaos in one to give birth to a dancing star." 

The dreamer arranges his true vacations to put him in direct touch with chaos, following winding roads to heavenly dream places inaccessible to ordinary travelers. 

 

Tips on time and work management

 

Rate everything that crosses your desk 1, 2, or 3. Then make an agenda for the 1s immediately, and immediately delegate the 2s to someone else. Put the 3s in a drawer designated the "3-drawer," setting aside a few hours once a month to go through it and see what’s still important enough to deal with. You’ll discover that most of the contents of the 3-drawer are even less important than they were. Napoleon supposedly had all his mail dumped before the bags were opened, on the premise that the important news would have reached him already and anything he neglected that should not have been neglected would make itself known. I’m sure that Josephine quickly found an alternative method of communicating with her Emperor.

Postpone procrastination! Anthony Robbins says, "The best way to deal with procrastination is to postpone it." Procrastinate with everything except your dream. To make that happen you need to--

As much as possible, solve each problem as it occurs. Postponing the solution automatically increases the total amount of time needed for it. Opening a letter, then stacking it somewhere, is counterproductive. If you know from the envelope that the letter isn’t important, toss it in the nearest wastebasket and don’t even take it into your den.

 

Selective pruning

Mencius: Men must be decided on what they will not do, and then they are able to act with vigor in what they ought to do.

 Just as the vitality of a tree can work against the tree unless an experienced arbor culturist is engaged to prune the weaker branches, dreams can be dangerous unless you understand their peculiar fertility. As work creates more work, one dream breeds another, usually grander than the one before. Success has ramifications, breeding all kinds of activities; and, unless you recognize that and infuse "regrouping" time into your success agenda, you’ll suddenly find yourself "too busy" to be successful again. 

Well-meaning Friend: You're such an enthusiast. 

Atchity: Why does that sound like an accusation? 

Enthusiasts must protect themselves from their enthusiasms. To accomplish this, I suggest the following. 

Hold a monthly "drop" meeting with yourself. The object of the meeting is to select activities that can be dropped for a month, with a promise to reevaluate their importance at your next meeting. Tabling or discarding the weaker dreams, thereby constantly improves the quality of the dreams you work on. As you become experienced in the creative life, you’ll recognize that one of its strangest characteristics is the necessity of killing the little monsters--that once were bright dreams--nipping at your heels. The smaller dreams must now be pruned away so that the bigger ones can thrive. Of course it’s even better to kill them off in the concept stage; as Albert Camus said: "It's better to resist at the beginning, than at the end."

Don’t feel bad about the discards. Celebrate them. More than sacrifices or disappointments, they are symptoms of your disciplined progress. Just because you can do something, after all, no longer means that you must or should do it. That was the old you, dominated by the Accountant, before your Mind’s Eye opened to engage you in an entrepreneurial career transit.

When evaluating new projects, keep in mind the sign that psychologist Carl Jung had framed above his desk:

 

Yes No Maybe

 

"Maybe" is crossed out as well as “No” to remind us that it’s the "Maybes" that devour our time and dream energies. If the answer to an incoming idea or request isn't definitively "Yes," it’s definitively "No." Never Maybe. Maybe kills countless ambitions and splendid plans. "We are what we pretend to be," says Kurt Vonnegut's narrator in Mother Night, "so we must be careful about what we pretend to be." 

You may also find it useful to go through the following checklist: 

Is this a good idea (or opportunity)? Yes or No.

Is this idea directly connected with my dream? Yes or No. If the answer is No, pass it along to someone else "with no strings attached.”

Does this idea fit into my present agenda? If not, is it such a good idea that I should revise my agenda to accommodate it?

Is the world ready for this idea?

Am I ready to spend years making it real? 

It’s extremely important to consider both internal and external "timing" when it comes to evaluating new ideas and opportunities. Many of us waste time on good ideas whose time has either come and gone, or won’t be coming for too long a time to make its present implementation productive. Of course, thanks to the predictably unpredictable impact of chaos on our lives, we can never be certain about timing. But we can be certain about our gut reaction to the checklist. 

So long as you live, be radiant, and do not grieve at all. Life's span is short and time exacts the final reckoning. 

--Cepitaph of Seikilos for his wife (100 B.C.) 

This series was updated from How to Escape Lifetime Security and Pursue Your Impossible Dream: A Guide to Transforming Your Career (Helios Press) 

 



Stealing Time for Your Dream in 2025 - Part 4: Where Does the Time Go?


  

Where does the time go? 

The nonproductive dreamer: "I don’t know where the time goes. 

Once your Mind’s Eye takes over: "It doesn’t go anywhere; time’s in your face all the time! It’s knowing what to do with it that counts." 

For me, keeping track of time started at Rockhurst High School in Kansas City, where the Jesuits taught us to schedule our activities in precise Accountant segments. A page from the daily list I kept for four years looked like a space-launch checklist. Every single ten-minute period all day was chockfull of activities, starting from the moment of awakening to the last minutes of making the next day’s list. 

At the end of each daily agenda, which was written in pencil, was "tomorrow's to do list": At 10:50 P.M. I allowed myself eight minutes to work on the next day’s agenda. All day I’d been jotting down notes in pencil to remind me of things that had to be scheduled for the next day. During the eight minutes at the end of the day, I created the agenda for next day. All but one of the individual items on the daily agenda are items of "micro management" (defined as what to do on the Accountant's clock when—or “objectives”). The eight minutes at 10:50 P.M. are "macro-management" --considerably less than 1% of the time available to me. 

Though it served me well as a foundation for future productivity, it’s immediately obvious that an adult living in our new millennium, in a life filled with interruptions and immediate demands, can’t live sanely for long with this excessively disciplined approach. But accurate description precedes effective prescription. 

For accurate consciousness of time-usage to arise, you must take control one way or another. As years passed, I learned I had to move on from the severe but satisfying monastic time-management methods of my Jesuit agendas. I experimented with macro management techniques --what I call "the Gordian knot style of time management": Cut through the busyness by doing the important matters first, and letting everything else take care of itself. 

The most familiar macro tool is the to-do list. It’s excellent for getting specific small objectives accomplished, but ultimately you’ll want to move on because using the to-do list to control your life ends up wasting too much time. Yes, you get the important little things done. But you can’t write, “become an internationally recognized architect” on your to-do list. The to-do list doesn’t motivate or inspire you because it doesn’t deal with goals and dreams, only with objectives. That’s why even the shortest to-do list often gets neglected, ignored, postponed, constantly "carried over" from one day to the next. There’s a rebellion going on inside you. Accomplishing the list may satisfy your Accountant, but your Visionary is longing for more and feeling cheated. 

I’ve developed two forms that can help you inventory your actual expenditure of time so that you can take charge of this most precious asset and attach it firmly to your dream plan. 

The Time Inventory Daily Work Sheet should be filled out at the end of each day, estimating the number of hours you spend on the various activities in your life. The example that follows belongs to an imaginary dreamer who wants to move from his day job as a bank teller to selling the nonfiction book he’s writing. 

When you’re filling out your own work sheet, don’t forget housework, church and/or volunteer activities, phone time, etc. If the categories here don’t sound right to you, alter them to suit your own life and activities. Don’t add up the totals beneath or to the right until the week is over. But at the end of the week, add them up. Our bank teller came up with 201 hours. Ninety percent of my career management students and clients end up with weekly audits far under or considerably over 168. 

What’s magical about the number 168? The accountant is right about this one: 168 is exactly how many hours are in the week for all of us--whether you’re the Pope, a figure skater, the President of the United States, a stock broker, a major league baseball player, a bank teller, or a hairdresser. 

The discrepancy between your count and 168 arises from your unawareness of the interaction among the three voices within your mind, the Accountant, the Visionary, and the Mind’s Eye. In his first week of keeping track, notice that our future published writer has recorded activities to fill 201 hours in the week. Where did the extra thirty-three hours come from? Now that he's admitted the discrepancy and recognized its magnitude, he's ready to get serious. Obviously he's more careful using the work sheet the second week, making sure he keeps closer tabs on where the time is going. 

Once you’ve used these work sheets for two weeks, you have an accurate enough idea of where your time is going to make use of the Actual Time Inventory Analysis Work Sheet. Fill out the Activity and Hours per Week columns using the results of your second Time Inventory Daily Work Sheet. 

Next we want to find out, on a scale of 1 to 5 (5 being highest), how much each activity serves your goals. This is its Visionary Quotient. And we’re not going to fool with "Sleeping" because the right amount of sleep is essential on all fronts. 

There’s nothing magical about filling out the Visionary Quotient column. Follow your gut reaction. 

The Accountant's Quotient column rates the activity’s importance to your physical, financial, and psychological welfare. Taking writing classes, as far as our banker’s onboard Accountant’s gut reaction is concerned, has minimal present value. Your paycheck from the bank is keeping the potatoes on the table. Obviously, on the other hand, this teller's Visionary hates his day job. But notice that neither his Visionary nor his Accountant is thrilled with the twelve hours weekly this man spends on errands. Although some might rightly regard "socializing" as a valuable activity, our example obviously doesn’t. His Visionary hates it as much as he hates his day job, and his Accountant rates it only a 2. If he’s going to do anything about his socializing, he should think about socializing with different people (exchanging the coffee shop in his neighborhood for the one where the social interaction might lead to useful networking. 

The third column, presided over by your Mind’s Eye, combines the two quotients. This man’s bank job is a pain in the neck to his Visionary, but it does pay the bills--an activity the Accountant values to the utmost. It receives a 0 in the Visionary Quotient column, a 5 in the Accountant Quotient column. But your Mind’s Eye acknowledges that any activity with a combined quotient of 5 or above will not be dropped or seriously reduced in time investment, thereby keeping both serpents happy. 

The blank Actual Time Inventory Analysis Work Sheet below is for your reassessment. Fill in the categories to suit your own life. 

As it recognizes the unique power of both his Accountant’s and his Visionary’s perception of time, our teller’s Mind’s Eye knows that the yin of Accountant time and the yang of Visionary time are both valid, simultaneous, and equally important in their places and for their purposes. Telling them both that they're correct, and that they can take turns, his Mind’s Eye negotiates with the Accountant to allow a conservative, cautious amount of time during which the "success dreams" of the Visionary can be explored. Without the Mind’s Eye’s intervention, he was constantly conflicted over his use of time. With his Mind’s Eye’s help and negotiation, he begins to steal time for success, using his Goal Time Work Sheet to carve hours from the twenty-four hour clock and to mine, methodically, the breakthrough energy of the Visionary. 

Activities that rate less than a 5 in the M.E. column are subject to first-round negotiation. Let’s say you hate doing yard work, and give it a 0 Visionary Quotient and a 1 Accountant Quotient. Obviously, we’re going to find a way to get that particular activity out of your life. In our teller’s inventory, "Driving Errands" falls into this category. So he figures out a way of no longer doing errands. Instead of spending twelve hours a week on errands, he decides to do four hours of overtime at the bank to pay for someone to do the shuttle service for him. Or he moves closer to his day job. These revised decisions, which become "goals," are recorded in the Goal Time Work Sheet. Notice that by reducing "Driving/Errands" to two hours, and making a few other adjustments, he’s been able to increase Sales Calls from thirteen to twenty-four hours per week--which will inevitably advance his dream more quickly. At the same time, he’s managed to increase the percentage of time devoted to the pursuit of his dream from 16% (combining "Sales Calls," "Writing Classes," and "Reading") to 26% because he’s increased the time available to make those sales calls, but he’s also changed his way of socializing so that it serves the dream as well.

 

Time to schedule time

No time you spend is more important than the time you spend scheduling your time; and that needn’t be more than a tiny fraction of the time available to you. But scheduling your time is doomed to ineffectiveness unless you begin from the reality baseline of knowing what you’ve been doing with your time, and confronting your own lack of awareness about where your time has been going. 

The blank Goal Time Work Sheet helps your Mind’s Eye complete and memorialize its contract with Accountant and Visionary. 

Once your knowledge of your time usage has allowed you to make new goals and objectives regarding the use of time, how in this busy, busy, busy world do you enforce the objectives for yourself? How can you schedule a life that is one, long, endless shrieking, demanding interruption? After all, you can only turn off the phone for so long without losing your illusion of control, and all contact with reality. 

Next: How to make the clock of life YOUR clock.

 


Stealing Time for Your Dream in 2025 - Part 2: What is Time?





What is time?


Unlike oxygen, an element which is objectively, scientifically definable, and more or less beyond our control, time is relative to perception and subject to choice. “Time,” Melville wrote, “began with man.” The Type C (creative) Personality learns to redefine time subjectively, in order to become successful by his own standards. Objective time, dictated by Greenwich Mean Time with an occasional correction for NASA, leads only to the conformity of repetition. Subjective time alone allows us to distinguish ourselves and to achieve our dreams of success.

Logos vs. Mythos

According to the classical Greeks, the two primary ways of perceiving the world were known to them as logos (for the Accountant’s logic) and mythos (for your onboard Visionary’s simultaneity). The Visionary’s belief in eternity in every moment is what makes the dreamer’s life change from barely bearable to ever enthusiastic. “To himself,” Samuel Butler wrote, “everyone is immortal. He may know he is going to die, but he can never know that he is dead.” The Visionary’s eternity is the experience of mythic time that occurs when you “lose yourself” in the pursuit of your dream. Its Brer Rabbit’s “briar patch” speech: “Throw me anywhere, but please don’t throw me in the briar patch!” The briar patch, of course, is Rabbit’s favorite place, his home.

Sometimes you’ll meet an old schoolmate after years and have the experience that “it seems just like yesterday” that you were having this exact same argument, or laughing for the same reason known only to the two of you. A moment passes, as the Accountant wrests control from the Visionary: “But, on the other hand, it seems every bit like the twenty years it’s actually been.” Has it been twenty years, or was it just yesterday? Faulkner said: “There is no such thing as was; if was existed there would be no grief or sorrow.” To the Visionary, time exists always in the present.

Accountant’s time

To the Accountant, who’s kept track of the years--and also the months, weeks, days, hours, minutes, and seconds--precisely, it’s been exactly twenty years, and he can prove it by reciting all the things that have happened to both of you in the interim. The Accountant clocks time with digital precision, obsessive checks with the Internet’s time services. The Accountant’s time is what keeps society sane, if you call today’s society sane.

But when the Accountant’s insistence dominates, you are denied making your dreams come true. The Accountant, nervous about anything intangible or “unseen,” doesn’t believe in dreams; or, at best, assumes the worst about them: “They¹re only dreams.” Human beings can’t fly.


Visionary time


To the Visionary, whose relationship with that same friend is/was intense, it’s just yesterday. The Visionary clocks time only by reference to intensity. Lovers live from embrace to embrace, the time that’s passed between them not counting. Have you ever felt like life would pass you by when you’re stuck in an endless left-turn lane during rush hour? How long does a second last if you’re perched at the parachute door of a plane at 15,000 feet about to make your first jump? How long is forty seconds during a 6.6 earthquake? Or at the edge of a cliff, about to rappel for the first time? A friend of mine described an encounter with a problem customer, “I spent an eternity with her for an hour and a half yesterday.”

The Visionary brings you mythic time when you engage in your dream with all your heart, mind, and soul; when you are occupied in doing something that "takes you out of time," or "takes you out of yourself." You're literally ecstatic--which, from its Greek origins, means "standing outside" yourself. "I don't know where the time went," is what you say when you've just passed fourteen hours creating the whole magical kingdom of Timbuktu on your drawing board--and your spouse, sent by the worried Accountant to tell you you've missed an important dinner party, is banging on the door because you've taken the phone off the hook.
Like Alice's White Rabbit, the Accountant would always have you believe that you’re late for a very important date. And the Accountant doesn’t like it one bit when your Mind’s Eye stops to question how important that date may be; or, whether you made the date in the first place or whether it was made for you. Dreamers insist on making their own dates because their Mind’s Eyes (the Mind’s Eye being that part of your mind that’s aware of the conflict between the onboard Accountant and the onboard Visionary) have learned how to insure that mythic time gets preference over logical time.

You’ve had this experience: You’ve told yourself you’re just going to steal "two hours" to work on your dream. You go into the briar patch. One hour and fifty-five minutes have gone by, during which you've been lost--fully engrossed in your quest, without a thought for the outside world that operates on the Greenwich clock. The hours have passed "like a minute" (the Visionary’s way of talking makes the Accountant crazy). Then, you look up at the clock to discover that only five minutes remain of your bargained for two hours. How did you know to look up at the five-minute mark? Because your Accountant never sleeps, even when he’s been taken off duty. If you decide to remain in the mythic time of your dream work beyond the five minutes remaining--that is, beyond the exactly two hours you set aside--the Visionary has won this particular encounter. The Accountant has lost. If you decide to quit "on time," you may think the Accountant has won, and the Visionary lost.

What’s wrong with this win-lose scenario is that it’s exhausting, and impossible to maintain in the long run. Most people, faced with this constant natural strife between the two aspects of their minds, have allowed the Accountant to take over entirely as the only peaceful alternative. They’ve chosen the Accountant’s conservative, safe way of behaving because the daily battle is too costly in energy and emotion. If the Visionary "wins" the five-minute battle, for example, and you continue working on your new invention for another four hours instead of the two you’d set aside, guess how hard it’s going to be for the Accountant to agree to the next two hours you want to steal. The Accountant will use every instrument in the arsenal of procrastination to postpone the trip to your dreamer’s workshop.

How to avoid losing time


Francesco Petrarch: It is appointed for us to lose the present in the expectation of the future.


Petrarch, the first "Renaissance man" and precursor of Eckhart Tolle, was aware that we spend a large majority of our time "somewhere else" than in the present moment. Planning for the future, worrying about the past--so much so that by the time you reach middle age the two horses, Past and Future, are engaged in a life-and-death race along your internal timeline. Competing for your vitality, stealing your present. The time you spend on past responsibilities, past regrets, past relationships, eats into the time available for growth and progress toward your future goals.

If we don't recognize "what’s going on here," as Accountant time and Visionary time battle in our perceptions, we can get very confused. When we get confused, the Accountant can take control of our lives. For most people, the Accountant has been in full control. Consequently, they are frustrated, bored, caught in a rut. With the help of Mercury’s powerful wand--whose two snakes represent the taming of past and future around the strength of present awareness--the entrepreneur’s now-open Mind’s Eye can transform the bloody battlefield into the altar of your hopes and dreams. Awakening his Mind’s Eye, Jack London said:

I shall not waste my days in trying to prolong them. I shall use my time.

This anti-Accountant declaration is made by your Mind’s Eye--which knows that only by marrying the Accountant’s logic with the Visionary’s myth will the present be captured for effective dream work, in lieu of the Visionary wasting the present in daydreaming, or the Accountant in obsessing about the past and the future. When your Mind’s Eye takes charge of these constant time wars, productivity combines with peace of mind. The photographer Ansel Adams said, "I’m amazed at how many people have emotional difficulties. I have none. If you keep busy, you have no time for them."


Next: Work-management doesn’t work

Stealing Time for Your Dream in 2025 – Part 3: Work-management doesn’t work


Work-management doesn't work 

Time and work (action) are, in one essential regard, opposites. Here are the laws of time-work physics: 

1) Time is finite. We only live so long and, while we’re alive, we’re allotted only 24 hours in every day. 

2) Work—or action--is infinite. Work, whether good or bad, always generates more work, expanding to fill the time available. 

Given these physical laws, it should be obvious that action is unmanageable; that only time can be managed. Yet people regularly sabotage themselves by trying to manage action. "First I’ll catch up with my day job, then I’ll take time for my dream," or, "First, I’ll get my family in good shape, then I’ll find time for dreams." 

Don’t get me wrong. Action is what we’re trying to find time for. Writers write. Craftsmen make tables or boats or flower arrangements. Actors and models go for auditions and interviews. Salespeople make sales calls--the more calls they make, the more sales. Dreamers take treks to exotic places. Shakespeare's observation, that "action is eloquence," is not only creatively productive; it’s the best way to stay sane. Even one phone call a day in the service of your dreams, means, if you take two days off each week, 200 calls per year. That’s definitely progress toward the mountaintop. Success comes inevitably on the heels of constant action, as the ancient Greek poet Hesiod pointed out in his almanac: "If you put a little upon a little, soon it will become a lot." 

My mentor Tom Bergin (Sterling Professor of Romance Languages and Master of Timothy Dwight College at Yale) was the author of fifty-nine books by the time he retired and eighty-three by the time he died. Yet he described himself as a "plodder." He just kept plodding away, in the vein of Hesiod. Tom and I exchanged hundreds of letters from the time I left Yale to the time he died. He taught me the relentless equation between consistent, minor actions and ultimate productivity. One day, by way of complaining about having no time to do any serious work because of all the trivial errands and duties he had to attend to, he sent me a quotation from Emerson: "Things are in the saddle and ride mankind." 

Against the accelerating incoming bombardment of the things of contemporary life, action happens only when we steal time to make it happen. Yet schedules, to-do lists, self-revising agendas are constantly being tested and found insufficient. They work for a while, then become ineffective. Without recognizing this reality, through the Mind’s Eye’s awareness, each time this happens it may send us into a tailspin that moves us further from success. Life delights in creeping in to sabotage our dreams if only to make sure we’re serious about them. One of my clients, after six months of working together to change her habits to become more productive, told me I was the "Ulysses S. Grant of time management." She told me that Grant wired Lincoln: "I plan to hammer it out on this line if it takes all summer"--and that his telegram was read along the way before it was handed to the beleaguered President. The jealous snoops told Lincoln, "You know, we have reports that General Grant drinks a considerable amount of whiskey." "Is that right?" Lincoln replied. "Find out what brand he drinks and send a case of it to each of my Generals." 

The human nature of time 

Archimedes: Give me a lever and I can move the world. 

Atchity: Time is the Dreamer’s lever. 

All you need to make your dreams come true is time. Using time as your most faithful collaborator begins with understanding its interactive characteristics and protean shapes. You’ll begin noticing that time behaves differently under different circumstances. When you’re concentrating, your awareness of time seems to disappear because you’ve taken yourself out of the Accountant’s time and are dealing with the Visionary whose experience is timeless. When you're away from your  quest, you become very conscious of time because your Visionary is clamoring in his cage to be released from the constraints of logical time. 

"You've got my full attention": compartments of time, time and energy, rotation, kinds of time, and linkage 

Time-effectiveness is a direct function of attention span. When you’re concentrating, giving the activity you’re involved with your full attention, you produce excellent results. When your attention span wavers and fades, the results diminish. Until you recognize that attention span dictates effectiveness, you’re likely to waste a great deal of time. 

The key to avoiding this situation is assessing how long your attention span is for each activity you engage in--and then doing your best to engage in that activity in appropriate compartments (allotments of time that you’ve found to be most productive). Since my particular career is multivalent, I pursue what I call a "rotation method” of moving among activities that support my producing, managing, writing, brand-launching, speaking, and managing my next  quest. I love all these activities, but not when I do them exclusively--each one having its own high ratio of crazy-making aspects that diminishes automatically when that activity is juxtaposed with the others. 

Except during a crisis in one of the four areas, at which point all other activities stand aside until the crisis is resolved, I find it stimulating to spend an hour working on production-related matters, then spending the next hour on calls that manage various client projects in development. I’ve also learned that it’s a waste of time to try to control things that only time can accomplish--such as making a phone call, then waiting next to the phone for a response to it; or staring at the toaster waiting for the toast to pop up. The only time you have anything approaching direct control of anything is when the ball is in your court. During that moment I focus on getting the ball out of my court into someone else’s court so that I’ve done what I need to do to make the game continue. Success is all about what you do while you’re waiting. 

Rotating from one activity to another ensures that the outreach begun in Activity A will be "taking its time" while you’re engaged in Activities B, C, and D. When the phone rings from the A call, you interrupt D to deal with it--and it’s generally a pleasant interruption, knowing that one facet of your career is vying with another for your attention.

An hour is probably an average attention span compartment for work. But the length of the particular compartments (remember that "compartments" are allotments of time given to a particular work activity) changes from time to time as your attention span for that activity evolves. During the original drafting of this book, for example, I spent two hours a day writing, whereas before I began the draft my attention span allowed me to spend only an hour or less a day thinking about the book and gathering my notes for it. 

There’s no magical formula for determining attention span; it changes as you and your circumstances change. Yet once determined, attention span is the mastering rod between the serpents, the compartment of time where past and future meet in a present that feeds from the first and nourishes the latter. 

Obviously attention span is related to your energy level at different times of day, and with regard to different activities. Activities that drain you should not be scheduled one after the other, but should alternate with activities that create energy for you. 

Energy and attention span will also be different depending on whether you’re at the beginning, in the middle, or at the end of a particular objective. Your attention span is most in danger of sabotaging you in the middle, where it’s easy to confuse your fatigue from the hard work of plodding forward with some sort of psychological upset caused by the process you’re engaged in. Usually that situation can be resolved by shortening the allotments of time you’re devoting to the present objective; or changing the activities around which you’re scheduling this objective’s compartments. 

When a particular compartment is nearing its end, use the last few minutes of it (when the Accountant comes back online to remind you that the time is "almost up") to jot down what you’re going to do the next time you revisit this compartment. This automatically puts your Visionary and Accountant into a percolation mode in which they bat things back and forth "in the back of your mind" while you¹re busy working in the next activity’s compartment.

Next: Where does the time go?


A Write Time Reviewed by The Screenwriting Struggle

 BOOK REVIEWS

REVIEW: WRITE TIME: GUIDE TO THE CREATIVE PROCESS BY KENNETH ATCHITY




I’ve reviewed many books about the writing process, from the broad and overarching to the highly specialized, focused on a singular step of the journey. I’ve read the greats’ musings on everything from formulating the idea, to plotting it out, to emphasizing the emotional element, to remedies for writer’s block. Each is great in its own right, but what if I want a mentor to really make it personal, get in my head, delve into the intricacies of my own unique process, troubleshoot my pet neuroses that seem to chronically hold me back from reaching what I know to be my true potential, and clue me in on how to harness and optimize the writer’s most precious resource; time. Simple request, right? Simple for Kenneth Atchity, author of Write Time: Guide to the Creative Process, from Vision through Revision – and Beyond.

This book reads like a writer’s counseling session (the constructive kind), in every sense of that term; from cold hard business prudence strategies to processing deep-seated self-defeating thoughts. It grabs you from the Author’s Note which, as with any great forward or introduction, does more than just preview what’s to come. Dr. Atchity‘s credibility is firmly established here. He lets us know that 1) he feels our pain, and understands what we’re going through as creative souls who want to be professional artists, and 2) he’s been around the block enough times to know how to get us to where we want to be.

Once we get rolling, Atchity dispenses with the BS right out of the gate and lets us know that, while writing might be based on intuition and creative passions, it’s a craft and a discipline that must be honed through a rigorous and deliberate regimen. But here’s the good news – he’s going to take you by the hand and lead you through the process of establishing a productive and rewarding routine, and he’s going to leverage your own psychology to do it, turning your debilitating issues and hangups to your advantage. The book takes a deep dive into the human mind, points out how its natural workings must be considered, accommodated, and manipulated to develop habits and tricks to make your mental apparatus work for you instead of against you in achieving your creative goals, and some of his strategies will really surprise you!

Atchity provides an intriguing illustration of the interplay between parts of the brain that activates the motive power of creation. Just as conflict is the foundation of story, so it’s also the spark that sets your creative will into motion – this is the conflict between your rational faculties (which he nicknames the Continent of Reason) and your free-wheeling intuition (dubbed the Islands of Consciousness). The original quirky ideas of the islands are translated into the comprehensible and relatable language of the Continent through the intermediary function he calls the Managing Editor. Getting a grasp on these dynamics allows us to work toward striking a balance between “tricking” our brains into action and riding the wave of their natural functioning to channel our mental energy into our writing. Sound intriguing? That’s just the beginning!

As the title indicates, Write Time charts a detailed path to writing success, leaving no stone unturned, from initial dream all the way to polished product. It’s a comprehensive guide to the creative, technical, business, and personal aspects of the craft. Sound too rigid and formulaic for your taste? What if I told you it entails A LOT of variation at the numerous stages, and more than a few mandated vacations? The aim isn’t that you match a prescribed workflow to the letter. It’s to show you a proven real-world model and leave you to dovetail what’s useful with your own strengths, fill in any gaps in your process, make adjustments, and replace what’s not working for you. This section is all about establishing a writing agenda that your mind is geared to stick to and thrive on, and how to not become a statistic who perpetually and eternally has a “work in progress.”

Of course, one of the main threads of the book is the teaching of time management. It’ll show that you don’t really lack the time to achieve your writing goals. The time is there, you’re just not coordinating your cognitive resources in such a way to generate the necessary output within that time. Maintaining a reasonable perspective on the work/ time relationship is paramount. There are methods of mindset, planning, strategy, prioritizing, and step-by-step exercises to optimize your available chunks of time (even if you have to steal them). This chapter alone is worth the price of the book.

From there the writing process begins, and we’re off to the races. Here’s what’s in store as you make your way through Write Time:

  • Approaching drafting and revision
  • Style – how it comes about, and its rightful place in the writer’s hierarchy of values (pretty low, but valuable)
  • A sample step by step process of creating a nonfiction book, explaining the reasons for the order, actions, and method at each waypoint; with an accompanying comparison to fiction writing
  • The most important elements of fiction, and how to pack your story with maximum drama by tapping into your intuition to find its natural shape and structure (which has nothing to do with chronology)
  • What your main priority should be to succeed in writing (Hint: It’s not using big words and feeling clever)
  • A lengthy chapter on getting your book published. Don’t make the mistake of dismissing and skipping this one as irrelevant to the plight of a screenwriter. There’s a wealth of information here about…
    • Dealing with gatekeepers with respect and professionalism (in person and through correspondence such as query letters and emails)
    • Legal forms and contracts for deal-making
    • Handling rejection, and the higher pressure situation of handling acceptance
    • Seeking representation, consulting attorneys
    • Customizing your workspace.
  • The importance of understanding mythology for shaping and clarifying your story, with a striking illustration of how a film can go astray due to the inconsistent retelling of a myth.
  • Methods and tricks for getting in touch with your subconscious through dreamwork and other avenues, along with some brilliant case studies of psychological techniques employed by writers having story problems, that’ll leave you inspired and cracking up.
  • Overcoming psychological traumas of the past by channeling them into our writing and bridging the gap between conscious and unconscious.
  • Some nice practical nitty-gritty stuff on screenwriting – character development, structure, twists, layers of effective storytelling; all through the prism of the key questions on the minds of the producers/ executives evaluating and vetting your work for production and/ or broadcast.
  • The card system revisited, with workflow tips distinguishing the processes of novels vs. screenplays.
  • Insights about revising (keep a particular eye out for the “conflict or cut” rule), and how many revisions are enough.
  • The crucial golden Hollywood skill of pitching and how it must not be overlooked in one’s pursuit of a screenwriting career, with a really fun illustration of the pitch-to-production process (it involves a relay race).
  • A baker’s dozen of straightforward rules for breaking into Hollywood; covering the personal, psychological, mindset, business, and more.
  • A critical therapeutic chapter on Recapturing Creativity – what to do when your motivation to create (inevitably) wanes. A veritable troubleshooting manual for the writer’s perspective. Something to be revisited any time you feel you’ve lost your way.
  • He closes with an amazing collection of his favorite quotes from great figures to leave the reader feeling inspired, encouraged, and motivated to carry on with the struggle.

Overall, Write Time amounts to a rather economical mentoring session with a writing sage who’s been there, done that, and wants us to get there too. It’s a premium blend of tough love, advice, encouragement, clarification, and delusion-busting. It approaches the needs of the writer from every angle and gives us what we’re yearning for, whatever that may be. For the writer at any stage of the game looking for guidance, this one is not to be missed.

Improve Your Storytelling!⁠

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Here's What To Expect

  • Master the Essential Building Blocks to a Successful Story.

  • Learn the Mechanics and Techniques of Storytelling.

  • How to Write a Treatment that Guides you Through your First Draft and Identifies Soft Spots in your Story.

  • Understand the Rules of Revision

  • Learn the Secrets of the 3-Act Structure.


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Time: The Writer’s Best Collaborator By Kenneth Atchity

 Managing your work doesn’t work for a simple reason: work is infinite. Good work only creates more work; in fact, bad work creates more work too. So the more you work the more work you will have. It’s basic common sense that you can’t manage an infinite commodity.

               What can you manage? Time. You not only can, but must, manage your time because time is all too finite.

               They say, “If you want to get


something done, find a busy person.”  The busy person succeeds in getting things done because he knows how to manage his or her time. We all have the exact same amount at our disposal: 60 minutes each hour, 24 hours each day, 168 hours each week, 8,736 hours each year. If you put one hour into a project each day for a year, you’d have worked on it for 365 hours—more than enough time to write a book, and a screenplay, and a treatment or two.  “If you place a little upon a little,” explained the ancient Greek almanac writer Hesiod in his Works and Days, “soon it becomes a lot.”  

Where do you find the time?

One memorable day in Manhattan I was delivering a broken antique wall clock to my favorite repair shop. As I completed my drop off and turned to leave, I noticed an ultra-modern stand-up clock constructed of shiny pendulums, a different metal each for hours, minutes, and seconds, all enclosed in a sleek glass case. It was simply the most beautiful timepiece I’d ever seen.

Then I realized: it had no hands. At first I thought, No wonder it’s in the

shop. It’s broken.
But I studied the clock more closely.

No. It was designed without hands. It was a timepiece that Salvador Dali would have been as thrilled with as I was. Time moves in its own way unless we somehow capture it.

It reminded me that time is a free force. It just happens, whether you do anything about it or not.  It’s up for grabs. It doesn’t belong to your family, or to your friends, or to your day job, or to anyone but you! What you’re working on at any given moment is how you control it.

The trick is where do you find that free time?—a question busy people are asked regularly. Here’s their secret: busy people make time, for the activities they decide to prioritize. One good way to wrestle with the problem they’ve solved is to ask yourself, “Where do I lose it?”  You’d be surprised.

I ask writers to make a chart of their weekly hours and use it to determine how many hours they devote to each activity in their cluttered, over-stimulated lives. Maybe you’d be surprised--or maybe not--that most people have no idea where the time goes. They come back to me with a grand total of 182, or 199, or 82 hours of activity—until I remind them that they, like every other human, have the same 168 hours each week to spend. Then we get serious and analyze exactly where they’re lying to themselves about the time: forgetting about the endless phone calls with friends, or the true amount of time in front of the television, or the accurate time devoted to the daily commute, or the time doing absolutely nothing but staring out the window. When we get the time inventory accurate most people are surprised at the truth. But truth is the first step to freedom, and managing your time effectively is the greatest freedom of all.

               I call it “making the clock of life your clock.” I believe in this philosophy so much I haven’t worn a regular watch for nearly thirty years, despite owning a vintage wrist watch that belonged to my father and an even older pocket watch that belonged to my grandfather. The only chronograph I carry around with me is one that allows me to make life’s clock my clock:  a stopwatch.

The stopwatch makes the Spanish proverb, la vida es corta pero ancha (“life is short but wide”) come true. You can get a free stopwatch app on your cell phone!

The stopwatch method of time management

The stopwatch method of time management is simple. You use it to capture time, to make sure that your Priority Writing Project is getting the amount of attention you want to give it to move it—and your career success--ahead with certainty. You know that the wall clock, or the one on your wrist or displayed on your cell phone, has a way of running away with your day. You say you’ll work on Priority Writing Project from seven to eight a.m. and something is certain to come along to disrupt that hour almost as though life were conspiring against you.

What’s really happening is that you’re letting life interfere with your personal time management. Of course when the interference occurs, you tell yourself  I’ll catch up later,  or  I’ll start again tomorrow and this time protect myself from interruptions,  but over the years we discover that  life runs rampant over any and all such resolutions.

               The stopwatch method works best in a life jam-packed with stimuli and distraction. It allows you to steal time.  While clocks on wrists and walls record public time, your private prime time happens only when your stopwatch is running. The stopwatch allows you to call “time out” from the game everyone else is engaged in.

 Simply promise yourself you won’t go to sleep at night until, by hook or by crook, you’ve clocked one hour (sixty minutes) of working on Priority Writing Project on your stopwatch. Turn the stopwatch ON when you’re working on it, and OFF when you get interrupted. Your stopwatch minutes may be gleaned over a six-hour period, or over a twenty-four-hour period. You steal them when you can: waiting at the dentist’s, commuting on the ferry, when your lunch appointment hasn’t shown up yet, when your cell phone dies and no one can reach you until you’ve replaced or recharged the battery, when your date for the evening calls in sick. It takes a few days to get used to this process, but once you do you’ll recognize the power it gives you over time.

Optimum Attention Span (OAS)

How do you know how much time to devote to Priority Project—or to any activity, for that matter? That’s a function of what I call Optimum Attention Span (OAS). For some activities, like watching your favorite sports event or shopping, your OAS might be extremely wide; for others, like listening to your boss complain or to your domestic partner nag, it might be miniscule. The trick is to determine what the OAS is for that Priority Project. At the start of any project, OAS tends to be smaller; as the project gains momentum and begins to appear reachable, your OAS expands. So planning to write that report, give yourself 30-45 minutes on the stopwatch during the first week. But reassess OAS at the end of each week because, like everything else worthwhile in life, OAS changes and evolves. By the fourth week you may well be up to an hour and a half—ninety minutes on the stopwatch.

Don’t forget “Linkage”

               Isn’t it hard to work in fits and starts? You might very well ask that very good question. The answer is that it’s actually easier to work that way than it is to work without stopping if you employ my time-management technique of linkage, what Hemingway referred to as “leaving a little water in the well.”

Here’s how linkage works. The phone rings, so you have to turn off your stopwatch. But you let it ring one or two more times, taking that time to make a mental decision about what you’ll do when your stopwatch is running again—that is, in your next Priority Writing Project session. And here’s an interesting secret: it doesn’t matter what decision you make. The minute you make it, as you answer the phone and go on from one activity to the next, your mind starts thinking of better decisions than the one you made; in fact, your mind becomes increasingly motivated to get back to that Priority Writing Project because it knows exactly what it will do when the next session begins. You’ve created an automatic linkage--that makes restarting when your stopwatch is next running no longer an occasion for blockage. Instead, you’re fully ready to jump in and get as much out of that next session as possible before it’s interrupted by life’s next distraction. 

And, yes, have a desk drawer filled with stopwatches so you can employ a different colored one for each major project you’re engaged with.

The stopwatch method will truly make the clock of life your clock.

 _____________________________________________________________

ABOUT THE AUTHOR:

Dr. Kenneth Atchity (Georgetown B.A., Yale Ph.D.) has been teaching time management throughout the United States, Asia, and Europe for decades. His twenty books include A Write’s Time: A Guide to the Creative Process, from Vision through Revision (ebook: Write Time); How to Quit Your Day Job and Live out Your Dreams; Writing Treatments that Sell (with Chi-Li Wong; ebook: Write: Treatments), Sell Your Story to Hollywood: Writer’s Pocket Guide to the Business of Show Business and, with Ridgely Goldsborough, Why? Marketing for Writers. Dr. Atchity’s more than thirty films include Meg, the Emmy-nominated Kennedy Detail, Hysteria, Erased, Joe Somebody, and Life or Something like It. His companies serving writers include www.thewriterslifeline.com, www.storymerchant.com, and www.storymerchantbooks.com. His most recent novel is The Messiah Matrix (messiahmatrix.com) and his teaching sessions can be accessed at www.RealFastHollywoodDeal.com, Master Class in Achieving Your Dreams, and Master Class in StoryTelling. For updates on writing, visit Ken Atchity’s Blog