"The universe is made of stories, not of atoms."
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Showing posts with label Michael A. Simpson. Show all posts
Showing posts with label Michael A. Simpson. Show all posts

Michael A. Simpson's Sons of My Fathers Five Star Review!

Archaeolibrarian - I Dig Good Books! Review




AVAILABLE ON AMAZON


Synopsis:

Sons of My Fathers, based on the true story of author Michael A. Simpson’s family, is a multi-generational journey that intertwines two dramatic stories set one hundred years apart—the heroic saga of 19-year-old Ulysses Simpson who, when "hell comes to Georgia," joins his father on a course of revenge, a path that will forever change the destiny of their clan. And the true tale of another young Simpson man six generations later who, despite his moral reservations, enlists in the U.S. Army, following in the footsteps of his father who was a WWII Marine Corps combat veteran and one of the legendary fighting force's elite instructors during the Korean War. 

When Ron volunteers as a "walking dead"—the term for those who fly unarmed medevac helicopters during combat because of their high mortality rate—but is instead assigned to fly a Huey gunship, he fights a personal war with himself over whether to keep a century-old family oath. As his brother Michael comes of age and experiences his first love, Ron's fateful decision forces him to confront his family's past and risk sacrificing his own future, an act that ultimately sets a landmark precedent for "soldiers of conscience" who would follow him in military service. 

Deeply personal and compellingly written by the younger brother in this story, the book is uniquely set against America's involvement in two great civil wars—our country's own conflict in the 1860s and Vietnam in the late 1960s. It is an evocative journey into the author's family history and the universal themes central to it—the bonds of family and star-crossed love, duty versus faith, the true nature of patriotism and conscience in war, and the turbulent end of innocence. Rich in emotional textures, Sons of My Fathers is a transformative and timeless coming-of-age narrative.


Other than his mother’s lullabies, the whistle of the Dixie Flyer was the earliest sound Michael Simpson could remember hearing.

Since the time of Baylis Simpson and the Confederacy, the locomotive’s melancholy cry had announced its passage through Forest Park, a quiet Georgia town of hard work and modest dreams snuggled on Atlanta’s southern doorstep. The rail line pierced through the heart of this blue-collar community, running parallel to Main for several blocks before bending south, just before the street emptied out onto Jonesboro Road in front of the Fort Gillem Army base. The road was the same one that Rhett Butler and Scarlet O’Hara used for their imaginary escape from Atlanta. The fictional Tara plantation was said to have been located just a short stride down its blacktop.

Every night of Michael’s young life, the Flyer’s whistle beckoned him, filling his imagination with a long-vanquished landscape of graceful mansions and stately plantations, of hoop-skirted ladies who thought about things tomorrow and men who frankly didn’t give a damn.



5 out of 5 (exceptional)

Independent Reviewer for Archaeolibrarian - I Dig Good Books!

I'm not usually a 5 star reviewer but.....

Two stories that reverberate the lessons of life through time. A story of love, hate, war and peace. There are real life lessons to be learnt by people everywhere in the pages of this book. 

I laughed and cried reading this. It's such a brutally honest book, with some shocking events in the chapters. It was a book I devoured, wanting to hear about the characters and how things panned out.

I loved how determined Baylis was. Also Ron who followed his convictions and saw through the consequences of these, even at a loss to himself. 

I haven't read a book like this in a long time that deals with real events, feelings and people, comparing different eras, but showing so starkly how humanity seems to make errors and repeat them. 

Absolutely awesome read. Thank you Michael A Simpson! 

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *


Michael A. Simpson is a writer, director and producer of award-winning documentaries and feature films (whose credits include the Oscar-winning “Crazy Heart,” “Hysteria,” and “Kidnapping Mr. Heineken”). He continues his older brother Ron's tradition of questioning authority and speaking out against social and political injustice, as his friends, both real and virtual, will attest. He grew up in dark rooms watching flickering images on a screen, is a connoisseur of raisin oatmeal cookies, a walking storehouse of music knowledge and trivia, finds reasons to get his passport inked whenever possible, and remains a “rebel without a pause.” "Sons of My Fathers," based on his family's history, is his first book.


Story Merchant E-Book Deal Michael A. Simpson's Sons of My Fathers

 FREE SEPTEMBER 23 - SEPTEMBER 17!

FAMILY * HONOR * DESTINY

A transformative and timeless journey into one family's personal history during two controversial wars.







Michael A. Simpson is a writer, director and producer of award-winning documentaries and feature films (whose credits include the Oscar-winning “Crazy Heart,” “Hysteria,” and “Kidnapping Mr. Heineken”). He continues his older brother Ron's tradition of questioning authority and speaking out against social and political injustice, as his friends, both real and virtual, will attest. He grew up in dark rooms watching flickering images on a screen, is a connoisseur of raisin oatmeal cookies, a walking storehouse of music knowledge and trivia, finds reasons to get his passport inked whenever possible, and remains a “rebel without a pause.” "Sons of My Fathers," based on his family's history, is his first book.

Story Merchant E-Book Deal - William Diehl's Hooligans FREE April 8 - April 12!

Supercop for the feds assembles a group of tough ex-cops to find a killer!

Updated for the screen by Michael A. Simpson (Crazy Heart), for Atchity Productions as Dunetown SOBs!


When someone starts murdering the leaders of the local Triad in Dunetown, Georgia supercop for the feds, Jake Kilmer, puts together the toughest bunch of ex-cops ever assembled to find the killer.

"Make no mistake, these guys are cool... They prefer action to talk, but when they talk it's tough, dirty, often funny and always realistic."-- Atlanta Journal Constitution



Federal Agent JAKE KILMER has been trying to bring down the Tagliana mob in Cincinnati for years, and just as he has them in his sights, they disappear, only to resurface in the last place on earth Kilmer wants to go – the once idyllic Dunetown, Georgia, where he’ll have to play nice with a tough squad of local maverick cops called the SOBs and face a personal past that refuses to stay buried.

“Fantastic, a sort of Georgia Godfather.” UPI

“Diehl’s writing packs a wallop, and his compassion runs deep.” Seattle Times

“The author has a knack of sketching brain-scrambled cops and a clean, unfettered skill at creating suspense and dialogue.” Los Angeles Times

SYNOPSIS:

JAKE KILMER hasn’t been home to Dunetown in twenty years. The place holds bad memories. Back in the day he had been a college football star. A shattered ankle took away both his dreams of a professional career and the woman he loved.

            Now, Jake is a special agent for the Feds, and it’s time to return to Dunetown.

            Things have changed. The Tagliana mob has taken over. The once sleepy town is now referred to as “Doomtown.” A racetrack dominates the city. There are Vegas-style hotels. There’s gambling, sex for sale, and drugs. Greed is in the air. And death.

But one by one, the mobsters are being murdered. Kilmer needs to solve the murders and save “Doomtown” from devouring itself.

            Many faces from Jake’s past remain. The County Sheriff STONEWALL TITAN still rules with an iron hand. And DOMINIQUE RAINES is still beautiful and restless, and, though married to the most important man in the town, still in love with Jake.

            There are new faces, too - a special task force of the roughest, rowdiest cops ever assembled. They’re known as the SOB’s (Special Operations Branch) and they are Jake’s to use if he can control them.


The New York Times List of the Best Movieson HULU Handpicked Hysteria!







You’ve probably seen plenty of Victorian-era serio-comic dramas, many featuring much of this prestige cast, which includes Hugh Dancy, Rupert Everett, Felicity Jones, Gemma Jones and Jonathan Pryce. 

But this is no starchy tale of class conflict or simmering romance; no, this is the story of how Dr. Mortimer Granville (Dancy), while pursuing treatments for “hysteria” (a onetime catchall medical term for troubles that affected women), invented the vibrator.

The director Tanya Wexler and her stiff-upper-lip cast clearly get a kick out of their randy subject matter and adjust their playing accordingly, while Maggie Gyllenhaal delights as a proto-feminist who seizes on this development and the power it contains.

Read more at the New York Times

ERASED⁠ Streaming on HBO Max!

 


In "The Expatriate aka Erased" Aaron Eckhart plays a former CIA agent who moves to Belgium, trying to make a fresh go of things as the relationship with his 15-year-old daughter (Liana Libreto) has crumbled. Working for a multinational corporation as a security head, he arrives to work one day to find that the corporation doesn’t actually exist and everyone he works with has vanished. He discovers his assistant is actually a trained operative trying to kill him. On the run with his daughter, the experience forces the two to trust and work with one another. Olga Kurylenko will play his former CIA partner and lover trying to track him down.⁠


Michael Simpson Launches Ravenstone's Dirty, Dusty and Divine

Congratulations Michael A Simpson on the release of Ravenstone's Dirty Dusty and Divine launching today on more than 100 streaming and download sites, including Spotify, Amazon, iTunes, Pandora, Apple Music and Deezer.



Ravenstone was "the first major band" of the Athens music scene. "Before Widespread Panic, before the B-52s, before R.E.M. – there was Ravenstone, often called 'one of the godfathers of the Athens music scene.'" 
~ The Red & Black newspaper (01/29/2009)

The album, featuring Darryl Rhoades (drums), Jonny Hibbert (sax), Colin Agnew (percussion) and vocalist Alfreda Gerald, showcases the band’s eclectic influences with remixes of its songs dating to the early ’70s and new material that expands its rock roots.



On June 21st, join popular LGBT Horror podcast Blumhouse’s Attack of the Queerwolf for their first live show! – a screening of 1988’s Sleepaway Camp II: Unhappy Campers,


Everyone’s favorite serial killer camp counselor, Angela Baker, is back to slew a whole new group of teenagers. After years of therapy (and surgeries), Angela is given a job at Camp Rolling Hills – but history begins to repeat itself when she goes on a murderous rampage once the campers begin misbehaving…
The show begins 8:30PM!  Throw on your shortest summer shorts and prepare to camp until you die!
Says Blumhouse’s Attack of the Queerwolf LGBTQ, “The token queers at Blumhouse go through the horror canon to see where on the undead Kinsey scale your faves belong! Don’t be nervous: we’ve done this before! Hosted by Brennan Klein, Michael Kennedy, Nay Bever, and Sam Wineman!”
Directed by Michael A. Simpson | 1988 | 80 minutes | Rated R
Friday, June 21 — 8:30pm
“I like the out of the box approach — not too many 80s slashers focus mainly on the killer (an unmasked one at that), and was a rather unique way of more or less remaking the original film . . . while giving it its own identity. ” — Brian Collins, Horror Movie A Day
“Every good horror movie deserves a equel and the 80’s classic Sleepaway Camp has thankfully delivered a second helping. . . . Just as the original, the second installment of this movie has some really unique kills.” — Absolute Horror
“What saves this enterprise is its winking, self-referential (and self-mocking) quality, something that makes it a bit of a progenitor for later entries like the Scream [franchise]. . . . The fun of Sleepaway Camp II: Unhappy Campers is not in any putative character information, but in the nonchalant way Angela marauds her way through a series of boorish victims. On that level, this is one camp worth visiting.” — Jeffrey Kauffman, Blu-ray.com


Blurbworm Reviews Michael A. Simpson's Sons of My Fathers




Sons of My Fathers by Michael Simpson

I read this first book, Sons of My Fathers, by Michael Simpson with much enjoyment. It was an easy narrative spanning over 100 years and moves back and forth easily between the story of Baylis Simpson in 1864, to Mike, Ron and Alex six generations later.

Each story is harrowing in its own way, with Baylis’ family and home destroyed, physically and mentally by deserters during the Civil War, and the latter Simpsons harrowing march through the Vietnam War years. Sometimes I felt a little bit of American Graffiti but the two stories were too exciting and informative to keep comparing.

It’s indeed hard to realize that this is Mr. Simpson's first book, though he is a screenwriter, director and producer of note. In his narrative of his ancestor, Baylis, I could feel and hear and practically smell, the horrors and tragedy of his family and the war as he tries to make his way back home. Then moving to Mike as he gives us his tale from age 10, and the night of The Dixie Flyer, to growing up with his older brother and his best friend Alex, both heroically cool to the young boy. Then the decision that his brother, Ron, makes during the Vietnam War that almost destroys his parents.

Though I knew where his dad was coming from-a Marine in WWII and a fine upstanding, godly member of his town in Georgia-I was also remembering how I felt at that time, which was about the time of the Mai Lai Massacre.

Thank you, Mr. Simpson for your clear vision of these times and events, and your solid narrative that made me see things through your eyes. Great book!

If interested you can buy here.




Behind the Scenes of Michael A. Simpson's Sleepaway Camp3: Teenage Waseland

Attention happy campers, just in time for Halloween let’s go back to Waco GA, October 1988. For your trick-or-treat pleasure, a news feature with behind-the-scenes footage about the making of Sleepaway Camp 3: Teenage Wasteland.

(We actually wrapped principal photography of SC3 on Halloween Day!)



TRAINWRECK'D SOCIETY Month of Horror Series Features an Interview With Michael A. Simson

 



Oh what a damn good feature we have for you good readers today! Today we have an absolute legend joining the TWS family. Michael A. Simpson is a legendary figure in the world of cinema. His work in the Sleepaway Camp series and the campy classic Funland, has earned him a cult like following in the world of horror alone.  He has also worked as a producer on several other amazing projects such as the Jeff Bridges fronted drama Crazy Heart. The list goes on and on, and just gets more and more impressive.

We could not be more honored to have him featured in our Month of Horror series. This is one of the greats people, you’re going to love it! So with that, please enjoy some words from the great Michael A. Simpson!

When did you first discover your love for the world of film and television? How far back does this passion go for you?
I enjoyed watching movies even as a child. We had a cinema in the town where I grew up. It was a baby sitting service on Saturday afternoons showing a double feature matinee. My mom would drop me and my brother off and we would watch movies while she cleaned house and bought groceries. Many of the movies were horror films.

When I was seven or eight, over dinner after an afternoon at the cinema, I asked my parents how do you make movies. They said they were made in a place called Hollywood, which sounded to me like some far away place like Neverland. I asked if I could make movies. To their eternal credit, they told me I could do anything I wanted to, and yes, if I wanted to make movies when I grew up I could.

I also watched a lot of classic horror films on television. On Friday nights in Atlanta we had the Big Movie Shocker hosted by Bestoink Dooley, a deliciously warped persona created by local actor George Ellis. George was part of the first wave of late-night TV horror hosts, and for my money, one of the best. He guided me through my first experiences with The Mummy, The Wolf Man, Cat People, and many others.  I’d often toss and turn in bed for hours afterward, scared out of my young mind by what I had just watched. As I grew older, that fascination with horror stayed with me.

You were involved with two of my favorite horror sequels of all time, the brilliant Sleepaway Camp II: Unhappy Campers & Sleepaway Camp III: Teenage Wasteland. What was it like jumping on board after the cult success of the first Sleepaway Camp? Was there a bit of pressure when you realized you were building a franchise?

For me, it was more a sense of excitement that pressure. The main goal we had for the sequels was to extend the story arc by developing Angela’s character. I was intrigued by the idea of taking her gender orientation and pushing it out so that by the time of the sequels Angela had gone through a sex change and was now transgendered. For me, that felt very fresh. To my knowledge no one had done that with slasher horror.

We also wanted a different tone than the original. We added self-referential humor to break the tension, which later became sort of the thing to do with slasher horror.

And where some other personal touches that were important for you to have in Unhappy Campers and Teenage Wasteland to truly make it your own? What made this story a Michael A. Simpson visual tale?

The pop culture references became one of the signatures of the sequels. We put “camp” into movies with perverse, dark, campy humor. It’s something you either love or hate, but I liked it.

I was intrigued by the idea of setting a slasher stalking movie in daylight in the woods, instead of at night. It was a challenge in some ways but it was also a great way to set Teenage Wasteland apart from Unhappy Campers.

I also liked the introspective, almost melancholy beat in Wasteland with Angela’s daydream. That was not at all common in slasher horror. It was an idea the editor John Allen came up with. It gave an odd humanity to Angela as a character. John later edited Fast Food for me and then went on to edit for some great directors like Ismail Merchant, James Ivory and Bruce Beresford. A very talented guy.

Although we had a very small budget I wanted the best gore and makeup effects we could afford. We found a young man, Bill Johnson, who was literally creating effects in his parents basement and had no film credits, but he was very creative and had great ideas when he read the script.

I was impressed by what he did for the budget we had. He earned the nickname “Splat” on those two films, which stuck.

Splat went on to provide make up effects and prosthetic design for dozens of films through the years, like Pet Sematary II, Boxing Helena, and RoboCop 3. Last I heard he was Make Up Effects Department Head for the remake of Jacob’s Ladder. He’s made quite a name for himself.




The New Beverly Cinema in Beverly Hills screened SC2: Unhappy Campers  and SC3: Teenage Wasteland on Tuesday [Oct 24th, 2017] night in 35mm prints, part of their October Horror showcase. Oscar-winning filmmaker Quentin Tarantino, who is the owner and head programmer at the Beverly, made the unique decision to have the cinema solely project film prints. “Grindhouse Tuesdays” remain one of their most popular nights with a tremendously loyal following. – Michael A. Simpson.

Prior to Unhappy Campers, you worked on a little film that was actually the reason I was so eager to do this interview with you. You created the comedy thriller (of sorts) with Bonnie and Terry Turner known as Funland. I have to tell you, it wasn’t Stephen King’s It that put a fear of clowns into me as a youth, it was this god damned movie! Looking back, I realize it is just a brilliant campy masterpiece. So, where in the recesses of yours and the Turners mind did this come from? And what compelled you to tell this story? 

I thought up the idea for the film while working for Six Flags Over Georgia. I was recently out of college and had a job in the marketing department.
The park had a promotional tie-in with McDonald’s. The regional Ronald McDonald did an in-park appearance one weekend.

At lunch, RD insisted that he eat alone behind a closed door. He said he didn’t want anyone to see him if his make-up wasn’t perfect, and he didn’t want anyone to see him with his gloves off. Later, walking through the park, I asked if it was difficult walking in such big clown shoes. Without missing a beat, he said they’re not big, they’re the perfect size.

That was the moment Bruce Burger was born, a character who had no self-awareness that he was a clown. He was Bruce Burger, not a clown.

I wrote a detailed treatment for the film based on that premise and beat out the scenes and other characters. Bruce Mahler’s character Mike Spencer was based on me. In the movie, Mahler even looks a bit like how I looked when I worked for the park.

I met Bonnie and Terry when they were working for Turner Broadcasting, writing for the Bill Tush Show. This was very early in their careers. So many people referred to them collectively as “Bonnie and Terry Turner” that the first line of their resume read “Bonnie and Terry Turner are not the same person.” That made me laugh.

Along with Jim Varney, they’re two of the funniest people I’ve ever known. I thought they would be perfect for Funland, and my belief was justified. They were amazing to work with.

Their draft of the script was done at a fevered pace, almost like stream of consciousness over the course of just two weeks or so. We had agreed that the three of us would write the script and share credit together, but the draft they turned in was so good I had very little work to do, mostly editing and tweaking a line here and there.

Some of the lines in the movie still make me laugh, like Terry Beaver’s character Carl Dimauro chiding his brother Larry for “coming to work without your tools” when Larry forgets to bring his gun. And Robert Sacchi is still mesmerizing as Bogie.

Funny story. When we finished the script I sent it to the financier of the film, who read it on a beach while on vacation in the Bahamas. He goes back to his hotel room and calls me and the first words out of his mouth were: “Where are the tits?”

He thought he was financing a teen comedy and we had turned in a very dark comedy. Since he was the money bags, we had to go back in and insert some typical teen comedy, which I believe ultimately hurt the film by taking it away from it’s more inventive premise: a deranged clown who takes revenge when the mob takes over the amusement park.

Over the years, I’ve thought about doing a director’s cut of Funland and re-editing it to focus more clearly on Bruce Burger. That’s the movie I wanted to make then and it’s the one that I think fans of the film would want to see. I’ve been encouraged to do and it’s on my to do list if I ever have the time.

The Turners knew Jan Hooks, who had also been on Tush’s show, and I hired Jan for the role of Shelly Willingham in the film. When Jan went to SNL right after Funland, she got Bonnie and Terry hired as staff writers for the show. The rest is history.

The Turners helped create the SNL “Wayne’s World” skits with Mike Myers and then the Wayne’s World movie, which was the Turners’ next film after Funland, then they wrote Coneheads and Tommy Boy. They also created several series including 3rd Rock from the Sun and That ’70s Show, which they created with Mark Brazill, another remarkable comic talent.

Bonnie and Terry walked away from the business around 2006 or so. They are missed. Good humans.



What is it about the horror genre specifically that appeals to you? What do you personally believe sets it apart from so many other genres?

There’s something very primal and visceral about great horror. Cary Jung believed horror taps into primordial archetypes buried in our collective subconscious. Because of that, I think the emotions of horror are amplified when presented visually. We are literally creating and presenting nightmares for us to confront that are buried deep in all of us.

Also, horror often starts from a point of shared experience that the audience can relate to, like going to a summer camp. So there’s this intrinsic paradox, in that a great horror films are both relatable, yet unrealistic.

And let’s face it, there’s a great release in being scared out of our wits while on the journey we take when watching a movie.

Fans of horror are very loyal. In that way, they remind me of country music fans. I love to hear from the happy campers. I’ve received emails from people who first saw the Sleepaway sequels when they were in their teens and then years later shared them with their own teenage children.

What is your favorite scary movie?

Probably depends on my mood. I love Phantasm (1979). I first saw it with my brother; we were both stoned in a theater in downtown Atlanta that had gone to seed. The place reeked of alcohol and piss. Street people were sleeping around us. So much crime was happening in the theater that the manager refused to dim the lights while the movie played. All of that just added to the weird, other worldly quality of the film.

Also, the remake of The Thing with Kurt Russell holds up well for me. The original Hellraiser also comes to mind.

Invasion of the Body Snatchers is a favorite. I had the pleasure of working with Kevin McCarthy on Fast Food. He shared some great stories about the making of Snatchers. And the film still seems like a very timely and astute social commentary. Given what’s going on in our country’s current political climate, I sometimes wonder if millions of us have been replaced by pod people.

Do you have any plans for this coming Halloween? Any sort of traditions you try to uphold each year?

No plans. I’m pretty spontaneous when it comes to Halloween.

What does the future hold for you? Any upcoming projects you would like to tell our readers about?

My producer partner Judy Cairo and I are just finishing a film, Candy Jar, which is a comedy directed by Ben Shelton, who is someone who is going to be on everyone’s radar. It will be available for your eyeballs in 2018.

What was the last thing that made you smile?

My wife came in and kissed my while I was doing this interview.


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Discovered Diamonds Reviews Michael A. Simpson's Sons of My Fathers

Sons of my Fathers by Michael A. Simpson

purchase on Amazon.com


Sons of My Fathers by Michael A. Simpson is based on the author’s own family history and reads almost like a biography. However, I assume that attributes of its characters are as the author imagines them and, hence, are fictional in detail; but what great writing, bringing this saga alive for the reader.
The very clever cover of a denuded tree strangled by sabotaged lengths of railroad tracks is haunting. The book begins during 1864, the American Civil War. Baylis Simpson and his family eke out a meager living as sharecroppers in Georgia which, of course, backed the Confederacy. As in all wars, the atrocities play out not only on the battlefield but split this fertile land and its families asunder with obscene travesties against humankind. Baylis Simpson sees his family destroyed. As he and his kin vow vengeance against the murderous rabble taking property and lives that had escaped the Union Army, the Simpsons are caught between the warring lines.
One hundred years later, Baylis’s descendent, young Ron Simpson becomes a U.S. Army helicopter pilot. He volunteers to serve his country as a medevac pilot in Vietnam. His beliefs and his life are turned upside down when, instead, he is assigned to fly a Huey gunship. He loves his country deeply, but will not serve it by flying this killing machine. There is only one option for him; by taking it, he threatens to destroy not just himself, but his family.
The book’s chapters switch seamlessly from the physical plight and mental turmoil of one generation to the other, and the reader becomes deeply engrossed in the fate of both, while the book’s prose deftly adapts to the tone and language of the times. And, without hammering it home, it left me with a troubling message: We are not heeding history. Hence, we have learned nothing!
For me, Sons of My Fathers was indeed a Discovered Diamond to earn a sparkling and well-deserved place on this Review Site.
© Inge H.Borg

An Interview With Michael A. Simpson






Michael A. Simpson is a writer, director and producer of award-winning documentaries and feature films. Sons of My Fathers is his first book.

purchase on Amazon.comBased on a landmark U.S. federal court case against the U.S. Army, this is a deeply personal and compellingly written saga by the younger brother in this true story (Michael Simpson). Sons of My Fathers is an evocative journey into the author's family history and the universal themes central to it—the bonds of family and star-crossed love, duty versus faith, the true nature of patriotism and conscience in war, and the turbulent end of innocence. Rich in emotional textures, Sons of My Fathers is a transformative and timeless coming-of-age narrative.


Faith, Fiction, Friends Reviews Michael A. Simpson's "Sons of My Fathers"


This is a story of one family and two wars separated by 100 years. The two wars happen to be the most divisive in American history – the Civil War of 1861-1865 and the Vietnam War which ended in 1975, but began either in the 1950s or the 1960s. It is a novel, but it is a novel so based on historical and real family events that it could almost be non-fiction. One of the main characters is actually the author.
Simpson tells two stories in this book. One is set largely in 1864, when Simpson’s small farmer ancestors (they were not slave owners) find the entire family caught up in the Civil War as both soldiers and non-combatants. After capturing Chattanooga, General William Tecumseh Sherman’s Union army is advancing on Atlanta. 
The countryside is in chaos – advance Union patrols, retreating Confederate soldiers, roaming bands of deserters and even criminals. Baylis Simpson has four sons fighting for the South and a daughter, son, and granddaughter at home. A band of deserters or criminals happens upon the two girls; the daughter is raped and the granddaughter is murdered. Baylis, on leave from the Georgia Home Guard for planting, tracks them down, and exacts revenge, the rapist meeting a particularly gruesome death. Baylis and one of his sons will then find their army units and discover themselves at the Battle of Kennesaw Mountain, the last hurdle before Sherman can take Atlanta.
This is the South in the Civil War. Lawlessness everywhere, law and order breaking down, farms often stripped of anything edible and women and children left to starve.
The second story starts in the early 1960s. Three boys – Alex Granger, Ron Simpson, and Ron’s younger brother Michael – are the closest of friends. Alex grows up with the Simpsons almost as a member of the family. His own father is dead and Ron and Michael’s father Harold, a veteran World War II Marine, helps to raise him.
The boys get into the kinds of pranks and escapades that boys often did in the 1960s. But as Alex and Ron graduate from high school, they decide to enlist in the Army. And what’s hanging over both of them is the Vietnam War.
Michael Simpson
Moving back and forth between the two narratives, Simpson paints a picture of the effects of war, the divisiveness of war, and the tremendous stresses that families experience in wartime. He also paints a picture of what happens when a highly trained helicopter pilot, understanding what happened with the My Lai Massacre, decides he can’t participate in the killing of the enemy. (This is based on a historical situation involving Ron Simpson, one that went to trial in federal court in Atlanta.)
Michael Simpson is a screenwriter, director, and producer of documentaries and feature films. His credits include the movies “Crazy Heart” and “Kidnaping Mr. Heineken” among many others. This is his first novel. 
Sons of My Fathers is gripping, moving, and eye-opening. It tells the story of how the idea of duty and honor infuses families down through the generations. And it tells what happens when duty and honor collide with conscience.

Photograph: A Monument to Illinois soldiers who fought at Cheatham Hill, also known as the Dead Angle, the location where Simpson’s Confederate ancestors helped to hold off the Union Army advance for five days.

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