"The universe is made of stories, not of atoms."
—Muriel Rukeyser
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Story Merchant Books is pleased to announce our first Zoom Book Launch Party for 2022

Story Merchant Books is pleased to announce our first Zoom Book Launch Party for 2022 with our title, Romeo’s Beat by Vincent Atchity, on Wednesday, January 12th 2022!

 

We want to extend a warm invite to all Story Merchant authors and friends to celebrate with us via Zoom on Wednesday 1/12 at 4pm PST / 7pm EST!

Please see the invite and agenda below and feel free to forward this email to anyone who might want to join!

On the day of the event, click the link below and enter the password to join everyone virtually!

 








You can order by clicking on this link: Romeo’s Beat


Join Zoom Meeting on January 12th:  https://us02web.zoom.us/j/5977327777?pwd=MFY5TXBJQUxwb1J2ZWhPeTR4WDdsUT09


Time: Jan 12, 2022 04:00 PM Pacific Time (US and Canada)


Meeting ID: 597 732 7777
Passcode: romeo


In memory of Betty White

 


At her eightieth birthday celebration, in 2001, at KC’s Leawood-South Country Club, the entire family gathered to celebrate my mother’s endless good spirits and hospitality. Dancing and telling jokes and winking, she reigned over the event like the dowager empress she’d become, wearing her signature red dress. and looking for all the world like Betty White on a good day.

My mother was a force larger than life.  

Oddly enough, I met Betty White because of Mom.

An aspiring novelist and former Mormon bishop named James Michael Pratt sent me a copy of his self-published book, The Last Valentine. I read the description on the back cover and thought it was maybe too romantic even for “Mr. Romance,” as I’d been dubbed during my years in Montreal producing Shades of Love.

But the concept nagged at me, so I sent the book to Mom and asked her to read it.

She called me two days later.

“You must get involved in this book,” she said. “It’s wonderful.”

I asked her for details. Her response was sketchy—she was already becoming forgetful, especially of things she’d read, which is why I’d learned to return her call the minute she reached out to me after a read. But it was clear emotionally: Mom didn’t use must loosely. This was beyond should!

Long story short, I did get involved. My Writers Lifeline company helped Jim perfect the story and my management company sold it, at auction, for a bunch of money to St. Martin’s Press. It became a New York Times bestseller, and led to four or five further bestselling books for Jim.

At one point in his book tour, we converged in KC where Jim was being hosted by Barnes and Noble—and he insisted on meeting Mom. “She’s the one who got this book published,” he said. I certainly wasn’t going to argue with that.

You’d think a New York Times bestseller would have an easy route to the screen. But I knew one lesson by heart: nothing is easy in Hollywood. It took over ten years before Valentine was picked up by Hallmark Hall of Fame. Their president, meeting me over breakfast at the Alameda Plaza overlooking KC’s Country Club Plaza, brought up a ticklish subject. “You know this company will never call a movie ‘The Last Valentine,’” he told me—then tipped his orange juice in a toast.

I laughed, at what I thought was a joke. But it wasn’t. The movie was retitled, “The Lost Valentine,” and starred Jennifer Love Hewitt and Betty.

It was one thing to meet the voluptuous Jennifer Love Hewitt—“Don’t avoid  these,” she scolded our Director of Photography, having checked the replay of a  wedding moment where the camera discreetly hovered above her cleavage line, “I  built my career on these beauties.”  Unleashing the camera, they did a more  revealing take.

But it was meeting Betty White on the set in Atlanta that truly thrilled me, for two reasons. In her red dress, white hair, and feisty countenance, she looked exactly like Mom. And I was given the chance to tell Betty the story of how my mother had gotten this book published and this movie made.

Alas, Mom was no longer around to glory in the moment, or in the Screen Actor's Guild's "Outstanding Performance by an Actor" Award Betty received for our film. 



Excerpt from My Obit: Vol 2: My Multi-Storied Mother, forthcoming 2022.

Revisiting Betty White and The Lost Valentine to NY Times Arts Beat - R.I.P



August 6, 2010, 8:58 am

It’s Friday, So Why Not Talk to Betty White?

By DAVE ITZKOFF






Betty White doesn’t need your approval. She’s such a rock star now that in addition to her regular role on the TV Land comedy “Hot in Cleveland” (which was recently picked up for a second season), she can also accept a recurring guest spot on the NBC series “Community” and call its cast delightful to their faces and no one can stop her. And she will turn down your offer to appear in a Hallmark Hall of Fame movie until you ask again nicely, and then tell you it’s a lovely script, just to let you know who’s boss. And if you tease her sarcastically at a public event, be prepared to face the full force of her endearing rejoinders.

ArtsBeat was recently offered the opportunity to speak with Ms. White about her work on “Community,” her perpetually busy schedule, and the risks of overexposure, and we were too afraid to say no. These are excerpts from that conversation.

Q.

You’re able to juggle this at the same time as your work on “Hot in Cleveland”?

A.

Right, but we’re on hiatus now — we don’t go back until the 1st of November. That’s something lovely to look forward to, because the girls are so great, and the chemistry between them is so wonderful. But in the meantime, I’ve got a Hallmark Hall of Fame movie to do in Atlanta.

Q.

What’s it about?

A.

It’s a lovely script that was sent — it’s two weeks in Atlanta, and I always try very hard not to go out of town. I try to stay here [California] as much as I can. Once in a while, like a “Saturday Night Live” thing, I had to go back for. But I keep it down to a minimum. So I turned it down, because of the being out of town. But they made it as easy for me as they can, and I get to come home on the weekend, between the two weeks. I’ll come in on Saturday and go back to Atlanta on Sunday to go to work Monday morning. So I was able to say O.K. The name of it is “Lost Valentine,” and it’s a love story. I do a lot of supposed comedy work — I mean, I hope it’s comedy work. This one is a love story so it’s a nice change of pace for me.

Q.

Do you get a love interest in the film?

A.

No, in this case, it’s a love that I’ve lost. The reason it appealed to me so much, it’s a deep, deep love story, like the one I had with my beloved Allen Ludden.



How To Be Productive: Understanding Time, Work and Creativity

 

 



BUY THE BOOK - SELL YOUR STORY TO HOLLYWOOD: Writer’s Pocket Guide To The Business Of Show Business - https://amzn.to/2JlWBaC BUY THE BOOK - WRITING TREATMENTS THAT SELL: How To Create And Market Your Story Ideas To The Motion Picture and TV Industry - https://amzn.to/2Hakwcl MORE VIDEOS WITH DR. KEN ATCHITY https://goo.gl/dRBg3F

The Story of My Life! Ken Atchity's My Obit: Daddy Holding Me



Anyone who enjoyed Mircea Eliade’s autobiographical multi-volume Exile’s Odyssey, Oliver Sacks’ The Man Who Mistook My Wife for a Hat and Awakenings, or Richard Feynman’s Surely You Must Be Joking, Mr. Feynman, will find My Obit: Daddy Holding Me a page-turner filled with poignant family experiences, explosive sibling rivalry, literary adventures, ethnic cooking, wide-ranging storytelling, the workings of the brain itself--and what can be learned about life from playing tennis for decades. The jokes and recipes alone are worth the entrance price.

The Story of My Life! Ken Atchity's My Obit: Daddy Holding Me

 



I’ve lived a lifetime of literary adventures by refusing to be relegated to a niche. In My Obit: Daddy Holding Me, my storytelling passion and family and professional anecdotes provide humor and insight into my hugely self-determined life.

I hope it makes you laugh, spares you some of my grief, and leads you to insist on telling your story to anyone who will listen.






The Story of My Life! Ken Atchity's My Obit: Daddy Holding Me

 


Anyone who enjoyed Mircea Eliade’s autobiographical multi-volume Exile’s Odyssey, Oliver Sacks’ The Man Who Mistook My Wife for a Hat and Awakenings, or Richard Feynman’s Surely You Must Be Joking, Mr. Feynman, will find My Obit: Daddy Holding Me a page-turner filled with poignant family experiences, explosive sibling rivalry, literary adventures, ethnic cooking, wide-ranging storytelling, the workings of the brain itself--and what can be learned about life from playing tennis for decades. The jokes and recipes alone are worth the entrance price.

I hope it makes you laugh, spares you some of my grief, and leads you to insist on telling your story to anyone who will listen.