"The universe is made of stories, not of atoms."
—Muriel Rukeyser
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Showing posts with label Books. Show all posts
Showing posts with label Books. Show all posts

Congratulations A.M Adair Quarter Finalist in the Table Read My Screenplay – Cannes 2025 Competition!

 


Story Merchant author A.M. Adair's screenplay Origin is in contention for a professionally directed table read in front of a live audience during the 2025 Cannes Festival.

Based on her novella Origin Story. A woman wakes from a coma to find herself in prison with no memory of who…or what she is. The vicious attack that almost killed her erased all that she was. 

But not what she did.
Her name is Elyse Tyson.
And she’s a serial killer.
Or at least she was.





A. M. Adair is a retired Chief Warrant Officer from the United States Navy with over 21 years in the Intelligence Community—specializing in counterintelligence and human intelligence. She has been to numerous countries all around the world, to include multiple tours in Iraq, and Afghanistan. Her experiences have been unique and provided her imagination with a wealth of material to draw from to give her stories life. A lifelong fan of the genre, she is an associate member of International Thriller Writers. Her debut novel, Shadow Game, is the first book in the Elle Anderson series. It was published in October 2019 and then was turned into a graphic novel in January 2022. Book 2, The Deeper Shadow, was released in November 2020, and the explosive third installment, Shadow War, was released in March 2022. Autographed copies of her books, news, and interviews are available on amadair.com. She lives in Tennessee with her husband Jake, her daughter Arya, and son Finn.

Publishers Weekly's Book Life Reviews Eric Burns New Book When the Dead Talked... and the Smartest Minds in the World Listened

 



 


Historian Burns (author of 1920: The Year That Made the Decade Roar) illuminates the story of psychics, seances, and the scientists who researched them in When the Dead Talked. Roughly covering the 1840s to the 1920s, Burns puts his talents as a researcher to use to recount the history of spiritualism, from the famous Fox sisters—entrepreneurial spiritualists whose late-in-life claims to have been deceptive Burns doesn’t quite buy—to Thomas Edison’s attempts to build a machine for communicating with the dead. Burns dives deeply into two scientific societies which attempted to prove the truth or fallacy of claims of communication with the dead, the Society for Psychical Research in England and its Ameican counterpart. 

Burns concludes that their efforts, which ascribed validity to some psychic phenomena, deserve to be taken seriously today, arguing “To accept the notion that the smartest minds in the world, thousands of them, engaged in a conspiracy to delude lesser minds is a more preposterous assumption than accepting the veracity of the feats” of the spiritualists. Readers may not be as convinced as Burns of the validity of several of the phenomena that he recounts, even as he attempts to disprove common objections and appeals to the scientific probity of the investigators. But his expertise and skill as a historical storyteller is clear throughout. When the Dead Talked… 

Burns’s deep research is combined with a familiar tone which welcomes the readeris extensively researched, with helpful bibliography and glossary, plus photos of his principal subjects, the psychics and skeptics who investigated them to participate in the same journey that he himself did from skepticism to openness to the reality of psychic phenomena. Readers fascinated by how scientists in the last half of the 19th century thought about psychic phenomena will appreciate Burns’s exploration of this fascinating history. Fascinating study of spiritualism and the scientists who found it credible.

 

Veteran and Emmy-winning broadcaster turned prolific author, Eric Burns, has thoroughly explored the topic with his well-researched When the Dead Talked … and the Smartest Minds in the World Listened, published by Story Merchant Books. Burns has retained The Blaine Group to implement a national public relations campaign to support this book’s launch.

Story Merchant E-Book Deal FREE December 9 - December 13! Eric Burns' When The Dead Talked... and the Smartest Minds in the World Listened



In the late 19th century, an estimated 11 million Americans believed in something called Spiritualism. They believed in it so ardently that it came to be thought of as a religion, and it became the seventh most popular religion in the United States. Its fundamental tenet—virtually its only tenet—was that it was possible for the living to communicate with the dead.


America’s philosopher King William James believed in it. Thomas Edison believed. Mark Twain believed. Countless number of scholars and scientists—although always a minority—also believed. Or, at the least, they believed that the belief should be tested, not scoffed at; that it might deserve to be part of university curricula, not the raw material of derisive humor.

The same was true across the Atlantic, where Spiritualism attracted Marie Curie, Queen Victoria, two British Prime Ministers, Pope Pius IX and Russia’s Czar Alexander II, among numerous others. Hundreds of the smartest minds in the world—geniuses all—formed societies in New York and London to investigate the notion of conversation with the deceased.

They conducted scores of experiments under the most rigid, secure and sometimes even punishing of conditions, and some of what they discovered startled them. As When the Dead Talked . . . and the Smartest Minds in the World Listened, attests, it is still startling today.




"Readers fascinated by how scientists in the last half of the 19th century thought about psychic phenomena will appreciate Burns's exploration of this fascinating history."⁠- Publishers Weekly⁠


"Eric Burns has a gift for exploring the nooks and crannies and shadows of history that seldom get illuminated. When the Dead Talked . . . and the Smartest Minds in the World Listened [is] a vastly informative and entertaining book that can't help but leave a reader wondering where reality leaves off the magic begins."⁠

- Neal Gabler, author of Winchell: Gossip, Power and the Culture of Celebrity (Time magazine best non-fiction book of the year)⁠



Story Merchant Author Ama Adair Featured in VIRGINIAN-PILOT!

Virginia Beach Navy chief warrant officer pens first novel: ‘No damsels in distress or princesses here’



Ama Adair stands next to a bookshelf at her home in Virginia Beach, with a copy of her book "Shadow Game" in the background. (Courtesy of Ama Adair)

Ama Adair first got the idea for her book series on a dark, narrow road in Baghdad, Iraq, as her military convoy drove past seemingly abandoned buildings and the hair on the back of her neck stood on end.

A Navy chief warrant officer specializing in counterintelligence and human intelligence, Adair didn’t begin writing until about six years after that 2010 deployment. But her vivid real-life memories helped shape her thriller “Shadow Game,” published in October under the name A.M. Adair. The book is the opener in a planned three- or four-part series.

“Shadow Game” features a strong female protagonist named Elle Anderson, a CIA operative who leads an elite team charged with destroying a terrorist organization.

“No damsels in distress or princesses here,” says Adair, a Virginia Beach resident. “She is a powerful, intelligent woman who is not very emotionally driven. She certainly doesn’t need rescuing. I would love if my daughter and other girls could see more characters like her.”

Ama Adair's book, which published in October, is the first book in a four-part series. (Courtesy of Ama Adair)

As a first-time author, Adair, 40, had a steep learning curve with the writing, editing and publication process. And as a mother with a full-time job, she had to squeeze much of her writing into two- to three-hour sessions on evenings and weekends. Her husband Jake, an active-duty Navy chief, took over parenting whenever he could.

“Luckily, military life trained me for not sleeping a whole lot,” Adair says. “Things got easier once I let my characters take over and stopped trying to force the plot. A lot of my own ideas for how to get to the key scenes I wanted kind of disappeared, which made it more fun.”

Although the series is fictional, Adair’s 10 overseas deployments — including four in Iraq and one in Afghanistan — served as background research. In fact, creating Anderson’s story helped Adair address some of her own feelings: “Elle goes through some post-traumatic stress and a lot of physical and emotional challenges. I found it very therapeutic for me.”

An Ohio native, Adair joined the Navy shortly after 9/11 and has lived in Virginia Beach since 2005. While always interested in reading and journaling, she had no writing training beyond school classes and the formal military papers required in her job.

After years of considering a novel, Adair typed the first chapters of “Shadow Game” on her laptop during downtime on a 2016 deployment in Italy. A self-described introvert, she found the solo pursuit a perfect fit.

Back home, Adair often settled down to write in a favorite recliner after her kids Arya, now 7, and later baby Finn, born last April, were asleep for the night. She also has juggled work toward an online bachelor’s degree in intelligence studies through American Military University.

The 300-page “Shadow Game” took about nine months to finish, followed by a similarly long editing process. “It was often me being too wordy,” she says. “I discovered that having too many details actually slows down the tempo.”

Since Adair is active-duty military, the Pentagon had to screen her thriller before publication. “Shadow Game” was released through Kindle Direct Publishing with representation by Story Merchant Books, a company that facilitates such independent publishing. It is currently for sale exclusively on Amazon.

“I was a complete nerd when it came out,” Adair says with a laugh. “I immediately ordered like five copies of it, plus the Kindle edition. I was in awe holding it.”

Adair is almost finished with book two of the series, “The Deeper Shadow,” which she started in 2017 but put on pause during her most recent pregnancy and Finn’s newborn months. She hopes to publish it in the summer and then immediately dive into book three. Once she retires from the military, her dream is to be a full-time writer.

“In a perfect world, I’d do a lot of hanging out with my laptop and some good cups of coffee,” she says. “I just want to let my imagination keep taking off.”

Alison Johnson, ajohnsondp@yahoo.com

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CAPESTER A Hero Bureau Thriller' by Peter G. Bielagus Book Trailer

 






The Hero Registration Bureau never had to worry about unlicensed heroes–Rogues–and neither did disgraced NYPD detective, Stan Magreen.

But when a seven-and-a-half-foot armored Rogue begins a nationwide killing spree, Magreen is coaxed into the case; not just because he's a good detective...

But because he was the first Rogue.

It's 2025 and the United States Federal Government has passed The Vigilante Act, allowing private citizens to operate as for-profit crime fighters. Within weeks America is under "Cape Craze."

Under the jurisdiction of the Hero Registration Bureau (HRB), Registered "Heroes" are popping up in major cities, hitting the streets, solving crimes, raiding warehouses all while grabbing the action on video. The video is then edited, sold and the profits - from toys, to video games, to tv shows - flood in.

These celebrity heroes have followed the law until the giant Rogue, Lahmi, begins a campaign of terror against the criminal underworld, threatening the entire Vigilante Movement.

As the FBI and the HRB scour the country in search of Lahmi, others join in, including the brilliant criminologist turned vigilante journalist, Maria Gomez. Magreen and Gomez meet in Boston for the final showdown with Lahmi, where Magreen wonders if his past has finally caught up with him.

Story Merchant E-Book Deals: Capesters A hero Bureau Thriller by Peter G. Bielagus Free September30 - October 4!


Capesters: A Hero Bureau Thriller
by Peter G. Bielagus


It's 2025 and the United States Federal Government has passed The Vigilante Act, allowing private citizens to operate as for-profit crime fighters. Under the jurisdiction of the Hero Registration Bureau (HRB), Registered "Heroes" are popping up in major cities, hitting the streets, solving crimes, raiding warehouses all while grabbing the action on video. When a seven-and-a-half-foot armored Rogue begins a nationwide killing spree, disgraced NYPD detective Stan Magreen is coaxed into the case; not just because he's a good detective but because he was the first Rogie.

Story Merchant E-Book Deal FREE September 2 - September 6! Dueling in Death's Backyard by Thomas Jay Berger, MD



A gifted heart surgeon finds himself facing the big questions about death and a soul’s release. Everyone has a dark secret or something they would rather you didn't know.

What is it like to stop a heart and duel with death in his own backyard with a human life at stake? Until now, only a cardiac surgeon could know.

And only a cardiac surgeon with the skills of a Faulkner award winning writer could bring readers not just into the O.R. but into the heart itself to share that cosmic experience. In Dueling in Death’s Backyard, Thomas J Berger, MD – trained by Dr. John Kirklin, the true Father of Cardiac Surgery -- does exactly that and does it in the context of a medical murder mystery exposing a VA hospital scandal from decades before they became front page news.

After 13 hours and 30 units of blood, Cooper Logan and his mentor, Holt McDuff had nearly succeeded in replacing the old farmer’s entire dissected aorta. When the final suture line exploded, they were soaked in sticky scarlet blood in seconds and what had been a human being became a pile of organic junk. If the difference was a soul, it had slipped unseen through their fingers. Although he hadn’t slept in days, Cooper insisted on closing and breaking the news to the family. At least he could spare Holt those depressing final chores. 

A wrestling scholarship had taken Cooper from a troubled youth in Boston to a surgical residency in Birmingham, Alabama, where he fit in like a Hell’s Angel at a British High Tea. He was more Clint Eastwood as Rowdy Yates than Richard Chamberlain as Dr. Kildare, and everyone kept telling him he didn’t look like a doctor.

Cooper was obsessed with becoming a cardiac surgeon -- stopping hearts and pitting his scalpel against Old Grim’s scythe right there in Death’s backyard. Most doctors spend their lives avoiding such situations. Only Cooper, and other cardiac surgeons, live to fight on that mystic battlefield for the life of every patient.

Culture shock and hospital politics threaten Cooper’s chances for success, but with Holt’s help he is on track to complete his residency. Then, conflict with a drug addicted nurse and her powerful protector get Cooper fired. His lover dumps him and it seems that things couldn’t get much worse. Then they do. The druggy nurse is murdered and Cooper is framed for the crime. Dr. McDuff seems to want to help but has his own secret agenda. To save his dream and his life, Cooper must unravel a mystery decades older than he is, and solve a murder in the process.

Fran Lewis: Just Reviews On Kenneth Atchity's "Heartfelt Autobiography" My Obit: Daddy Holding Me

 

Just Reviews




A HEARTFELT AUTOBIOGRAPHY 

A child is born, and he should be loved and embraced. A child is born and should be welcomed into his family. A child is born and instead is shunned, cast aside and made to feel he does not exist. A child fears crowds and hides under his bed when company comes. Even his name was not truly the first thought on their mind as the proper namesake for him. A father who called him an entity and pushed him away. 



My Obit: Daddy Holding Me: Kenneth Atchity:
one man’s journey to find who he is. Dealing with his parents created stress and demanding situations and then his kindergarten teacher creates more. The difficulties and hardships a young child faces and must try and make life alerting changes that create conflict, and courage to find out who he really is, dealing with family posed rules and self-imposed expectations to turn into the person he hopes to be one day. 

Throughout the memoir the author shares his emotional upheavals dealing with his father, his impatience and his critiques of his friendships, his orientations and even educational goals. Meeting a Jesuit Priest and learning from him calling him Ziggy helped to define him in many ways. Sharing defining moments that most of us would not exactly want to remember, different issues with different instructors in many schools and then looking beyond that having to find his own way in the world, finding self-worth and his own way to look in the mirror and see himself for who he really is, took courage. Some stories are more powerful than others and some create an autobiography of a life that was filled with many hurdles, many unfortunate incidents, pleasures and a life that in the present has taken much from his past. 

Some journeys are never ending and dealing with his family, their attitudes, his parents and how his father treated him and self-imposed restrictions in the end was quite courageous. Hoping the learn in his own heart his father’s true feelings for him, did he really love you and he shares his life, opens his heart, and of course his family recipes that he is able to duplicate and more. The past/present/future all in one. 

The author tells the story in his own voice and the one about Tata’s Beans is inspirational and the one about double entry brings back memories. The story about his aunt’s grape leaves and the one about double entry proved how enterprising he can be. Dad gave him silver dollars, his uncle's extra money and he bought himself another ledger like his father's and kept it under his mattress to keep track of the actual expenditures and incomes. As he stated two different stories told with numbers. Uncle Jimmy and Uncle Tony provided two heartwarming and interesting stories. Jimmy was his intellectual role model and Tony different. Always trying to please his dad he includes a letter talking about his job working at Junior’s store and how much he earned. Always wanting him to be proud of him. The second section is my favorite focusing on his career choices, major in college and writing and editing as his direction. Losing his grandfather took a toll on him and the family and the picture on 179 highlights it all. His family seemed very diversified in the dishes they made, and Tata’s squash sounds great, and it’s followed by the corporate waiting room. So many facets of his life, so many people that impacted his choices and yet you can tell there is a certain darkness hanging over him when he thinks about his father. He just wants him to be proud of him. 

As the stories continue the author delves into the many careers he decided upon, from writer and editor to movie producer and owner of a corporation and more. Each endeavor with its own pluses and drawbacks plus the emotional upheavals and changes. But throughout you can feel the tension within himself and his family dynamics plus the stories he relates about himself and his father. Each of his accomplishments are summarized at the end and yet does he ever realize that his father accepted him in his own way. The interesting interviews, imagine being interviewed by Dr. Joyce Brothers, meeting Dominick Dunne and Bruno from Dancing with the stars. Allowing us to attend his father’s funeral and hearing his voice and that of his family. Proud of his children and finding the photo that is on the cover and its meaning. Along the way he changes jobs, gets scholarships and is teaching but that was not to be permanent. Added in he shares special moments in time and the epilogue sums it up plus the poems that help express his emotions. Then he sees something that might bring it all into perspective a telegram that says: We are all immensely proud of your election as new editor of the Hoya: Congratulations. Imagine thinking his father is proud and then there are many other Kenny Letters that he finds. From Yale to Occidental College to pursuing this as a second career, editing producing and publishing and teaching through the years there are so many changes within himself and his life. The filing of the corporation and the Certificate of Incorporation just one surprise that he finds but there are more as he delves into the corporate binder before the first recorded minutes were two documents. 

The author shares that on page 283. The many celebrities and their photos plus the final revelation about his father’s feelings and realizing that he is truly a success within himself and to others. An inspirational autobiography taken within his own timelines and flashbacks to help readers understand his relationships with family and friends. I loved the cooking recipes and the fact that his aunts were so special to him. Author Kenneth Atchity: your words are profound, your story hits home in many respects and your successes will always be there and your father’s photo will remind you that your Dad is always going to HOLD YOU UP!  


Story Merchant E-Book Deal #FREE August 26 - August 30 ! My Obit: Daddy Holding Me by Kenneth Atchity





A page-turner filled with poignant family experiences, explosive sibling rivalry, literary adventures, ethnic cooking, wide-ranging storytelling, the workings of the brain itself--and what can be learned about life from playing tennis for decades. ⁠⁠

"I’ve lived a lifetime of literary adventures by refusing to be relegated to a niche. In My Obit: Daddy Holding Me, my storytelling passion and family and professional anecdotes provide humor and insight into my hugely self-determined life."⁠
~ Ken Atchity⁠



Story Merchant E-Book Deal!





Original, entertaining, deftly scripted with memorable characters and a roller-coaster of a plot…
--Midwest Book Review

Twenty-five years after the Srebrenica Massacre, the worst genocide in Europe since World War II, survivor Melika Žbanić encounters two vicious men from her past. Intent on revenge, her plans are derailed by disgraced FBI agent Thorne Hightower, who has personal reasons to involve himself in her affairs.

Melika escapes Hightower’s pursuit only to be kidnapped and taken somewhere in the Balkans where a grim fate looms. With the clock ticking, a persistent Hightower follows clues to her whereabouts—and by chance meets Melika’s daughter Valery, a physically impaired but gifted young woman determined to confront her own existence—and soft-spoken Victor Alvarez, whose sole purpose in life is to keep his wife alive. Amid the splendor of a desolate mountaintop 
nouveau riche hotel, they find themselves locked on an emotional collision course between brutality, and the GIFT OF LIFE.

Story Merchant E-Book Deal

This week: The Twaesum Aik of Brae MacKenzie (A Romance of Mythic Identity Book 1) by Andrea Aguillard 



 



Brae MacKenzie, a successful San Francisco painter, is a woman who seems to have it all but who's felt a sense of loss and longing since childhood. Her artistic passion hasn't filled that void, and with the untimely death of her charismatic husband, the old pain resurges.

Brae's father senses his daughter's pain and before she embarks for an exhibit in England he hands her a family heirloom hidden away for years...a letter: "Since you are still among the living, your heart is not broken...follow the map," Brae reads, "to Scotland."

The London exhibit, in its ultra-chic hollowness, prompts Brae into taking and advice of that bewildering letter. She hops a train for Glasgow.

When the train goes through a tunnel and emerges in a forest of "Christmas trees," Brae suddenly feels something. This is her stop; she just knows it.

She met at the station by Damon, a stranger, or perhaps not. He becomes her own personal tour guide to the myths and history of a past she never knew--and to a romance she never dreamed of having.






Jeff Rivera Interviews Kenneth Atchity on Pursuing Your Dreams Later in Life!

“You are never too old to set another goal or to dream a new dream.” —C.S. Lewis

 


As the man who found everything he was looking for in his “retirement,” Dr. Atchity is a shining example of the never-ending potential of dreams and aspirations. In a HuffPost interview with Jeff Rivera Ken outlines many of the problems he encountered when shifting to a new career along with some useful advice for those looking to go down the same road.

Taking into account how the film industry has changed over the past couple of years, what advice would you give today that you wouldn’t have given two years ago?

I think it’s becoming harder to sell anything to big studios because they have become almost entirely married to producing big franchises and pre-sold concepts. Marketing has taken over the entertainment industry. Even in the publishing world, big publishers are only interested in how many copies of a certain book they can sell.

For new voices it can be extremely difficult to get published and this is very much the case in Hollywood. It’s often easier to get your work produced independently or through the MD method than it is to go to the studios. Keep in mind that the big studios used to produce hundreds of movies every year whereas now they produce dozens. Some studios are completing as little as three movies a year, but they’re making $400 million films from pre-established franchises like Spider-Man and Captain America.

There’s a global market for these movies and it’s a safer bet for them to spend a lot of money on one movie and earn it all back plus extra. This can make it even more difficult for new writers to sell their ideas, although I think writers can be proactive in finding ways to draw attention to their stories.

If someone, for example, lived in Nebraska and had a story about a family that lived in a cornfield, would they have any hope of having a studio make that film?

Always remember that if you don’t have hope then you shouldn’t be doing it, and hope is never something that can be analyzed statistically. It comes from within. In any industry, looking at the odds can be more than a little discouraging but if you believe them then you might as well go back to work as a bank teller. You have to think to yourself, what can I do? How can I think outside the box to draw attention to my story?

These days, the internet can be hugely beneficial if you’re looking to get your story out there as it provides millions, if not billions, of people access to you work. If you’re looking to generate interest then the internet is the best tool you can use. Studios have executives who do nothing but trawl through the internet looking for new stories. The Hunger Games is one of the biggest success stories of the last 10 years in this sense.

I think the gatekeepers are becoming predictable because they’re so enslaved to their corporate owners but what the true creative executives are looking for is someone who’s not saying the same thing as everyone else. Anyone who has a following as the result of their work is a potential line of interest. So, if I were in Nebraska facing that dilemma, I would focus on the thing that I have in front of me – that everyone has in front of them – the internet. You just have to find a way to pierce that golden shield.

What specific advice would you give to the person in Nebraska if they had access to the internet? How can they get noticed?

Well, honestly, if I had an answer to that I’d be a billionaire. This is where creativity comes in. If you were putting together a cartoon, for example, you might start putting it into a small book. Books are easier to get to people than anything else. I don’t recommend putting an entire screenplay on the internet but you could try generating interest by creating a website or blog and doing everything in your power to drive traffic to it.

On there you could maybe share stories, although I also like the idea of doing cartoons or animations because they can end up going viral. You can usually find someone to animate or do a cartoon for your story. Remember that social networks are a key part of using the internet, especially sites like Instagram, Facebook, and Twitter which are all vehicles that can reach millions of people. I boosted a post the other day from Naples and over 8,700 people saw it in the first hour. That’s how you get exposure.

Try not to be too shy or humble when promoting yourself. Shakespeare wasn’t shy when he talked the queen into building the Globe Theater and Sophocles and Aeschylus wouldn’t have been remembered today if they hadn’t gotten patrons to sponsor putting their tragedies in the Great Dionysian Festival every year. The most aggressive writers have always gotten their story told and it’s important to push your point across.

As for writers who think “I’m just a writer, I don’t really do marketing and all of that,” you have to snap out of that mindset. As Cher says in Moonstruck; “Snap out of it!” It’s not going to get you anywhere!” No one feels sorry for a poor writer who can’t sell their own work and if you really are that person then you need to find somebody else to sell your work for you.

What about the independent route? Is there a way for a really passionate writer to go out and make the film themselves? How does that work?


In theory, the indie route is always possible because anyone can buy all of the equipment needed to physically make a movie. You can enlist the help of friends, write the script yourself, or do it even without a script as many small pictures have been done. That is the ultimate indie route. 

That’s what Robert Rodriguez did with El Mariachi, which is a masterpiece of ingenuity. I heard that he didn’t even give lunch to his actors because he couldn’t afford it; so they had to knock off at noon. Rodriguez also shot all of his scenes so that nobody’s lips were ever facing the camera. He then dubbed all of the dialogue in post-production, completely diverting the chance that any sound problems would crop up during the shoot.

You can find somebody to work with you and to help produce your movie and raise enough money to develop it and so on. There are ways of doing it and every year movies breakthrough that are made unconventionally, but still in a really old-fashioned, pioneering style. If you follow in the footsteps of Robert Rodriguez then you’ve reached a point where you are doing it all yourself because nobody is doing it for you.

Is it true that your company has a division where they do this? They match people with money to producers such as yourself who help in making their films. How does that work exactly?

Yes, that’s correct. We work with writers who have access to resources as well as those who have a great story. Money makes things happen: If they have access then we help them prepare their movie. If you imagine a big conveyer belt with every project that has the potential to become a movie on it, you can see stories, treatments, and even books on the far end of it. These are naked ideas but by the time they reach the front of the belt they’re “fully-clothed” and ready to leap onto the screen.

These movies need to have a professionally prepared budget that shows exactly what the cost of the film is going to be. They need to have that budget bonded by a completion bond company. They will have the locations chosen, along with a director, cast, and start date. They should also have a distributor interested or attached, and so on and so forth.

If you already have the ability to put together some money then you can leapfrog over the other projects on the belt, which is what happens every day, but if you’re on the belt there’s no guarantee that you’ll get to the front of the line because you’ll always be leapfrogged over by another project with better casts, directors or financing. Our goal is to work with people who can find the money they need for their project. With writers have access to funds our goal is to turn them into producers so that they then have control over their project and don’t lose the rights before their movie is made.

If I’m an author that lives in Iowa, or Canada, how can the book that you just released help me turn my 70,000 word tome into a feature film?

Well, that is the exact purpose of the book - sell your story to Hollywood. It’s basically a little handbook that just shows you all the steps that have to happen in order to sell a story. This includes how to get an agent, how to get a manager, how to attract attention of producers, and even how to prepare sales materials that will help you in delivering a short pitch or contacting people via email. The purpose of the book is to provide you with an outline of all the things you have to overcome in order to get the story into the hands of the buyer.

My second aim with the book is to offer some alternative selling methods including some information on making a movie yourself. It gives examples of treatments and other materials that you need to build along the way.


SELLING THE STORY: SIZZLE REELS

What is a sizzle reel and how can someone use one to pitch a reality show or drama?

A sizzle reel is basically a teaser or sampler of a program that’s used as an outline by the creator. The term came out of reality programming because you need a sizzle reel to sell a reality TV show. A sizzle reel is usually three minutes at the most and it’s supposed to be an exciting, well-edited teaser that gives you a vision of what the program is and what it is intended to be. In theory, the reel gives you a strong inkling of how the program will continue and how it will go beyond its pilot episode. Sizzle reels can introduce characters as well as convey the excitement and points of interest within the show.

Knowing how to make a decent sizzle reel is extremely important but very, very difficult because if you’re not actually in show business you don’t know what companies are looking for. Learning how to put one together is an extremely beneficial way of getting into the industry and it’s a great way to show what you have to offer.

If someone had a sizzle reel, would they then upload it on Vimeo or YouTube? Would it also be included in a pitch to a producer?

Yes, it’s important to send it everywhere you can. You can come up with a log line, or short pitch, that would get producers to watch it. Do a short version for Instagram. YouTube is definitely a great tool. People scour YouTube all the time looking for ideas for movies. Facebook is also good. It’s important to send it it in whatever way you can. If you have an email list, send it to everyone. Ask people to share it, pass it on.

GETTING THE RIGHT ATTENTION

For those wanting to enlist your help in producing a project, what’s the best way for people to pursue you? Are you looking for work or simply developing your own projects?

I’ve been in the business for so long now that I’m not really looking for a whole bunch of things. I’m already involved in a lot of projects, but things that do often catch my eye are ideas that I’ve never seen before; new concepts that are truly exciting—and female-driven action, thrillers, and drama.

I recently read a piece on a boy who was born in the US but ended up being taken to Saudi Arabia at the age of seven or eight and raised over there as an outcast because he was half American. He spent his teen years trying to figure out a way to escape and when it finally happened he ended up joining the US marines where, to his amazement, he was treated like an outcast because he was half Saudi. What I loved about the story is that it’s something Americans really need to understand; it’s exactly what Saudis are taught as they’re growing up and what makes a person turn against his country. When I see something that unique and that unusual it captures my attention despite how many things I’m involved with.

If anyone is looking to speak with me then I’m contactable through referrals, emails, and phone calls. Email is the best way to approach people like me and I’d suggest keeping it brief. If an email is longer than five lines long, the chances of me jumping on it are very, very diminished. If it’s only two lines long and says something amazing about you and your story then it will be hard to resist. Use some examples from your work and write-up a short pitch, that’s the best and most respectful way to do it. atchity@storymerchant.com



Jeff Rivera

Writer | Producer

Jeff Rivera is a writer | producer. He began his career as an author, co-author and ghostwriter of nearly 100 books. He has appeared on national television, radio and print in such outlets as Forbes.com, The Boston Globe, Publishers Weekly, Right On! Magazine, Rotarian Magazine, TMZ, WABC, WNBC, WCBS, SITV, American Latino and NPR. He has written for Entertainment Weekly, Mediabistro, GalleyCat, Publishing Perspectives, Digital Book World, Examiner, American Chronicle, School Library Journal and the Huffington Post and has been invited to speak worldwide about his rise from American poverty and living in his car to fast-becoming one of the most sought after writer | producers in the nation. Rivera has been on panel discussions for The Library Journal, Authors Guild, the Harlem Book Fair and many others. Rivera has produced social media campaigns, Skype/Google Hangout tours and web content for many high profile people including Mark Cuban, Mark Victor Hansen, Jeff Kinney, Elmore Leonard, Mitch Albom, Stan Lee, Seth Godin, Nicholas Sparks, James Van Praagh, and cast members from from Disney Channel and Nickelodeon. Rivera now develops film, television and web content.

Your Partner In Success with Denise Griffitts Interviews Story Merchant Author Kevin Sparks

Your Partner In Success Radio, Talks with Kevin Spark, the author behind the acclaimed psychological thriller "id: A Novel."

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Kevin's path to becoming a published novelist is an inspiring one. After graduating from university, Kevin embarked on a career as a graphic designer. He honed his creative skills by developing ad campaigns and contributing to the art department of various TV shows across the UK, where he crafted props and brought stories to life visually. However, Kevin harbored a deep passion for writing that never waned. When the Covid-19 pandemic struck, he seized the opportunity to finally pursue his literary dreams. Amidst the lockdowns and uncertainty, Kevin dedicated himself to penning his first novel - the gripping psychological horror "id: A Novel." This debut work has garnered widespread praise for its rich character development, vivid storytelling, and thought-provoking exploration of the human psyche.

As the owner and creative director of Onion Creative, a strategic
branding consultancy based in Brisbane, Kevin has over 15 years of experience crafting innovative brand strategies & campaigns. His firm specializes in brand development, design, advertising, and digital marketing. 


Join Denise as she uncovers the inspiration behind "id: A Novel," the challenges Kevin faced as a first-time author, and his insights into the writing process. Kevin's story is a testament to the power of pursuing one's passions, even in the face of adversity.

Download and listen wherever you consume your favorite podcasts.

Story Merchant E-Book Deal FREE June 17 - June 21 id by Kevin Spark




Dr. Shelly, a brilliant psychologist, forever haunted by her father and his murderous past, is driven by the need to find out why we do the things we do? Is the concept of free will just a concept and nothing more, a construct that blinds us to a less palatable truth, that who we are is predetermined and encoded at birth? Does anyone really choose to do the bad things we do or are we just doing what comes naturally?

Shelly constructs an experiment using a sensory deprivation tank and virtual reality, allowing the darkest part of ourselves, the id, to run free. Unencumbered by morality or remorse, Shelly finds the perfect subject in Adam. A borderline psychotic born into a world of neglect and crime. Delving into the deepest pits of his subconscious, Shelly surfaces with far more than she bargained for.

Detective Hopper, responsible for Adam’s capture, remains a broken man. After suffering a breakdown due to the escalation of his own violent behavior, he is placed under the care of Dr Shelly. Encouraging him to go looking for his own redemption, Hopper becomes a pawn in her web of deception until the lines of reality are redrawn as Hopper and Adam come full circle to an explosive end.

Ken's Weekly Book Recommendation Milton Lyles The Cruelest Lie

 LAST DAY TO GET YOUR FREE COPY!







The CRUELEST LIE is a gritty telling of treachery, greed, love, betrayal, and courage set against the lush background of the Louisiana bayou country. ⁠
The story centers around the deaths of three young men and the small town corruption and avarice that threatens to destroy an innocent boy setting in motion a deadly struggle between integrity and iniquity, truth and deceit.⁠

Story Merchant E-Book Deal Milt Lyles The Cruelest Lie

 Free June 10 - June 14!





The CRUELEST LIE is a gritty telling of treachery, greed, love, betrayal, and courage set against the lush background of the Louisiana bayou country. ⁠
The story centers around the deaths of three young men and the small town corruption and avarice that threatens to destroy an innocent boy setting in motion a deadly struggle between integrity and iniquity, truth and deceit.⁠

Story Merchant E-Book Deals: FREE May 6 - May 10 Seven Ways to Die by William Diehl with Kenneth Atchity⁠




Manhattan Murders... by the book! There are seven basic ways to die. In 1969 Dr. John C. Cavanaugh catalogued them all in his Primer of Forensic Pathology-Case Studies for the Novice M.E. and someone is using it as a handbook to kill!⁠
From the New York Times bestselling author of PRIMAL FEAR and SHARKY'S MACHINE -- From the Nez Perce Indian reservation in Idaho to New York's Central Park is a straight line right through Bill Diehl's last and most intriguing lead character, Micah Cody.⁠


TRULY EXCELLENT WRITING: The Ghosts of Ponce De Leon Park by Fred Willard







Part Four


Del woke up, or he thought he woke up. It seemed like he was back in the kudzu field and there were men standing around him, but something reminded him of the mission back at Nashville.
It was the picture the reverend had taken him aside to see. Some old drunk had painted it from the Book of Revelation showing skeletons on winged horses, the four horsemen of the apocalypse riding above the battle field at Armageddon. He hadn't understood then what the preacher had meant, showing it to him like that, but now he knew that he had been shown his death.

He might as well have put his hands on Del's head in benediction and said, "Go forth my son, and die by skinhead," because Del knew the four men looking down at him were going to kill him. They didn't have any hair and their skin was stretched tight and showed their skulls. The moonlight made it seem they had bleached bone instead of flesh and their eyes had retreated in their sockets. They leaned over Del lying in his bedroll and his own piss.


"He smells rank," one of the men said.

"Let's put him out of his misery."

"It's my legs," Del said. "They ain't no good."

"Don't worry old man. God's going to give you a new body."

Del saw the heel of the boot coming down on his face, felt bone crunching, and heard a sound like loud ringing in his ears. He let go of everything and didn't know nothing they did after that.

Del was unconscious and then he saw the kudzu in front of his face again. There was a man standing next to him. The man knelt down and put his hand on Del's shoulder.

"Hello, son. I've been wanting to talk to you for a long time."

Del knew he was dead because it was his father's voice. He stood up quickly, held his arm in front of him and marveled at it.  It was milky white under the full moon and had perfect skin like a baby's, like he had never worked in the sun or fallen down.

The dark green kudzu was silver where it was kissed by the light and his father's face was beautiful like a blessing Del had never seen in this world.

"I've been wanting to tell you that I always loved you. I didn't leave you that night, and that's the truth. Some bad men took me away from the ball park in their automobile. They took me out of town and killed me. They cut my gut open so my body wouldn't float, and they wrapped me in burlap, and tied cement blocks to me, and they threw me in the Chattahoochee River. I swear, son, that I never meant to leave you that night. I always loved you. And now I've been sent down here to take you up to heaven," he said.

Del picked up the bottle, took a little sip and saw the hunger on his father's face as he looked at the sherry. He wouldn't offer him any.  He'd wait for him to ask ... or maybe even beg.

"If you just come from heaven, how come you want a drink so bad?" Del asked.

"They sent me down to get you, son. You don't go with me, you got to stay by yourself."

"You always were a liar. How do I know it’s heaven you’re taking me to?"

"Could you give me a taste of that wine? Then we could go up there. Don't you want to be with the other people? Your mother's up there."


Del turned around, kicked his dirty bed roll and started walking fast to the railroad, then running down the tracks leaving his father far behind. Now that God have given him his new body, he didn't need nobody or their stinking lies. From now on he would travel alone.





A Note From the Editor
There is, in every city of some size, "a street of appetites" — a place where people with hungers congregate, a street where things happen in dark places. In Atlanta, The Bitter Southerner’s hometown, that street has always been Ponce de Leon Avenue. Ponce, as we call it, is home to the legendary Clermont Lounge, where strippers whose average age is 46.5 shake their moneymakers, and the Majestic Diner, which has been serving hangover prevention and cures 24/7 since 1929. Ponce always begs to be the setting of a novel. Back in 1997, an Atlanta writer named Fred Willard delivered a great one. “Down on Ponce” was hard-boiled crime fiction, solidly in the tradition of Raymond Chandler and Jim Thompson. “Down on Ponce” permanently planted itself in my brain. I was 36 years old when it came out, and I’ve gone back to reread it several times. For a guy like me, who loves crime fiction written with verve and feistiness, “Down on Ponce” was just the ticket, particularly because I knew its setting like the back of my hand. But in the last decade or so, the literary world hasn't seen much of Fred Willard's work. Then a few weeks ago, out of the blue, Willard sent The Bitter Southerner a short story. This made me a happy guy — happier still because his story is set once again on Ponce, Atlanta's “street of appetites,” as Willard so aptly describes it here. You'll experience two Ponces in this story. One is the Ponce of the 1990s, when the kudzu-shrouded, long-unused railroad tracks that bisect the street were still the home of much nefarious activity. Today, those tracks are a pedestrian trail called the BeltLine. The other is the Ponce of the mid-20th century, when the Negro League Atlanta Black Crackers and the minor-league Atlanta Crackers shared Ponce de Leon Park, an old baseball field now long gone. Today, a Whole Foods sits about where center field was. A crime does occur in this story, and the writing is as blunt as the best crime fiction, but in “The Ghosts of Ponce de Leon Park,” Willard is now exploring different characters with different hungers — the homeless. We meet Bob and Del soon after they arrive in Atlanta, having come to the city after Del “just wore out my welcome too many places” in Nashville. Speaking of welcomes, we’re happy to welcome one of our favorites, Fred Willard, to the pages of The Bitter Southerner. — Chuck Reece
Repost from the Bitter Southerner