"The universe is made of stories, not of atoms."
—Muriel Rukeyser
____________________________
Showing posts with label Dr. Fuddle. Show all posts
Showing posts with label Dr. Fuddle. Show all posts

Examiner.com Five Star Book review: Dr. Fuddle and the Gold Baton by Warren L. Woodruff

Dr. Fuddle and the Gold Baton by Warren L. Woodruff is an unique musical fantasy children's novel. The book follows the adventure of five kids getting back the Gold Baton and saving the mythical land of Orphea. Each of the kids have a unique personality and the plot features them each having strengths and weaknesses and highlights them working together to succeed.

The classical music nature of the novel may make this a boring read for some, but for those interested in music and/or learning more about music this is an interesting read. Throughout the book there are references to musical terms and in Orphea music is basically magical and can do all sorts of things. The inclusion of historical figures involved in making, playing, and supporting music also makes it a good read for those interested in music history.

While the descriptions of the music can sometimes slow the plot down too much, overall the flow of Dr. Fuddle and the Gold Baton is steady with great peaks for the final battle and ending. The main strength of the book is the unique personalities of the kids making it easy for many different people to relate to at least one of the main characters. For example, there is a scientific skeptical boy, a fashion conscious girl, a boy overcoming fears, a boy tempted by the cool kids/wrong crowd, and a mute girl.

Story Merchant Client Warren L. Woodruff Talks About Dr. Fuddle and The Gold Baton

Author Interview - Warren L Woodruff - On My Addiction Books!



Dr. Warren L. Woodruff is a passionate music instructor whose affection for classical music led to the creation of Dr. Fuddle and the Gold Baton. We are honoured to be able to do an interview with someone of such talent.

Welcome Warren.


Warren, how long have you been in the classical music industry?

I’ve been teaching for 26 years, but playing classical music for almost 40 years.

What inspired you to cross the boundaries from musician to author?

I’ve always wanted to inspire others through the joy of great music, not just through my many students, but in written word. I’ve also faced a lifelong challenge like Beethoven, a degenerative hearing disorder, which threatens my musical career, so I wanted to leave a written legacy, since I am not a genius composer like Beethoven.

Do you find the title of author to merely be an added side to your musical side or do you treat them as separate personas?

They are definitely separate personas. I will always be, first and foremost, a musician, even if my hearing disorder has other plans! But being an author is very important also. Other than writing the series of Dr. Fuddle novels, screenplays and picture books, I have many other written projects I would like to complete, all of them musically oriented, except for one, an unpublished manuscript on religious philosophy.

What is your goal behind this novel of Dr. Fuddle and the Gold Baton?

My goal is to create something classic and very different in today’s market--not something that will just be “hot” for a few years and forgotten. The driving force behind each story is mystery and adventure, to engage and entertain young readers. But I also want to pique their interest in music, particularly classical music, INSPIRE them to excellence, and to find their lifelong passion, as I found mine at a very early age.

From the synopsis I was provided the novel seems to create an adventurous flow between music and an exciting storyline. Can you please tell our readers a bit more? What can they expect from reading it?

They can expect a very fun reading experience, even if they have no knowledge of classical music. This book is not an educational tool to promote my art form. It is an adventure from beginning to end, which happens to be set in the musical, magical land of Orphea. They can also expect to feel a longing to hear the music described in the book and a desire to see the whole story played out as a major motion picture, which is in development.

Does the novel contain some of the beautiful sketches that are beside your characters on your blog? 

Yes. All of the artwork is incorporated into the book at the appropriate places in the storyline.

What age group and genre are you targeting?

This first book, middle grade, from 6th-8th grade, but I’m quickly getting feedback that my adult readers are enjoying it every bit as much as the target age group, just like the HARRY POTTER series. As my series continues, the protagonists will age, and the target age group will become Young Adult.


How has the novel been doing in the open market?

We had thousands of downloads the first weekend and have already gotten twenty-three five star reviews, plus feedback from many readers saying they can’t wait to see the movie!

From a little googling I noticed that there is also mention of another novel called First Lady of the Organ, Diane Bish: A Biography can you give our readers a bit more insight to the novel.

This biography was an extension of my Ph.D. dissertation on the most important and visible female organist in history. She is still alive, performing and signing these biographies at her concerts. The book was self-published in 1994, but is still selling. Talk about a project with longevity!

Where can people find your works?

Right now, DR. FUDDLE AND THE GOLD BATON is available exclusively as an e-book for one year at Amazon.com, but the hard copies are also available at Amazon, and other web stores. Autographed copies will be available through drfuddle.com and            drfuddlesmusicalblog.blogspot.com.

Are you working on anything else currently that we should be on the lookout for?

Yes. I’m working on the next book in the Fuddle series, which will be a prequel to the first book, the back story of how things “got to how they got in Orphea” in the first novel. I’m also redrafting my stage play entitled BEETHOVEN. The dramatic rights will be made available to smaller, off-Broadway type venues. It is the moving account of the life of Beethoven, my greatest hero, in six scenes, with narration and music. Eventually, when the timing is right, I will publish my book on religious philosophy.

How has your journey been on becoming an author?


From a general public perspective I always assumed it was something easy. You write and then you send it in, if people like it they go for it, if they don’t you try someone else. The perception is not at all the case, writing in its own sense is an art.

I’ve mostly just written with ease from the heart in a state of inspiration. Oftentimes the writing experience has seemed--for lack of a better word--supernatural. Parts of DR. FUDDLE AND THE GOLD BATON felt as though I was receiving the words from an unseen source, like it was writing itself. This was particularly true of my book on religious philosophy, too, as though my fingers were moving rapidly on the keys, like an automatic dictation for hours on end, as strange as they may sound. But there were also some times, not often, where writing just seemed like hard work.

Do you have any messages that you would like to leave our audience with?

Open your hearts, minds and imaginations to the totally new world of Dr. Fuddle and Orphea! Be ready to experience literature and music in a way you never dreamed possible.


Thanks so much for taking the time to do this small interview. We wish you well in all your future endeavors.

The Heiligenstadt Testament ...


is a letter written by Ludwig van Beethoven to his brothers Carl and Johann at Heiligenstadt (today part of Vienna) on 6 October 1802.

It reflects his despair over his increasing deafness and his desire to overcome his physical and emotional ailments in order to complete his artistic destiny. Beethoven kept the document hidden among his private papers for the rest of his life, and probably never showed it to anyone. It was discovered in March 1827, after Beethoven's death, by Anton Schindler and Stephan von Breuming, who had it published the following October.

A curiosity of the document is that, while Carl's name appears in the appropriate places, blank spaces are left where Johann's name should appear (as in the upper right corner of the accompanying image). There have been numerous proposed explanations for this, ranging from Beethoven's uncertainty as to whether Johann's full name (Nikolaus Johann) should be used on this quasi-legal document, to his mixed feelings of attachment to his brothers, to transference of his lifelong hatred of the boys' alcoholic, abusive father (ten years dead in 1802), also named Johann.
Lockwood, Lewis (2003). Beethoven: The Music and the Life. New York, NY: W. W. Norton & Company. ISBN 0-393-32638-1.




THE HEILIGENSTADT TESTAMENT


For my brothers Carl and Johann Beethoven

Oh you men who think or say that I am malevolent, stubborn, or misanthropic, how greatly do you wrong me. You do not know the secret cause which makes me seem that way to you. From childhood on, my heart and soul have been full of the tender feeling of goodwill, and I was even inclined to accomplish great things. But, think that for six years now I have been hopelessly afflicted, made worse by senseless physicians, from year to year deceived with hopes of improvement, finally compelled to face the prospect of a lasting malady (whose cure will take years or, perhaps, be impossible).

Though born with a fiery, active temperament, even susceptible to the diversions of society, I was soon compelled to isolate myself, to live life alone. If at times I tried to forget all this, oh, how harshly was I flung back by the doubly sad experience of my bad hearing. Yet it was impossible for me to say to people, "Speak Louder, shout, for I am deaf". Oh, how could I possibly admit an infirmity in the one sense which ought to be more perfect in me than others, a sense which I once possessed in the hightést perfection, a perfection such as few in my profession enjoy or ever have enjoyed. – Oh I cannot do it; therefore forgive me when you see me draw back when I would have gladly mingled with you.

My misfortune is doubly painful to me because I am bound to be misunderstood; for me there can be no relaxation with my fellow men, no refined conversations, no mutual exchange of ideas. I must live almost alone, like one who has been banished. I can mix with society only as much as true necessity demands. If I approach near to people a hot terror seizes upon me, and I fear being exposed to the danger that my condition might be noticed. Thus it has been during the last six months which I have spent in the country. By ordering me to spare my hearing as much as possible, my intelligent doctor almost fell in with my own present frame of mind, though sometimes I ran counter to it by yielding to my desire for companionship.

But what a humiliation for me when someone standing next to me heard a flute in the distance and I heard nothing, or someone standing next to me heard a shepherd singing and again I heard nothing. Such incidents drove me almost to despair; a little more of that and I would have ended my life. It was only my art that held me back. Oh, it seemed to me impossible to leave the world until I had forth all that I felt was within me. So I endured this wretched existence, truly wretched for so susceptible a body, which can be thrown by a sudden change from the best condition to the worst. Patience, they say, is what I must now choose for my guide, and I have done so - I hope my determination will remain firm to endure until it pleases the inexorable Parcae to break the thread. Perhaps I shall get better, perhaps not; I am ready. - Forced to become a philosopher already in my twenty-eight year, oh, it is not easy, and for the artist much more difficult than for anyone else. Divine One, thou seest my inmost soul thou knowest that therein dwells the love of mankind and the desire to do good. Oh, fellow men, when at some point you read this, consider then that you have done me injustice. Someone who has had misfortune may console himself to find a similar case to his, who despite all the limitations of Nature nevertheless did everything within his powers to become accepted among worthy artist and men.

Dr. Fuddle Party at DeBlasi’s Restaurant

FOR IMMEDIATE RELEASE--Atlanta Dr. Warren Woodruff has inked a multi-level development/production deal for his Baton LLC’s Independent Reader project, Dr. Fuddle and the Golden Baton, with producer/writing coach Ken Atchity (www.storymerchant.com). Woodruff is a long-time music instructor whose passion for classical music led to the conception of the story, which follows the adventures of five young teens aided by the redoubtable Dr. Fuddle (“Think Robin Williams!”) to retrieve the golden baton from the dark side using it for cacophony and chaos, and restore its rightful function of bringing harmony to the world. The franchise will include an interactive website, music, a live action/cgi theatrical feature film, educational TV series, and a line of elementary books, merchandising, in addition to the book itself.





Atchity will manage all phases of the project’s development and is already in discussions with a major music supervisor, as well as screenwriters for the development of the script. His movies include “Joe Somebody,” “Life or Something Like It,” “The Kennedy Detail,” “The Lost Valentine,” and Hysteria,” with others in development including “Ripley’s Believe-It-Or-Not!” (starring Jim Carrey). The novel itself may be released as an original ebook, though it is now being tracked by New York publishers. A consortium of Atlanta financers has provided the seed money, and will provide equity financing for the film. The project was brought to Atchity by Atlanta’s Mardeene Mitchell, who has worked with Woodruff on the original development of the project. She introduced him to Atchity at her Write the World in Atlanta conference in June of this year.

“My goal is to inspire a new generation to the wonders of classical music,” says Woodruff, who received his Ph.D. in Musicology from the University of Miami School of Music; Master's and Bachelor's degrees in Piano Performance. “The story has elements of Willie Wonka,” Atchity said, “as well as Coraline, Harry Potter and C.S. Lewis' Narnia . But its foundation in the myth and history of music makes it truly original.” Inquiries: .
DrK@storymerchant.com.