"The universe is made of stories, not of atoms."
—Muriel Rukeyser
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Showing posts with label Serdar Ozkan. Show all posts
Showing posts with label Serdar Ozkan. Show all posts

Paulo Coelho: "I LOVED The Missing Rose." Story Merchant Client Serdar Ozkan



20 SEC READING: part of the ocean


Illustration by Ken Crane

There was once a wave in the ocean, rolling along, enjoying the warmth of the sun and the swiftness of the breeze.
It smiled at everything around it as it made its way toward the shore.

But then, it suddenly noticed that the waves in front of it, one by one, were striking against the cliff face, being savagely broken to pieces.

‘Oh God!’ it cried. ‘My end will be just like theirs. Soon I, too, will crash and disappear!’

Just then another wave passing by saw the first wave’s panic and asked:
‘Why are you so anxious? Look how beautiful the weather is, see the sun, feel the breeze…’

The first wave replied:
‘Don’t you see? See how violently those waves before us strike against the cliff, look at the terrible way they disappear. We’ll soon become nothing just like them.’

‘Oh, but you don’t understand,’ the second wave said. ‘You’re not a wave. You’re a part of the ocean.’

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in “The missing rose” by Serdar Ozkan

AEI Client Serdar Ozkan author of The Missing Rose interviewed by Deccan Herald




http://www.deccanherald.com/

Over a cuppa
Indian readers identify with my book, says Turkish writer

It's not very often that a debutant novelist finds his book compared with 'The Little Prince' by Antoine de Saint-Exupery, 'Jonathan Livingston Seagull' by Richard Bach or 'Siddhartha' by Hermann Hesse.

But Turkish writer Serdar Özkan's “The Missing Rose” has not only been compared to these classics by critics across the globe but also been translated into 35 languages worldwide, including Marathi, Hindi, Urdu and Telugu in India. The book, whose English version has been released here by Wisdom Tree, has been able to connect with readers so widely because of its universal theme, transcending the barriers of race, culture, religion and all that, says the 1975-born Özkan, who studied Business Administration and Psychology at Lehigh University in Pennsylvania, USA, followed by further studies in Psychology at Istanbul’s Bogazici University. He spoke to Utpal Borpujari of Deccan Herald:
Excerpts:

How does it feel to get your debut novel translated into 35 languages worldwide?
I feel fortunate because my novel has been published in so many languages in over 40 countries and I have had the chance to interact with many people from so many different cultures and also see how differently or similarly they react to the same story with a universal theme. The journey for this success began with the story, and it took several years. First, a few foreign publishers believed in the story, then as readers loved the book it went on to bestseller lists internationally, triggering more publishers in other countries.

In India too, it is being translated into Marathi, Hindi, Urdu and Telugu. What kind of reception do you expect to your book in India, a country of multitudes of languages?

I believe there is something in "The Missing Rose" which makes it appealing for readers from every culture. I expect a similar reaction from the Indian readers. And they may react to it even more strongly because of the mystical background of India. This expectation is already met to an extent given that the English version of “The Missing Rose” has entered bestseller lists in India as well.

When did you start working on the book? Is there any element of real-life in it?
I began writing fiction full time in 2002 when I was 26. As the idea of "The Missing Rose" started to shape within me, I turned to writing fiction full time. The story is pure fiction. But I believe that some stories are more real than reality. Likewise, a fiction can be more real than real life. I believe and hope that this is one such story.

Your writing draws heavily from mysticism of the East. Was it a conscious effort to do that?
There was no conscious effort, but I am interested in mysticism, the unseen face of life. So naturally, the stories I write are influenced by that.

As an author, how important is it for you to talk about humanism in your writing, as you have done in your novel?
There are so many thoughts and ideas in “The Missing Rose” as well as my second novel (“When Life Lights Up”) which is already released in nine countries. But I never make any conscious intention to express or talk about them. When I write a book, I just try to see the story, and that's it. I don't intend to give any message through them. I intend to write books which provide taste, not advice, and stories which go to the heart, not to the intellect. So, if the reader extracts anything from my books, it comes from the story itself and not the author. I believe the best stories are the ones in which the reader forgets the author.

Among Turkish authors, the world till now knew mainly Orhan Pamuk. How would you describe the standards of Turkish literature in English at present?
Unfortunately, there isn't much international interest in the Turkish literature except a few authors. But it is getting better. And the international success of "The Missing Rose" is a sign of that. I believe in the future, literature of Turkey as well as other nations will be more widely appreciated.

Why did you choose to write in English rather than your native language?
I write in Turkish first, and translate it into English myself with professional translators. So I do write in my native language, but also greatly involved in the writing and translation of the English edition as I would like at least the English edition to be 100 per cent representative of my style.

Your book has received quite an encouraging response in India. Have you not thought of visiting India to talk about the idea behind it, particularly as it is getting translated into several Indian languages?
I think there is such an effort by my Indian publisher to design an extensive book tour in India for the book. I am also hoping to be able to meet with the Indian readers in person as I have already received wonderful reader e-mails from them.

Foreign Rights to Serdar Ozkan’s The Missing Rose

Lithuanian rights to Serdar Ozkan’s The Missing Rose to Svajoniu Knygos by Baror International for Atchity Entertainment International.

kja (at) aeionline (dot) com

Visit Serdar Ozkan’s website.

Read The Missing Rose Press Release.

SERDAR OZKAN INTERVIEWED BY MOLESKIN

Serdar Ozkan‘s Istanbul
By Claudia Tani


Serdar Ozkan

His book,
The Missing Rose, has been translated into 25 languages in more than 30 countries worldwide. Thanks to this undisputed success, Serdar Ozkan represents the main exponent of contemporary Turkish literature, becoming the 3rd most translated novelist in the history of Turkish Literature, after Orhan Pamuk and Yasar Kemal. Moleskinecity has met him and asked him a few questions about his novel, his future projects and the relationship with his city: Istanbul .

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Ortakoy Mosque & Bosphorus Bridge © Dan
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Blue Mosque (Sultan Ahmed Mosque) with some morning seagulls. © Oberazzi
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Main entrance of the Topkapi Palace © vtbrak

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New Mosque Sultanahmet© cactusbones
What attracts your attention when you walk through the streets of Istanbul?

Istanbul is a very big and a very diverse city, so when I walk in different parts of the city, I notice totally different things. In some places it is the buildings, in some places it is the people, and in other places it is pure natural beauty, the sparkling sea and the hills covered with pine tress for instance. Unfortunately this is not the case when I am driving, as one can only notice hundreds of cars sitting in the traffic.

Which are the places in Istanbul that are most meaningful to you?

Kirecburnu, where I currently live. It is a relatively quiet and calm coastal area of Istanbul, looking at the entrance of the Black Sea. Dolphins come to the bay in front of my apartment, which have given inspiration for my second novel. But to be honest, because I love the sea so much, I can say that most places along the Bosphorous is special for me.

And also, the old city, in other words Sultanahmet area with the Blue Mosque, St. Sophia, Topkapi Palace is very meaningful to me. These places I mentioned are also the setting of The Missing Rose. Sultanahmet area was special for me because of the ancient and spiritual air it carries. Plus, thousands of people from so many different cultures visit there every day, making it even more special, making it a place of unification. And when I used this place as the setting of my novel, it became even more special for me. I am delighted that my novel went on to be translated into 25 languages, so that people from so many cultures visiting this ancient part of Istanbul could find it in a story which, like this place, brings different cultures together.

If you were to take a friend (to visit Istanbul for the very first time) which itinerary would you follow?

First I would take them to the Sultanahmet Area, showing them the Blue Mosque , St. Sophia, Topkapi Palace. But instead of showing the physical aspect of these places, I would suggest that we could perhaps try to focus on the soul of these places. To try to touch the unseen. Not just the history, culture and art, but something else which is present there. And I can't put this into words, but the people who have visited these places with such an intention and vision will know exactly what I am talking about. After the old city, I would take my friend to all the beautiful places along the shore, followed by a cruise on the Bosphorous, which I believe is the best way to see the mesmerizing beauty of Istanbul. And if one cruises in the last two weeks of April, one can see the wonderful purple blossoms of Judas Trees which are only seen in that time of year.

What does a novelist look for when visiting a city?

I don't know about other novelists as I suspect that each novelist may look at a city in a different way. But I personally look for the people of that city. I look for what is alive, and I believe that any city is only alive with its people; their thoughts, their emotions, beliefs, desires, worries, fears, etc. And the best way to experience this is to interact with the people. I feel fortunate in this respect that, because my novel is published in over 30 countries worldwide, I have the chance to interact with many people from so many different cultures, and also see how differently or similarly they react to the same story, The Missing Rose which carries universal themes. And I get so happy when people of different cities verify my belief that regardless of race, culture and religion, we have a huge meeting point and that our similarities are far more important than our differences.

“The missing rose” can be considered a unique novel of self-discovery that emphasizes the universal side of man, why, in your opinion, is self-discovery so important in the modern world?

Self-discovery is very important in every age because it is necessary if one is ever to dream of living in a peaceful world. Both outer peace and inner peace. I believe that all wars, all injustice, all unhappiness are, some way or another, related to not knowing ourselves.

Self-discovery becomes even more important in the modern world because cultural conflict is constantly on the rise, and there is a lot of separation and clash. As the egos strengthen, the separation between us increases. Self-discovery has many levels, and if we go deeper, we realize that we are actually one -regardless of race, culture, social status and religion. So self-discovery is especially important to bring us together; to nourish peace and understanding between us. And also to nourish peace within, and to forgive ourselves.

Serdar Ozkan


At the same time, it represents a bridge between East and West, it stresses the meeting points between various cultures and traditions rather than the differences…
I believe deep within us we all meet at the same place, regardless of where we are from physically, East or West. Our heart has no geography and we all belong to the same culture in the depths of our hearts.

I feel that as long as a story focuses on the universal aspects, it is inevitable for the East and West to merge, and it is such a great joy for a writer to notice and bring together the connections between the two.

What can you tell us about your future novel?

My second novel which is already completed is again related to self-discovery on a different level. It is a novel about hope, unconditional love and the miracle of life. The story is about a unique little boy; the special friendship he enters into with a dolphin and his experience with the Angel of Death twenty years later.

Hopefully, it will reach readers after all the international publications of The Missing Rose.

© images are subject to copyright
November, 27th 2008

Successfully representing contemporary Turkish literature in the international arena, The Missing Rose has been translated into 14 languages to date. Entering bestseller lists as the No.1
bestselling foreign fiction in Canada,
The Missing Rose has remained on bestseller lists there for weeks. The Missing Rose, often compared and alikened to all-time favorites The Little Prince by St. Exupery and The Alchemist by Paulo Coelho, is a unique novel of self-discovery.

The Missing Rose, like The Little Prince and The Alchemist, emphasizes the universal side of man. The young author Serdar Özkan believes that it is for this reason that a first novel has been translated into so many languages and gained the approval and appreciation of readers from so many different cultures.

Visit Serdar Ozkan's website