"The universe is made of stories, not of atoms."
—Muriel Rukeyser
____________________________

5 Black Authors Everyone Should Read

They are poets, playwrights, novelists and scholars, and together they helped capture the voice of a nation. They have fearlessly explored racism, abuse and violence as well as love, beauty and music. While their names and styles have changed over the years, they have been the voices of their generations and helped inspire the generations that followed them. What follows is a list of prominent Black authors who have left a mark on the literary world forever.

Maya Angelou

Acclaimed American poet, author and activist Maya Angelou was born in St. Louis, Missouri in 1928. Often referred to as a spokesman for African Americans and women through her many works, her gift of words connected all people who were “committed to raising the moral standards of living in the United States.” [1]

“I want to write so that the reader … can say, ‘You know, that’s the truth. I wasn’t there, and I wasn’t a six-foot black girl, but that’s the truth.’ ” [2]

Influenced by Black authors like Langston Hughes, W.E.B. Du Bois and Paul Lawrence Dunbar, her love of language developed at a young age. Her most famous work I Know Why the Caged Bird Sings was published in 1969 and became the first in seven autobiographies of Angelou’s life.

A prolific poet, her words often depict Black beauty, the strength of women and the human spirit, and the demand for social justice. Her first collection of poems Just Give Me a Cool Drink of Water ‘fore I Diiie was nominated for a Pulitzer Prize in 1972, the same year she became the first Black woman to have a screenplay produced. Writing for adults and children, Angelou was one of several African American women at the time who explored the Black female autobiographical tradition. Other female authors and contemporaries include Paule Marshall who published the novel Brown Girl, Brownstones and Illinois Poet Laureate Gwendolyn Brooks, many of whose poems lyricize the urban poor.
Learn more about Maya Angelou.


 [1] Southern Women Writers: The New Generation,” Carol E. Neubauer
 [2] "10 Questions with Maya Angelou," TIME Magazine 
Image: 1970 Photo of Maya Angelou by Michael Ochs Archives/Getty Images

James Baldwin
Though he spent most of his life living abroad to escape the racial prejudice in the United States, James Baldwin is the quintessential American writer. Best known for his reflections on his experience as an openly gay Black man in white America, his novels, essays and poetry make him a social critic who shared the pain and struggle of Black Americans.

Born in Harlem in 1924, Baldwin caught the attention of fellow writer Richard Wright who helped him secure a grant in order to support himself as a writer. He left to live in Paris at age 24 and went on to write Go Tell it on the Mountain which was published in 1953, a novel unlike anything written to date. Speaking with passion and depth about the Black struggle in America, it has become an American classic.

Baldwin would continue to write novels, poetry and essays with a refreshingly unique perspective for the rest of his life. In 1956, Giovanni’s Room raised the issues of race and homosexuality at a time when it was taboo. And during the Civil Rights Movement, he published three of his most important  collections of essays, “Notes of a Native Son” (1955), “Nobody Knows My Name” (1961) and “The Fire Next Time” (1963).

James Baldwin provided inspiration for later generations of artists to speak out about the gay experience in Black America like Staceyann Chin and Nick Burd.
Image: Baldwin, 1982, MDCarchives

Amiri Baraka
Born in 1934, poet, writer and political activist Amiri Baraka used his writing as a weapon against racism and became one of the most widely published African American writers. Known for his social criticism and incendiary style, Baraka explored the anger of Black Americans and advocated scientific socialism.  Often confrontational and designed to awaken audiences to the political needs of Black Americans, Baraka was a prominent voice in American literature.

Inciting controversy throughout his career, he was accused of fostering hate while at the same time being lauded for speaking out against oppression.

Often focusing on Black Liberation and White Racism, he spent most of his life fighting for the rights of African Americans. With a writing career that spanned nearly fifty years, Baraka is respected as one of the leading revolutionary cultural and political leaders, especially in his hometown of Newark, NJ. His representations of race and wisdom have made him an influential part of the Black Arts Movement along with Nikki Giovanni, Sonia Sanchez and Maya Angelou. Together they have gone on to inspire younger generations like Terrence Hayes.

Image: Poet Amiri Baraka on May 10, 1975 (Photo by Santi Visalli/Getty Images)

Octavia Butler
In a genre known for being traditionally white and male, Octavia Butler broke new ground in science fiction as an African American woman. Born in California in 1947, Butler was an avid reader despite having dyslexia, was a storyteller by 4, and began writing at the age of 10. Drawn to science fiction because of its boundless possibilities for imagination, she was quickly frustrated by the lack of people she could identify with so she decided to create her own.
Butler took the science fiction world by storm. Her evocative novels featuring race, sex, power and humanity were highly praised and attracted audience beyond their genre. They would eventually be translated into multiple languages and sell more than a million copies. One of her best-known novels Kindred, published in 1979, tells the story of a Black woman who must travel back in time in order to save her own life by saving a white, slaveholding ancestor. Over her career, she won two Hugo Awards, two Nebula Awards and in 1995 she became the first science fiction writer to win the MacArthur fellowship. The self-described “outsider’s” legacy inspired future generations of women including Valjeanne Jeffers, Nnedi Okorafor and even singer/songwriter Janelle MonĂ¡e.
Image: Butler at book signing, released by Nikolas Coukouma

W.E.B. Du Bois
As an activist, Pan-Africanist, sociologist, educator, historian and prolific writer, W.E.B. Du Bois was one of the most influential African American thought leaders of the 20th century. Growing up in Massachusetts as part of the Black elite, it wasn’t until attending Fisk University in Tennessee that issues of racial prejudice came to his attention. He studied Black America and wrote some of the earliest scientific studies on Black communities, calling for an end to racism. His thesis, The Suppression of the African Slave-Trade to the United States of America, 1638-1870 remains an authoritative work on the subject.

The horrific lynching of Sam Hose in 1899 prompted Du Bois to begin writing The Souls of Black Folk. Calling for organized action and an end to segregation, Jim Crow laws, and political disenfranchisement in America, the prophetic work was not well received at the time of its publication. Du Bois eventually went on to help to establish the NAACP where he became editor of its newspaper the Crisis, and a well-known spokesman for the cause. Many of his essays from Crisis were published in book form under the title The Emerging Thought of W. E. B. Du Bois: Essays and Editorials from "The Crisis."

In addition to The Souls of Black Folk and the articles and editorials for the Crisis, Du Bois wrote several books. While these attracted less attention than his scholarly works, the also focused on the Black race covering the topics of miscegenation and economic disparities in the South. Most respected for his scholarly writing, Du Bois’ concepts such as the psychology of colonization explored by Frantz Fanon continued being researched years later.
  Image: W.E.B. Du Bois, 1919, Library of Congress 

Ralph Ellison
Born Ralph Waldo Ellison after the famous journalist and poet Ralph Waldo Emerson, Ellison was known for pursuing universal truths through his writing. A literary critic, writer, and scholar, Ellison taught at a variety of colleges and spent two years overseas as a Fellow of the American Academy. In an effort to transcend the starkly defined racial categories of the 1950s, he was sometimes criticized for choosing white society over his African American identity. Identifying as an artist first, Ellison rejected the notion that one should stand for a particular ideology, refuting both Black and white stereotypes in his collection of political, social and critical essays titled Shadow and Act.

However, it was Ellison’s first novel that established his place as an important literary figure in America. Published in 1952, the first lines of Invisible Man struck a chord with hundreds of thousands of readers, “I am an invisible man. No, I am not a spook like those who haunted Edgar Allan Poe; nor am I one of your Hollywood-movie ectoplasms. I am a man of substance, of flesh and bone, fiber and liquids – and I might even be said to possess a mind. I am invisible, understand, simply because people refuse to see me . . ." Considered one of the most important works of fiction in the 20th century, Ellison was heavily influenced by Zora Neale Hurston and is often cited as an influence with many writers today such as ZZ Packer and Toni Morrison.
Image: National Archives, United States Information Agency staff photographer

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Happy Valentine's Day

Are we not like two volumes of one book? 

 – Marceline Desbordes-Valmore



EARLY BIRD PRICING for AUTHOR 101 University with Rick Frishman APRIL 6-8, 2017, HYATT REGENCY LAX



 THE EARLY BIRD PRICING IS ON!

YOU CAN GET A TICKET FOR YOU AND YOUR GUEST FOR ONLY $297…MAKE SURE YOU GET YOUR TICKET BEFORE THE PRICE GOES UP.

One of the biggest mistakes I see authors make is thinking too small with their book.
If you get your book done and sell 100,000 copies have you succeeded? In many respects, you have done what very few authors do, yet there is so much more business that can be generated from your book that you will not realize unless you take my advice.
I’ve seen very few authors do what I think is one of the most important things you can do when writing a book. They miss it because they believe once you have a book everything else takes care of itself, and this couldn’t be farther from the truth.
It’s certainly true that when you have your book done and published it positions you for success above someone who doesn’t have one, but that’s actually when the real work starts.
At Author101 University we believe strongly in everyone putting their message in a book, but what most people miss is why we are so passionate about you having a book.
The answer is: it adds value to you, what you do, and your brand.

THE EARLY BIRD PRICING IS ON!

YOU CAN GET A TICKET FOR YOU AND YOUR GUEST FOR ONLY $297…MAKE SURE YOU GET YOUR TICKET BEFORE THE PRICE GOES UP.

Authors don’t realize how important it is to have a brand around you, what you do, and your book. In fact, think about the books that were really successful: Rich Dad Poor Dad, the 7 Habits of Highly Effective People, Think and Grow Rich etc. What do they all have in common? They have become solid, trusted brands.
We want to help you turn your book into a brand – a movement that not only impacts people but also generates a significant income.
You’ve probably heard by now that on April 6-8 we will be having Author101 University. What you may not have heard is I have invited my good friend Perry Yeldham, the founder of 21Thirteen Design, who is an expert branding consultant, to speak and teach you how to turn your book into a powerful brand.
This will be one of the most important things you learn at Author101.
Not only is Perry going to teach you how to turn your book into a top selling brand we are going to have other expert speakers showing you how to:
  • “Architect” your book
  • Make your book a best-seller
  • Use your book to land speaking engagements
  • Set up an automated, online funnel to generate revenue
  • Leverage YouTube and other Social Media for book marketing
  • Get yourself on Radio and TV And much more.

THE EARLY BIRD PRICING IS ON!

YOU CAN GET A TICKET FOR YOU AND YOUR GUEST FOR ONLY $297…MAKE SURE YOU GET YOUR TICKET BEFORE THE PRICE GOES UP.

The last Author101 University sold out well before the event, so you need to enroll before it’s too late… and don’t forget you can BRING A FRIEND FOR FREE.
Again, Author101 University is in Los Angeles, April 6-8, 2017 at the Hyatt Regency LAX
See YOU there!
 
Rick Frishman 

How to get better at the things you care about | Eduardo Briceño

Working hard but not improving? You're not alone. Eduardo Briceño reveals a simple way to think about getting better at the things you do, whether that's work, parenting or creative hobbies. And he shares some useful techniques so you can keep learning and always feel like you're moving forward. 


Success lessons from Paulo Coelho – “The Alchemist”




1. Rejection doesn’t matter

Paulo believed in himself. He believed that he was a good poet and that his poems were not suitable for small magazines. So he sent his poems to the ‘Escritores e Livros,’ a reputable literary column in a newspaper called Correio da Manha. But the newspaper humiliated him.

Like any normal person, he took it personally, but managed to regain his confidence and write his own version of Rudyard Kipling’s famous poem “If…”. In the case of Paulo, his self-belief won and this is because of a certain obsession of his.

 2. Always take action

“There is only one way to learn. It’s through action.”

You can study, read, and listen until you turn blue in the face, but the full experience is when you take action, and let the rubber meet the road. Once you’re done aiming, pull the trigger.

3. Be obsessed with your dream

Paulo was obsessed with the idea of becoming a famous writer. Yet, it was funny that the obsession only bore fruit in his later years. This is because he was always changing his art: from poetry to acting, directing, writing about the occult, and lyric writing.

Although he gained success in some of his ventures, he kept reminding himself that he wanted to be a famous writer. That obsession made him what he is today.

4. Good things come to those who persevere

In The Alchemist, Coelho’s most popular novel, a young Spanish shepherd named Santiago has a prophetic dream that treasure awaits him in some distant land. After consulting with a gypsy who tells him the treasure lies under the Pyramids of Giza and Egypt, he embarks upon a long and arduous journey across Africa. The obstacles he encounters in the desert—he struggles to secure food and shelter, crosses paths with armies, and even falls in love—make him second-guess his dubious quest.

But for every hurdle discouraging him, there’s a signpost reminding him to keep his faith alive. Early in his journey an old king tells Santiago: “When you want something, all the universe conspires in helping you to achieve it.”

5. If you have a weakness, learn to compensate for it with your strength

Paulo was weak physically. According to his biography he was “very thin, frail and short.” He had a nickname – Pele – which means ‘skin. It was given only to those who were always being bullied by their classmates.

Considering his physical weakness, it was hard for Paulo to gain the respect of his peers. Yet he found out that despite his weakness, he managed to gain their respect.By knowing things no one else knew and reading stories none of his peers had read was one way of gaining respect.

6. Your past doesn’t make the future

Paulo failed in his studies, almost killed a boy because of his driving, was forced to stay in a psychiatry clinic because of his escalating problems, took drugs, was kidnapped by a secret organization and embraced Satanism.

The problem with most of us is we focus on things we can’t change. It is true that our past can influence our future, but we don’t want to let that influence spread too much and work of its own accord.

7. Listen to your heart

“Tell your heart that the fear of suffering is worse than the suffering itself. And that no heart has ever suffered when it goes in search of its dreams, because every second of the search is a second’s encounter with God and with eternity.” —The Alchemist

8. Your success has a ripple-effect

“That’s what alchemists do. They show that, when we strive to become better than we are, everything around us becomes better, too.”

Growth, change, and evolution are weaved into the fabric of reality. Becoming a better version of yourself creates a ripple effect that benefits everything around you: your lifestyle, your family, your friends, your community.

9. Don’t be afraid to be different

“You are someone who is different, but who wants to be the same as everyone else. And that, in my view, is a serious illness. God chose you to be different. Why are you disappointing God with this kind of attitude?” —Veronika Decides to Die

10. You don’t have to work in a corporate job

It’s not safe anyway, despite what they tell you. There’s much more fun and money to be had if you can handle a little uncertainty (warning — most people would choose misery over uncertainty, but you don’t have to be one of them). Doing work that you truly love is the best gift you will ever give yourself.

A WRITER’S TIME: MAKING THE TIME TO WRITE – KEN ATCHITY REVIEW

purchase on Amazon.com

As a self-published author, you know you need to make a necessary split between the pragmatic publishing side of your mind and the artistic side from which true satisfaction derives. This book by Ken Atchity will show you how and so much more.

For nearly a decade, thousands of writers―aspiring and professional―have relied on this book, the first to apply time-management principles to the specific needs of writers of fiction, nonfiction, and drama.

Expanding his focus now, Kenneth Atchity adds a substantial new chapter, “Breaking into Show Business,” and new material about recapturing the “high” of creativity and maintaining confidence despite setbacks. He shows you how to transform anxiety into “productive elation,” how to separate vision from revision, and how to develop your own writing agenda.

This book, based on his writing seminars, research into dreams and creativity, and film development, is, as the New York Times states, “crammed with the sort of useful advice that it seems to take some people years to learn.” It also shows you how to make the necessary

About the author: Dr. Ken Atchity is a writer, producer, teacher, career coach, and literary manager, responsible for launching hundreds of books and films. His life’s passion is finding great stories and storytellers and turning them into bestselling authors and screenwriters–and making films which send their stories around the world.

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FEBRUARY KINDLE DEALS!


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Sell Your Story to Hollywood by Kenneth Atchity

The #1 Writer's Pocket Guide to the Business of Show Business 


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Rat Pack Party Girl: From Prostitute to Women’s Advocate by Jane McCormick

From her 1960s sexcapades with the likes of Frank Sinatra, Dean Martin, Peter Lawford, and Vic Damone, to sex-trade survivor and women's advocate the former Rat Pack high-roller tells a wrenching story of endurance!






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How I Became My Father ... A Drunk!

This deeply personal story was written--to show alcoholics and their families touched by the painful disease of addictions that hope does spring eternal to encourage and guide them to reach out and seek the path to recovery.




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The Messiah Matrix by Kenneth John Atchity

To what lengths would the Vatican go to suppress the secret origins of its power?


Why Hollywood is turning to books for its biggest productions

Adaptations of novels are better than ever

Graphic by James Bareham / The Verge



For decades, readers repeated the same phrase when Hollywood adapted a beloved novel for the screen: “The book is better than the movie.”

The line became a critical reflex in reaction to one mediocre screen version after the other. From old adaptations like Total Recall to more recent ones like I Am Legend, The Golden Compass, or The Hitchhiker's Guide to the Galaxy, Hollywood kept making the same mistake. They trimmed locations to save money, cut characters to shave time, and often misunderstood the emotional core of the source material.

But use of that phrase has gradually faded, replaced by enthusiastic shouts on social media when Hollywood grabs the rights to a classic work of science fiction or a modern twist on fantasy. Book adaptations have simply, swiftly improved. Beginning with Peter Jackson’s Lord of the Rings trilogy, filmmakers have been paying more attention to their source material. Jackson’s trilogy, in particular, helped demonstrate that a sprawling, complicated novel could be filmed, and it helped lead to shows like HBO’s Game of Thrones, Syfy’s The Expanse, Amazon’s Man in the High Castle, and Starz’s Outlander, which are earning critical acclaim and legions of fans.

We appear to be in the midst of a high-profile book-adaptation boom. This year, we will see shows and films based on Richard K. Morgan’s Altered Carbon (coming to Netflix), Neil Gaiman’s American Gods (coming to Starz), and Margaret Atwood’s The Handmaid’s Tale (coming to Hulu), while Jeff Vandermeer’s Annihilation is set to hit theaters at some point this year. Other books potentially coming to a screen near you? Frank Herbert’s Dune, V.E. Schwab’s A Darker Shade of Magic, Ken Liu’s The Grace of Kings, Allen M. Steele’s Coyote, Brandon Sanderson’s The Way of Kings, Robert Zelazny’s The Amber Chronicles, and many, many more.

Adapting a hit book isn’t a guarantee of success — just look at 2016’s The Shannara Chronicles on MTV — but Hollywood is, more than ever, perusing bookshelves for inspiration for the next big show or Oscar-friendly movie.

So what changed in the last decade? When did books become a foundation for popular film and television? And what does it mean for the future of Hollywood and book publishers alike?

Managing risk

Established popular books are a comparably faster and data-supported way for studios to develop film and TV plots. As more studios compete to have the next Game of Thrones or The Walking Dead, it’s easier to turn to a completed work and fully envisioned (and beloved) world than to develop a story in-house.

“It’s all about managing risk for the studios,” Hawk Otsby, co-writer of Children of Men and producer on Syfy’s The Expanse, explained in an email to The Verge. “It’s extremely difficult to sell a blockbuster original script today if isn’t based on some popular or recognizable material… Audiences know the story, so they’re sort of pre-sold on it. In other words, it has a recognizable [intellectual property] and can rise above the noise [and] competition from the internet, video games, and Netflix.”

"Less risky"

Michelle Lovretta, who created Syfy’s Killjoys and Lost Girl, agreed: as audiences demand more from films, costs climb for studios. They want more explosions and more realistic CGI, which makes for bigger budgets. “Adaptations can offer decision-makers the security of a presumed built-in audience.”

The important decision on the studio’s part is selecting the right book for the right medium. “Certain books lend themselves better to TV,” Otsby cautioned. “[The] Expanse as a movie would be terrible, because time constraints would force us to cut so much of the world and character development out. Shutter Island, to name another, would not be a great TV series. You wouldn’t want to live in that world for more than two hours.”

The advantages of on-demand

In a 2011 New York Times interview, George R.R. Martin explained why he decided to write his Song of Ice and Fire series. He was frustrated with the constraints being put on his screenplays — too big, too expensive — and wanted to write a story free of production limitations.

Yet A Song of Ice and Fire found a home at HBO in the form of Game of Thrones, one of the most popular (and sprawling, and expensive) television shows airing right now. The series — a relatively loyal adaptation of the source material — proves there is now a place on television for complicated, massive stories, and that adaptations don’t necessarily need to be dumbed down or simplified.

The way we watch, and the way studios distribute, television in 2017 makes it easier for producers and writers to transition a novel from the page to the screen. For decades, network television was virtually all episodic, so audiences could drop in on a show at any point, without knowing the story of prior episodes. This also allowed networks to syndicate shows like Law & Order, Seinfeld, or The Simpsons, which play on cable most evenings, hoping to nab channel-surfers.

With the advent of VCRs, DVD boxed sets, DVRs, and streaming services, there’s been a rise in more rigorously serialized stories, with shows like The Sopranos, Babylon 5, Lost, The Wire, and Battlestar Galactica asking viewers to follow their long, complicated stories from beginning to end.

Novels also provide variety in a crowded television landscape. Shows such as The Man in the High Castle or Game of Thrones have introduced new types of stories to television. Working with the greater diversity of literary stories has allowed showrunners to differentiate themselves from an increasingly crowded field of prestige-television options, and to seek out specific sectors of a splintered viewing audience.

"viewing habits have changed as technology has changed"

As it’s become easier and more appealing for viewers to consume seasons of television at their convenience; storytellers have been given a larger canvas. The days of discrete 22- or 44-minute episodes have been replaced with episodes with a variety of lengths, often bleeding into each other.

These serialized shows create lived-in worlds, spend more developing characters, and plant dramatic clues that pay off episodes or even seasons later. This environment helps make television — and some films — an ideal medium for adapting book series, which have long benefited from a depth and length that film and TV couldn’t match.

These lived-in worlds are also attractive for another reason: viewers want to get to the end of the story, and when they succeed, these shows can have considerable staying power, running for years on end. Developing a loyal following can be a force-multiplying effect for a studio. An active, enthusiastic fan base helps audiences grow through word of mouth, even leading to spinoffs, as we’ve seen with The Walking Dead, and possibly even Game of Thrones.

All these factors — speed, risk-management, and fan appeal — are appealing to subscription services like Netflix, Amazon, HBO, and Starz, which hope a rich, ongoing story will lock in subscribers. But cable channels like Syfy, which have long had a relationship with science fiction, are also leveraging the strategy to survive and thrive in a rapidly changing market.


A bonus for books

There’s also a downstream effect. Publishing operates on thin margins: most books don’t turn much profit for their publishers, a problem balanced out by the sales of a few exceptionally successful authors. Every time a George R.R. Martin, J.K. Rowling, or Stephenie Meyer sells a book that spends weeks on the best-seller list, that helps hundreds of other authors at the same publisher in a number of smaller ways.

“[Adaptations have] expanded our reach for our authors,” said Scott Shannon, the publisher of Penguin Random House’s Del Rey imprint. “We are selling more of the books that we now publish: we sell substantially more copies than we were five years ago. We’re publishing about the same [number of books], but we’re reaching more people.”

"Having good adaptations matters in many ways to readers"

Good adaptations become ambassadors to fiction and the genre as a whole. People who enjoyed Game of Thrones went out and picked up books by Brian Staveley or Patrick Rothfuss, while The Martian introduced people to authors like Kim Stanley Robinson or Neal Stephenson.

The publisher of Hachette’s Orbit imprint, Tim Holman, said that there is “no doubt that a huge success can raise hopes and expectations for new books in the same category, and The Expanse series by James S.A. Corey is a great example of that.”


“There’s lots of really great stuff on the horizon, which is great for us and our authors,” said Shannon. “I think Hollywood in general has recognized that books are a great way to bring compelling content to a large audience, and the book experience, in a lot of cases, it really enriches watching the show.”

In the rush to find new stories, Hollywood has recognized what science fiction and fantasy fans have known for years: there’s plenty of beloved material ripe for adaptation, sitting on shelves. While grumbling about crummy adaptations can still be heard here and there, there’s more enthusiasm and excitement among fans for seeing their favorite book turned into a television show or blockbuster film. While not every book will be the next Game of Thrones-sized hit, it gets the novel out to a larger audience, who will hopefully turn out to their local bookstore to read it first.

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