"The universe is made of stories, not of atoms."
—Muriel Rukeyser
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Showing posts with label Dead Boys. Show all posts
Showing posts with label Dead Boys. Show all posts

Congratulations! Royce Buckingham wins Sasquatch Award for The Dead Boys!


Bellingham author Royce Buckingham won the 2014 Sasquatch Award for his spooky book "The Dead Boys."

Read more here: http://www.thenewstribune.com/2014/04/21/3159386/bellingham-author-royce-buckingham.html?sp=/99/296/359/#storylink=cpy


BELLINGHAM - The kids of Washington state have voted and Bellingham author Royce Buckingham has won top honors for his spooky book "The Dead Boys."

His book competed against 11 other books from authors throughout the country to take home the 2014 Sasquatch Award.

Librarians throughout the state nominate books for the award each year, and children in grades four through six who have read at least two of the books can vote for their favorite. Buckingham said he was humbled by the win.

"When you write monster stories, you're not expecting to get awards for writing a good book," he said. "I tried to make it literary even though it's about a monster."

"The Dead Boys" was a personal one for Buckingham, set in his home town of Richland, which provides an eerie backdrop as the main character tries to figure out why the boys he meets keep disappearing and why the tree in his yard seems to be increasingly threatening. The book managed to be literary enough to get librarians on board and fun enough to entertain young readers.

"It's really the best of both worlds," Buckingham said.

This year, two of the 12 books nominated for the award were from Bellingham authors. Buckingham's friend, fellow Bellingham resident Clete Smith, took sixth place for his book "Aliens on Vacation," set at a bed-and-breakfast near Mount Baker that hosts interstellar travelers.


Reposted From The News Tribune


Congratulations Royce Buckingham on Your 2013-14 Sunshine State Young Readers Award and Sasquatch Book Award Nominations for The Dead Boys!



Sasquatch Book Award Nominee

Titles are selected by Librarians in the State of Washington in order to encourage students to read some of the best new books published each year.


http://www.wlma.org/sasquatch


The Sunshine State Young Readers Award (SSYRA) is a program co-sponsored by the Office of Library Media and the Florida Association for Media in Education (FAME). This program for students in grades 3-8 is designed to entice students to read high interest, contemporary literature for personal enjoyment.


Latest Nods for AEI Client Royce Buckingham's Dead Boys
























  • 2011 Cybils Award Finalist

  • Fall 2011 Junior Library Guild Selection

  • One of 20 books included in the St. Louis, MO Battle of the Books in which 30 schools participate annually. Royce will be a featured author on the event's blog soon, which is updated weekly. We've noticed an uptick in book sales in the St. Louis area since July when the book battle books were announced (as tracked through Amazon's sales tracking).
  • The Dead Boys has also been selected as a 2011-2012 nominee for the Isinglass Teen Book Awards. Books are chosen by a committee of librarians as well as per teen recommendations. I believe the winning book is voted on by participating teens. The program is promoted by 14 libraries in New Hampshire. Winner chosen in April 2012 and announced at the NHLA meeting/conference in May.


St. Louis Battle of the Books
Isinglass Teen Book Awards

The Dead Boys a Cybils Awards Finalist

Ms. Yingling Reads Royce Buckingham's The Dead Boys

Weekend Reading


Buckingham, Royce. The Dead Boys.
Nominated for the Cybils by Mike Schoeneck
What happens when corporations dump toxic waste into waterways for many years? The trees become evil mutants with a taste for humans, especially young boys they can lure into their branches, keep hostage, and drain of their life force for years. That's what Teddy finds when he moves with his mother to the desert community of Richland. Encouraged by his mother, he runs around the neighborhood unsupervised and meets a some of friends-- Walter, Joey, Albert, Sloot, Oliver and Lawrence-- all of whom exist in worlds slightly different from Teddy's. The reason? They all died in a variety of accidents and were taken by the tree. In order to dave himself and put an end to the deaths, Teddy has to help each boy recreate his own demise but save him.

Strengths: Creepy, creepy tale! It was obvious to me that the boys were from different time periods-- Buckingham does a great job on describing their language, interests and dress. This is definitely a fresh tale, and not too heavy on the environmental message, even though it is there.

Weaknesses: A little hard to describe to students, but that should be offset by the great cover.

Bookedup.posterous.com Reviews AEI Client Royce Buckingham's Dead Boys!

The Dead Boys | Royce Buckingham

A tree down river from a nuclear power plant feeds off the lives of little boys it captures.

This is not a book I would have been able to read as a child, let alone curl up with it right before bed. I read it in about two hours straight. I kept telling myself, well, I'll just take a break to finish my holiday cards after this chapter. Four chapters later, I was like, well, I can take a break to start wrapping Christmas gifts. Once I hit the middle of the book, I realized all resistance was futile and climbed into bed to see it through to the end.

I like the pacing of this story - the action never stops. There was no point that I felt dragged on to long and even the ending, which was different that what I expected, felt good and right despite it's strangeness. I like that Teddy's actions (and reactions) are realistic, as is his relationship with his absentee-for-a-good-reason mother.

For all the creativity of the story, and it's unusual serial killer, aside, it's the fact that Buckingham chose to set the story in his hometown that really caught my attention. The comfort his characters display in the different scenes is the sort of writing that only a local can produce.

And it is with deep, deep sadness but no hesitation that I remove Nanny Piggins -- my previous against the grain of my usual taste choice -- from my short list to replace it with this.

Sidebar: the page forward button on the right-hand side of my Nook, my preferred reading button, cracked last week. At first, I thought it was my own fault for casually tossing it (covered) into my overnight bag, but when I looked it up online it turned out to be a very common issue. I contacted Barnes & Noble and had a certified pre-owned Nook replacement within less than a week. I know it sounds silly, but I swear it feels more subsistancial, lighter and better constructed than my original. I hope that it's not just the trees talking to me.

AEI Client Royce Buckingham's Review in SLJ






BUCKINGHAM, Royce. The Dead Boys. 203p. Putnam. 2010. Tr $16.99. ISBN 978-0-399-25222-8. LC number unavailable.

Gr 5-8–In this tightly plotted suspense novel, Teddy meets several other 12-year-old boys in his new town, but there’s something eerie about each one. Eventually he realizes that every kid died years ago under mysterious circumstances and that he may be the next target. The evil force behind their demise is a sentient sycamore tree with powers derived from nuclear waste, a kind of wild premise that actually makes for an appropriately creepy villain. Some readers will spot the hints about the dead boys’ situation, uncovering bits of the truth along with or just ahead of the protagonist, as the well-paced tale moves deftly from mystery into high action. Ultimately he must endure each of the gruesome dangers that killed the ghostly kids, including rattlesnakes, scorpions, and the thorny, twisting tree that’s behind it all. There’s a nice mixture of cliff-hanger escapes, mystery exposition, and lighter moments provided by Teddy’s narration. Though the hero’s personality is not especially complex, the empathy he shows for the boys and his resourcefulness in defying the killer tree make him someone to root for. The climactic battle is appropriately suspenseful, leading to a satisfying and surprising conclusion.–Steven Engelfried, Wilsonville Public Library, OR

AEI Client Royce Buckingham's Q & A on P.S. I Love Books





Q&A with Royce Buckingham


I'd like to welcome author Royce Buckingham to P.S. I Love Books! I had such a great time reading his answers to my interview questions and I hope you will too. He has easily become one of the best interviewees I've had the pleasure to question. His latest release The Dead Boys (September 2, 2010 - Putnam Juvenile) is a clever, creepy, and exciting read that I recommend to readers of all ages.

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A little background info before we go on:

Royce Buckingham was born in Richland, Washington and grew up downriver from the Hanford nuclear plant, which might explain his mutated view of the world.

As a kid, Royce loved stories, such as The Phantom Tollbooth and The Hobbit. He collected comic books, watched Jaws at nine years old, Star Wars at eleven, and Alien at thirteen. He was even a Dungeons & Dragons nerd.

Royce obtained an English degree from Whitman College and a law degree from the University of Oregon, then became a prosecuting attorney. His first novel, Demonkeeper, was inspired by his work in juvenile court—it is a monster story about lost children being eaten up by the chaos of street-life.

Royce wrote for 13 years in his spare time before he hit a home run in 2005, selling Demonkeeper to both Putnam and 20th Century Fox within a month of each other. Demonkeeper then hit the bestseller list in Germany. He has multiple monstery novels in multiple countries now and continues to write in his dwindling spare time.

Buckingham lives in Bellingham, WA with his wife, whom he met in the courtroom where she was covering one of his criminal cases as a reporter. They have two boys, neither of which have been eaten by demons, or goblins, or mutated trees…yet.

To learn more about Royce and his books visit his website: http://www.demonkeeper.com/

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Me: Welcome to P.S. I Love Books Royce! Thank you so much for taking the time out to answer a few questions about yourself and your latest novel The Dead Boys. Can you tell us a little bit about it?

Royce: The Dead Boys is special (to me) because it is set in the town where I grew up…next to the nuclear plant. It’s a ghost story, but it’s also a mutated monster story, and kids get eaten as a bonus, so it’s triple cool for people who love words like “creepy” and “spooky.”

Me: The concept of a “killer” tree is really quite unique, at least to me. What inspired you to write The Dead Boys?

Royce: I had sold Putnam a monster-under-the-bed story idea. But when we finished the first draft, my editor, John Rudolph (now an agent), said, “the tree outside his window is so much creepier than anything you could ever put under his bed.” So we switched gears and made it an evil tree story. I was going to set it in the town I live in now, Bellingham, WA, but I thought it would be interesting to include creepy desert stuff…and it was!

Me: I thought it was so clever to have the pictured tree’s “hands” move closer and closer to the running boy in each of the chapter headings as the story progressed. Was that your idea?

Royce: Isn’t that great?!!! I WISH I had thought of that. I am the beneficiary of a very creative layout person.

Me: What do you think of the cover of The Dead Boys?

Royce: Love. It. (I’ve learned that, on the internet, when you really like something, you split the sentence into single words). I hope the kids love it too. It really grabs me, so to speak. And it works so well thematically…pretty much captures the essence of the story.

Me: All of the boys in the story have very distinct personalities, some more subtle than others. Is there a particular character you relate to the most?

Royce: I am Teddy. I was a wuss and scared of bullies. I was timid about making friends. Darkness and creepy things frightened me. And I threw rocks better than most chubby kids.

Me: If you had to do it all over again would you change anything in The Dead Boys?

Royce: One reviewer commented that Teddy didn’t have much depth of character, so I’ve given that some thought. I purposefully left him as an empty vessel so that the reader could easily step into his shoes (like Harry Potter, who also has no personality). But I would rethink that now and at least “consider” giving him some more layers. My ending was controversial too. I won’t spoil it, but there was a huge fight over it in my brain. I think I won, but it was close.

Me: With The Dead Boys being your third middle grade release have you ever thought of breaking into the adult genre?

Royce: Oh good golly, yes. Tell the publishers! If I had the time, I’d be working on something…oh wait, I am! I just never seem to get it done with everything else I’m doing (I’m a dad, a lawyer, a screenwriter, a children’s writer, a coach, blah-blah-blah). Someday soon. Mark my words. Beg my agent.

Me: If your life were made into a movie who would you like to see play you on the big screen?

Royce: My wife says Kevin Bacon (perhaps with a big dance number). But I don’t think so. I will consult facebook and see what my friends say… Okay, the answer is Tom Cruise, sans Scientology. Sometimes intense (lawyer side), sometimes clever (writer side), and married to a cute dark-haired gal. Here’s a photo comparison:

I’m the one on the right.

Me: I’m always looking for books to add to my ginormous TBR (to be read) pile. What books are you currently reading or have read recently? Any good recommendations?

Royce: If you haven’t already…The Hunger Games. Wow! I enjoyed Christopher Moore’s Dirty Job—weird, but fun. I recently read The Road—too bleak, even for me. And Shark vs. Train was great!

Me: If you could write a book with any other author about absolutely anything, what would it be about and who would you choose?

Royce: Let me interject here and say that these are the greatest blog questions ever! Okay, back to business.

I would kill to write a script with Rod Serling (I write scripts too, btw) or work with Richard Matheson on the world’s greatest short story (which is how I started in the biz). I am also a huge Stephen King fan. Christopher Moore is an adult version of me, in some ways. Neil Gaiman does what I do now, only better--I would learn a lot from him. His Coraline is like my Dead Boys, only for girls. Rick Riordan would be interesting to work with. I dig the concept of what the 39 Clues authors did (writing a series together). Would love to be in a group like that. But I think you asked me to choose one, so I’ll flip some coins, roll some D&D twenty-sided dice, and say, currently…Neil Gaiman.

As far as story, I’d like to do something dark, mildly literary, and heroic. I was an English major and would like to wed my love of fantasy/horror with a great literary story (you saw what was done with The Watchmen in the comic and movie arenas, yes?). A hero that sacrifices him/herself selflessly is my favorite.

I have several story outlines I’ve done that I love that are too dark/edgy/tricky/offbeat for me to sell to my publisher. Among these is a story I outlined for Microsoft, who was going to make an Xbox game out of it (cancelled midstream). It’s steampunk, tragic, and a sweeping epic. I’m still in the beginning stages, so I could definitely work with someone on it. It would be the coolest book and movie ever. Eh. Ver. It involves a princess who gets booted from her homeland and must become an assassin. ‘nuff said, I think.

Any of the above authors that want to write this sort of story with me are welcome to contact me at royce@demonkeeper.com . I’ll sit by the computer and wait, though not for Mr. Serling, as we lost him years ago, sadly.

Me: Can you tell us what we can look forward to from you next?

Royce: I’m working on a book about a secret organization that recruits terminally ill teens to spend the last year of their life doing something ferociously dangerous and good for mankind instead of dying in bed. Can’t tell you what, but imagine them deflecting an asteroid from hitting earth or something like that. It’s one of those books that’s so cool that my publisher might not let me do it, but they’re considering it pretty darn hard.

Me: Thanks again for stopping by Royce!

Royce: My pleasure! Great questions…did I mention that? And you rock.

My best, Royce

AEI Client Royce Buckingham Interview with Through The Toll Booth

Interview with Middle Grade Novelist Royce Buckingham

by Clete Barrett Smith on October 4, 2010

in Features

This week I’ll be looking at middle grade books with boy appeal.

Royce Buckingham is a Pacific Northwest author who specializes in boy-friendly fiction. His latest book, the supernatural mystery/thriller The Dead Boys, was released by Putnam on September 2 and is a Junior Library Guild Selection.

TOOLBOOTH: Your new book, The Dead Boys, is full of intensely creepy scenes. What are the challenges in writing horror for children?

BUCKINGHAM: It’s a knife-edge, so to speak, because you’re trying to scare them but you’re not trying to traumatize them. You want to do things that are scary but also kid-safe. The difficulty is, how do you get a really good scare, but without the jeopardy that we know as adults is the worst thing that can happen to you? You have to take yourself back to when you were a kid and remember things that scared you then. Some things you forget – like how scary a bully can be. For me, it was a bully with a knife. I was terrified when I got home from school that a bully with a knife was going to cut me. Now, I’m not sure how the bully was supposed to get in my house, or what it was going to be like when he cut me [laughs]. But that was enough.

TOOLBOOTH: Your first two books mixed horror and humor, but this story is strictly scary. Did it feel like you were working without a safety net when you decided to forego the humor? How was that process different?

BUCKINGHAM: I wrote the first draft and my editor asked me, “Do you want this to be spooky?” When I said, “Yes,” he told me he would adjust my tone, and then he cut one hundred of the two hundred pages that I had sent him. And what he had done was cut out all of the humor. I was outraged and terrified and started over, but it all seemed to work. Because now the tone was consistent. The creepy moments are no longer watered down by parts that are safe. There’s no place for the reader to run – you go to the next chapter and it just gets scarier. There’s no place for the reader to relax.

TOOLBOOTH: Your books are often described as “boy-friendly.” What elements do you think constitute a good “boy book”?

BUCKINGHAM: Boy protagonist, first and foremost. Action. Not a lot of internal thought – now, that’s not because boys don’t think, but they tend to like action. They tend to like to see things happen, they like to get to the point.

TOOLBOOTH: Does word count play into a book for boys? Dead Boys is a very spare story – was it a conscious decision to write a short book? From my days as a teacher, I know that many boys tend to pick the shortest book on the list.

BUCKINGHAM: There’s a synchronicity between the way boys read and the way I write. Because I’m a lawyer, I’ve been trained to write with an economy of words. Boys like to get to the point, which matches up with what I do.

TOOLBOOTH: Speaking of getting to the point: Your books all have supernatural elements. How soon do you think a story should get to the supernatural hook?

BUCKINGHAM: I think probably by the first line. Or earlier [laughs]. When boys flip your book open, I want them to be hooked right away by whatever your best idea is.

TOOLBOOTH: Is that why you wrote a prologue that sets up the monster tree?

BUCKINGHAM: Yes, I’ve done that with all of my books. I call it a James Bond opening. James Bond movies always open with a big action scene, and you know right away what kind of movie you will be watching.

TOOLBOOTH: Speaking of supernatural elements, how do you deal with suspension of disbelief for a main character?

BUCKINGHAM: That’s a tricky question, because it’s a hard thing to do. One thing you can do is tell your reader more than you are telling your main character. Dead Boys isn’t like that, but a lot of books are. One of the tricks of Dead Boys is that the kids talk like they are from different eras – 60’s, 50’s, 40’s . . . Now, a reader will pick up on that, because they know what kind of book they are reading, but the main character might not pick up on a clue like that. The reader is paying close attention but the character is not hyper-aware.

TOOLBOOTH: Finally, I know that you have a lot of experience in pitching story ideas – to agents and editors in the literary world as well as film producers in Hollywood. What are some tips you would give people on how to pitch well?

BUCKINGHAM: There’s a pitching formula, and you can go to screenwriting books for that. Save the Cat is a good one to show you how to set up a pitch. They can say it better than I can. But once you have the formula down, what you have to do is you have to practice it. It’s like anything else; if you practice you get better at it.

TOOLBOOTH: Who are you practicing with?

BUCKINGHAM: People at parties, people at work, professionals in the industry, friends, fellow writers when they have time. Anybody who will listen. Your waiter. You get to practice with different personalities – people who are interested, people who are bored, people who interrupt. You do it a zillion times and it all becomes part of your experience. And the people who have experience with something generally do it better.

You can visit Royce online at www.demonkeeper.com

- Clete Barrett Smith

Royce Buckingham's The Dead Boys, "deliciously creepy"

The Dead Boys by Royce Buckingham



When Teddy Matthews moves with his mother to the desert town of Richland, Washington, he is not overly thrilled. He's left his friends and school behind and has moved into a new home where he'll have to start anew.

Upon his mother's bickering that he cannot remain indoors and must venture out to make new friends - he finds himself drawn to the giant sycamore tree in the yard of the abandoned house next door. A tree that has been mutated by nuclear waste - which in turn has taken a life of its own. This tree is like no other, for it feeds on the life energy of boys that it ensnares with its living roots. Teddy, at first, doesn't understand why he is drawn to the tree or why every time he meets a new boy in the neighborhood they somehow disappear - right before his eyes. Something is terribly wrong with Richland and he quickly learns that what's wrong is the tree - a tree that has its sights on its next victim.

This book was so deliciously creepy. I actually started reading it right before bedtime and ended up having to put it down and wait till the following morning to pick it back up. I found myself caught up in the mystery of the tree, the dead boys, and Teddy's fight for his life. He was a great character - brave, strong, one who respected his mother, and although there is a slight altercation of breaking and entering, an all around good boy. When Teddy crosses over into a dream-like world where the tree is supreme and above all - I was literally sitting at the edge of my seat. I felt his anxiety, his dread and his fears.

Mr. Buckingham positively delivers a frightening tale with good ambiance and lots of creepy moments, mysterious shadows, creaky windows and menacing elements that make this a successfully atmospheric read. It will definitely appeal to reluctant readers with its fast pace and chill factor. This is a great read for young and old alike that like a good spook before bedtime.

http://bookwormygirl.blogspot.com/2010/08/dead-boys-by-royce-buckingham.htm

AEI Client Royce Buckingham - Kirkus Reviews





THE DEAD BOYS
This new thriller adds a unique villain--a tree--the roster of deadly supernatural foes. This particular tree has been mutated by nuclear waste from a nearby plant and has learned that sucking the life from 12-year-old boys is an efficient and tasty way to enhance its energy reserves. When Teddy and his mom move to an eastern Washington desert town, Teddy sets out to find new friends. He meets several boys who seem to be living in past decades, and he soon learns that they died many years ago. Worse, Teddy realizes that he's the next intended victim--but he falls for the tree's clever efforts to lure him into its clutching branches anyway. Buckingham keeps readers' pulses pounding as Teddy uses his courage and wits to escape. He depicts the boys with dialogue and clothing appropriate to their decades of origin, a device that works well to keep the story on the edge of believability. Teddy's character may appeal to many young readers; he feels plenty of fear but has defiant courage, too. An inventive premise that yields solid supernatural suspense. (Horror. 8-12)

AEI Client Royce Buckingham's The Dead Boys gets a mention by Susan Marston, Editorial Director of J LG





The Future Is Hers to See

By SLJ Staff Jul 12, 2010
susanmarston(Original Import)

What terrific kids' titles are coming down the publishing pike? For a sneak peek of the best and brightest, we spoke to Susan Marston, editorial director of Junior Library Guild (JLG), who habit

ually devours advanced readers' copies many months ahead of most folks. Marston and her intrepid New York City crew are rushing to put the final touches on their fall 2010 list of 192 selections for children and teens--and we couldn't wait to see their choices.

Founded in 1929, JLG provides collection development services to more than 17,000 school and public libraries nationwide. This unique service reviews and selects children's and young adult hardcover trade books prior to their publication. JLG selections are placed into one of 32 reading levels ranging from Pre-K to YA and are then shipped to member libraries on a monthly basis. JLG is owned by SLJ's parent company, Media Source Inc.

What trends are you noticing in children's book publishing?

Dystopia and vampires are alive and well. Also, for upper elementary/ early middle school students, dead parents. Every book seems to have a dead parent. Some are about coping with the death, but in many others it is primarily used as a way to make the child's situation more perilous. And in YA, there are a lot of dead friends. There's also a lot of poetry, and some are creative and interesting.

Such as?

Doggy Slippers [Groundwood, Aug. 2010] by Jorge Luj?. The author wrote to children all over Latin America asking them about their pets to make poems from a kid's point of view. I think the publisher originally intended the book to be in Spanish. The poems are touching and full of surprises. There's also an Arnold Adoff poetry collection for middle schoolers [Roots and Blues (Clarion, Jan. 2011)] that's about the roots of blues, and the poems and the collection are challenging, inventive, and insightful. The nonfiction on this list is really terrific.

What's one of your favorites?

Lincoln's Flying Spies: Thaddeus Lowe & the Civil War Balloon Corps [Calkins Creek, Oct. 2010] by Gail Jarrow. This guy, Thaddeus Lowe, kept telling the Union Army, "Look I have this great way to spy." They didn't take to it right away, but eventually Lincoln did. And Lowe would go up into the air, and he had Confederate soldiers shooting at him, and he's looking over everything and seeing what's going on and reporting back to the Union Army. It's a fascinating story.

Is there anything that you've recently read that has the potential to become an instant classic?

I'm not sure what makes a classic. There's The Dead Boys [Putnam, Sept. 2010] by Royce Buckingham.

Did you see its cover? There's a tree that reaches out and it consumes boys and takes life from them.

So this isn't a run-of-the-mill gardening book?

No. It's about a boy who's new in town-he's 12-and he keeps meeting these other boys who are 12, and there's something weird about these other boys. After having conversations with them, he realizes that they're talking about a different time period and something is really strange. Every decade the tree finds a new boy. The story is so compelling and so creepy and cool and really good, and kids are going to love it. But I don't know if that's an instant classic. Can I talk about a totally cool graphic novel, even though I don't know if it's going to be a classic?

Please do.

It's called Hereville: How Mirka Got Her Sword [Amulet, Nov. 2010] by Barry Deutsch. It started as a web comic. There's this 11-year-old girl in an Orthodox Jewish community, and she imagines fighting dragons and she wants to train to do this. And she ends up meeting a witch and troll and doing all of this stuff and finally getting a sword that she can use to fight dragons. But it's all in this orthodox community. It's really cool. And the author's website, I think, has on it, "Yet another troll-fighting 11-year-old Orthodox Jewish girl."

Yeah, they're a dime a dozen.

The author uses that kind of humor throughout the book.

OK, one last question. Are there any other titles on your list that may surprise readers?

There are plenty. There's Slog's Dad [Candlewick, Feb. 2011], a book by David Almond, illustrated by Dave McKean. It's a previously published short story for adults. But now it's being presented as an illustrated book, and the illustrations are kind of mind bending and really interesting. And the concept of the story is pretty fascinating, too.

What's it about?

A boy named Slog. His friend is telling the story. Slog's father passed away but he said he was going to come back. So now Slog is in the park talking to a man, and we're not really sure what the guy's story is. But Slog is convinced he's his father who's come back. And the man kind of goes along with it and the friend is nervous about this. It's really a provocative, interesting, intriguing story.




The Future Is Hers to See