Two Kinds of People: Poems from Mile End by Vincenzo Di Nicola has been nominated for the prestigious Pushcart Prize - Review by Dennis Palumbo

 

Two Kinds of People: Poems from Mile End by Vincenzo Di Nicola Review by Dennis Palumbo 

R.I.P Lawrence Ferlinghetti

Over Sixty years ago, Ferlinghetti, was the principal publisher of an iconoclastic band of writers and poets known as the Beat Generation.  Ferlinghetti died on Monday at the age of 101.⁠

 Kenneth Atchity back in the day with Ferlinghetti and Bukowski.⁠ 

Ferlinghetti contributed "Dreamt Trip" to Ken's Dreamworks Quarterly Magazine Vol 1, No. 2 Dreams and Poetry.⁠

⁠

The Golden Thread

The poet William Stafford had developed an exercise that he called The Golden Thread. He believed that if you handled very carefully the detail of language and followed the detail through association, sound and tone it could lead you into a rich and meaningful world where you could begin to inhabit a more sacred universe.

One of [William Stafford’s] most amazing gifts to poetry is his theme of the golden thread. He believes that whenever you set a detail down in language, it becomes the end of a thread… and every detail –the sound of the lawn mower, the memory of your father’s hands, a crack you once heard in the lake ice, the jogger hurtling herself past your window– will lead you to amazing riches.

Robert Bly, The Darkness Around Us is Deep, p. vii.


The exercise of the Golden Thread can be an interesting pursuit if one also relates it to one’s purpose. We might think of it as following our purpose through language and writing.

Each and every one of us is following our own thread. Some may not know where you have been or where you are going, but you cannot let go of the thread you are following.

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--Stephen Gyllenhaal, from Claptrap

SUCCESS

I’m the lowest servant to the stars,
Slave to the leaves.

Everything escapes my cold breath.

My victories were never my own
Just mistakes gone wrong.

I put my shoulder to the thing
And it uncoils
                              sinks,
               perhaps I’ll break like glass,
a billion faux diamonds
pulled into the undertow
                                             or worse,
               I’ll run the show.

THE GREAT AMERICAN PINUP Reviews Claptrap

...  What I discovered while reading Claptrap, though, is a poet in love with language, a love that shines at the heart of every poem. Mr. Gyllenhaal enjoys wordplay, which makes his writing fun to read. The poems are wide-ranging in their subjects—parenthood, family, and social justice among them—and style. Some are improvisatory, some painstakingly crafted.

Mr. Gyllenhaal’s poems are most often self-referential, anecdotal, and drawn from his everyday life. He expresses concern about his relationship with an openly antagonistic neighbor—and his noisy “5am” struggles with his garbage cans—and muses about the world seen through the windshield of his automobile while driving “down Wilshire Blvd./just west of Rodeo Drive.” Hollywood is Mr. Gyllenhaal’s town—the place where he lives and works—hence the subtitle—and Hollywood is a character in this collection.

No book making reference to Hollywood would be complete without making reference to its luxury-car culture, where a woman’s beauty is described, in the poem “Democracy,” as “all past benz/and maseratis.” Hollywood is also a town where wealthy locals are suspicious of a GMC pickup with a “rattling tailgate.” In “Photosynthesis,” the speaker’s suspicion gives way to envy for the young men in the old pickup when he reveals, “Oh, to be that kind of young again/when every oyster spreads its legs for you/and the nails you hit on two by fours/sing out your praise.

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Swedish Poet Wins Nobel Prize for Literature

By JULIE BOSMAN

Maja Suslin/European Pressphoto Agency
Swedish poet Tomas Transtromer at his home in Stockholm on Thursday after receiving the news that he won the 2011 Nobel Prize in Literature.

Tomas Transtromer, a Swedish poet whose sometimes bleak but graceful work explores themes of isolation, emotion and identity while remaining rooted in the commonplace, won the Nobel Prize in Literature on Thursday.

Announcing the award in Stockholm, the Swedish Academy praised Mr. Transtromer, saying that “through his condensed, translucent images, he gives us fresh access to reality.”

The assembled journalists cheered upon hearing that Mr. Transtromer, who was born in Stockholm, had won the prize.

Mr. Transtromer, 80, has written more than 15 collections of poetry, many of which have been translated into English and 60 other languages.

Critics have praised Mr. Transtromer’s poems for their accessibility, even in translation, noting his elegant descriptions of long Swedish winters, the rhythm of the seasons and the palpable, atmospheric beauty of nature.

“So much poetry, not only in this country but everywhere, is small and personal and it doesn’t look outward, it looks inward,” said Daniel Halpern, the president and publisher of Ecco, the imprint of HarperCollins that has published English translations of Mr. Transtromer’s work. “But there are some poets who write true international poetry. It’s the sensibility that runs through his poems that is so seductive. He is such a curious and open and intelligent writer.”

Neil Astley, the editor of Bloodaxe Books in Britain, called Mr. Transtromer “a metaphysical visionary poet.”

“He’s worked for much of his life as a psychologist, and the work is characterized by very strong psychological insight into humanity,” Mr. Astley said.

Mr. Transtromer was born in Stockholm in 1931. His mother was a schoolteacher and his father a journalist. He studied literature, history, religion and psychology at Stockholm University, graduating in 1956, and worked as a psychologist at a youth correctional facility.

In 1990, Mr. Transtromer suffered a stroke that left him mostly unable to speak, but he eventually began to write again.

On Thursday afternoon, the stairwell in Mr. Transtromer’s apartment building filled with journalists from all over the world seeking reaction, the Swedish news media reported.

Visibly overwhelmed, Mr. Transtromer finally appeared, accompanied by his wife, Monica. Speaking on his behalf, she said her husband was most happy that the prize was awarded for poetry. “That you happened to receive it is a great joy and happy surprise, but the fact the prize went to poetry felt very good,” she said, addressing him at a gathering that quickly moved into the vestibule of their home in Stockholm.

There was also a celebration among Swedes, many of whom have read Mr. Transtromer since his first book of poems, “17 Poems,” placed him on Sweden’s literary map when he was just 23.

“To be quite honest it was a relief because people have been hoping for this for a long time,” said Ola Larsmo, a novelist and the president of the Swedish Pen association. “Some thought the train might have left the station already because he is old and not quite well. It felt great that he was confirmed in this role of national and international poet.”

John Freeman, the editor of the literary magazine Granta, said: “He is to Sweden what Robert Frost was to America. The national character, if you can say one exists, and the landscape of Sweden are very much reflected in his work. It’s easy because of that to overlook the abiding strangeness and mysteriousness of his poems.”

But in the United States, Mr. Transtromer is a virtual unknown, even to many readers of poetry, despite the fact that he has been published in English by several widely known publishers.

Mr. Halpern said that “Selected Poems,” originally published in 2000 by Ecco, part of HarperCollins, would be rereleased within days. On Thursday morning, print copies of his books were already backordered on online retailer sites, and electronic versions were difficult to find. New Directions, an independent publisher, released “The Great Enigma,” a poetry collection, in 2006; Graywolf Press, a publisher based in Minneapolis, released “The Half-Finished Heaven” in 2001.

Jeff Seroy, a spokesman for Farrar, Straus & Giroux, part of Macmillan, said Thursday that the imprint had acquired a volume of Mr. Transtromer’s work, translated by Robin Robertson, called “The Deleted World,” originally published in 2006. Mr. Seroy said the book would be released by year’s end.

Much of Mr. Transtromer’s work, including “The Half-Finished Heaven,” was translated by his close friend and fellow poet Robert Bly. Mr. Bly has been named as one of the central people who introduced Mr. Transtromer to a small but devoted group of American readers.

The selection of a European writer for the literature Nobel — the eighth in a decade — renewed criticisms that the prize is too Eurocentric. The last American writer to win a Nobel was Toni Morrison in 1993. Philip Roth has been a perennial favorite but has not been selected.

The committee noted after the announcement on Thursday that it had been many years since a Swede had won. It last happened in 1974 when Eyvind Johnson and Harry Martinson shared the prize.

Peter Englund, the permanent secretary of the academy, said this week that the literature jury had increased the number of “scouts” it employed to scour for books in non-European languages.

And once again, the jury proved its inscrutability. In previous years, the choice of relatively unknown writers like Herta Müller of Germany has surprised Nobel watchers; in other years, winners like Harold Pinter or Orhan Pamuk have raised questions about whether the Nobel committee is overly influenced by politics.

While Mr. Transtromer has been a longtime favorite to win the Nobel, he has also won other prizes, including the Neustadt International Prize for Literature, the Bonnier Award for Poetry, the Petrarch Prize in Germany and the Bellman Prize.

The Nobel Prize comes with an honorarium of nearly $1.5 million.

Christina Anderson contributed reporting from Stockholm.