"The Meg" is the highest-grossing U.S.-Chinese co-production of all time in North America.
The success of Hollywood films with Chinese elements at North American box office in 2018 has attracted interest from critics and Hollywood insiders, triggering enthusiastic discussions about cooperation between Chinese and American film industries.
The shark-themed thriller, "The Meg," and the racial diversity triumph, "Crazy Rich Asians," are among the most successful films incorporating China-related elements, gaining mainstream appeal in North America.
Hollywood films incorporating Chinese elements, including "The Meg," "Crazy Rich Asians" and Legendary and Universal's big-budget release "Pacific Rim: Uprising," have stayed atop North American weekend box office 5 out of 51 weeks as of Dec. 23 this year.
"The Meg," a Chinese-American co-production, released by Gravity Pictures in China and by Warner Bros. Pictures in the United States, grossed more than 530 million U.S. dollars in the global box office against a production budget of around 150 million dollars.
"Crazy Rich Asians" was a Warner Bros. Pictures release, and produced by SK Global, Color Force, Ivanhoe Pictures, Electric Somewhere and China-backed firm Starlight Culture. The romantic comedy-drama film, based on Kevin Kwan's novel of the same name and directed by Chinese American filmmaker Jon M. Chu, has brought in 238 million dollars worldwide against a modest 30-million-dollar production budget.
"Chinese co-productions have been among the most successful films of 2018. Titles like 'Crazy Rich Asians' and 'The Meg' reflected a true understanding of what global audiences are looking for when they go to the multiplex," said U.S. movie analyst Paul Dergarabedian at Comscore.
Dergarabedian pointed out that "Crazy Rich Asians" became a comedy sensation in North America and drew audiences of all backgrounds who were attracted by its universal themes and relatable situations while "The Meg" featured an irresistible concept embraced by audiences on a global scale and also featured notable Chinese talent.
"Films like 'The Meg' and 'Crazy Rich Asians' are great models for how to perfectly combine the best of U.S. and China-based talent to create appealing filmed content for global consumption. In the future, we will likely see more such productions and perhaps there will be more China-based productions that reflect the taste and culture and Chinese point of view that could be produced in a way that will enable them to cross over in a more profound way to audiences outside of their country of origin," he told Xinhua.
"The Meg" is already the highest-grossing U.S.-Chinese co-production of all time and "Crazy Rich Asians" became the highest-grossing romantic comedy of the last 10 years in North America.
"The growth and importance of the Chinese movie market has been incredibly impressive, with a growth rate that has been sparked over the years by the building of state-of-the-art cinemas that inspired enthusiasm by audiences who flocked to a multi-faceted slate of home grown and U.S.-based productions. Its yearly revenue has come close to rivaling that of North America and is the second biggest movie market in the world," he noted.
The follow-up of "Crazy Rich Asians" is reportedly in the development stages. The team behind the film is planning to reunite for the sequel, based on Kwan's second book, "China Rich Girlfriend." Producers said the new film is targeting a shoot in Shanghai, and possibly as a co-production.
"There have been many earlier attempted co-productions where the story didn't really work for both audiences, and so it felt forced and strange. As the two film industries have worked together more though, they've found ways to make the Hollywood and China elements live together naturally, so then the story feels believable and strong, and movie audiences respond," said Elizabeth Dell, head of the China Task Force of the Producers Guild of America, adding that audiences love new stories and new worlds to explore, but they have to feel authentic.
She noted that the progress of China's film industry over the last ten years has been remarkable. "I think there is still more progress to make, especially in the areas of strengthening skills and understanding of story and of producing, but the Chinese film industry continues to impress me with the quality and breadth of the work," She told Xinhua.
"Successful cooperation and co-production needs to look to stories and creators that work between the two industries and so naturally know how to collaborate in a seamless way," said Dell.
"Experience is key. It cannot come from only one film or one collaboration; it comes from a history of many projects together and learning how each culture thrives," she concluded.
"The growth of the Chinese film industry reflects the growth of the Chinese middle class, which has been meteoric and will continue to be over the next five to ten years," said William Mundell, producer of "Better Angels," a documentary film examining the U.S.-China relations through the lives of ordinary citizens of the two countries.
Mundell added that China is an obvious target for American film makers who are looking to expand beyond their existing mature markets.
"The film industry in Hollywood has a history of over 100 years so it's very developed. China can learn from that and create its own distinctive version of Hollywood," he told Xinhua.
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"The universe is made of stories, not of atoms."
—Muriel Rukeyser
____________________________
Kristin Wong Tells You How to Finally Write Your Nonfiction Book

No, it will not be easy. Yes, it will be rewarding. (Eventually.)
“I’d like to write a book someday.”
Like many writers, I said this for years before finally deciding to commit to the long and grueling process of publishing my first book, which is about personal finance.
Most authors would probably agree that writing a book is one of the most difficult challenges of their careers. You spend your summer inside writing while your friends post photos of their beach vacations on Instagram. Once your book is published, the work is far from over: You must now sell it like your career depends on it, because it kind of does. Failure is a constant fear, and impostor syndrome can feel overwhelming. But more often than not, it’s also completely worth it.
Consider your ‘platform’
Before you write your first word, ask yourself: Do I have an audience? And, most important: Does my idea actually appeal to readers?
“My most common recommendation for people who want to write a book is, ‘Don’t — not yet,’” said Ramit Sethi, the author of “I Will Teach You to Be Rich.” “Build a large audience first.” Mr. Sethi, whose nonfiction personal finance book started as a blog with the same title, was able to amass hundreds of thousands of readers before he landed a book deal.
Building an audience isn’t a prerequisite, of course, and it’s certainly not easy, but publishers like authors who come with a built-in market.
Don’t write your book — yet
Many aspiring authors assume that getting started means cranking out tens of thousands of words before you approach an agent or publisher, but it might depend on the book. If you have an idea for a nonfiction book, it’s better to write a couple of chapters and then pitch a book proposal. That way, you can see if there’s any interest before you churn out 80,000 words on a given topic.
Even though you might not need to write the entire book before pitching it, it’s likely that if an agent or potential publisher likes the idea, they’ll still want to see at least two sample chapters. In any case, you’re going to want to fully flesh out your idea and write up those sample chapters before reaching out to agents, or, if you’re still building an audience, a few blog posts on your topic. Doing so will give you a deeper sense of what your book is about and what the rest of the writing process will be like — and this will also help you firm up your ideas of what the rest of the book will be like.
Decide how to publish
With traditional publishing, you’ll put together a book proposal, find an agent and then your agent will send your proposal to publishers. If those publishers like your idea, they could make you an offer. If multiple publishers like your idea your book might even go to auction, which could help you secure a more lucrative deal.
If a publisher buys your book, your advance from the publisher will likely be paid out in installments (typically two or three). How those payments are broken up varies widely, but one possible combination is a third paid on contract signing, another third on manuscript delivery, and the final third upon publication. (Though sometimes the advance is paid out in two sums, and, in some instances, four or more.) You won’t earn royalties from your book until you sell enough copies to outearn your advance.
Self-publishing means publishing your book on your own, or with the help of a self-publishing platform like Amazon Kindle Direct Publishing or CreateSpace, which is also owned by Amazon. Barnes & Noble also has a self-publishing platform.
“As a self-published author, you have more control of your work because you have more control of your deadlines and budget,” said Nailah Harvey, author of “Look Better in Writing.” “Some people do not work well with the pressure of third-party deadlines, so self-publishing may be a better fit for their personality.” You also have full creative control over your work, Ms. Harvey said, whereas with a publisher, you may have to bend to their ideas for your book title, cover and content.
Mr. Sethi, both a traditionally published and self-published author, said your choice will partly depend on what’s more important to you: profit or credibility. Traditional publishing lends you the latter, while self-publishing can be more profitable because you won’t have to give a percentage of sales to an agent and publisher. On the other hand, an agent and publisher might be able to help increase your reach to make those sales.
Self-publishing also means your book will be available on only the platform you publish with, and it likely will never get on shelves in physical bookstores or libraries.
If you opt to self-publish, Amazon Kindle Direct Publishing, an online publishing platform for digital books and paperbacks, is an ideal place to start. The site includes manuscript templates you can download and follow. You’ll write, edit, proofread and format the book before uploading it for approval.
Self-publishing means you have to do all of the work, like designing a cover and proofreading, yourself (or hire people to help).
Write your book proposal
While an agent will likely want to see the completed manuscript of a novel, a nonfiction book typically requires a proposal, which is a detailed outline of what your book is and why it matters. Rather than thinking of your proposal as an introduction to the book, think of it as a business case for why it’s worth a publisher’s time and investment.
You’ll make the case for your book’s marketability in this proposal, so you’ll want to include sections on your target audience, competitive titles, a table of contents and an outline. You can find downloadable book proposal templates online. For example, the publishing platform Reedsy includes detailed explanations of what’s included in a book proposal on their blog, along with a template you can download. The literary agent Ted Weinstein shares a simple nonfiction template on his website. And Jane Friedman, a Publisher’s Weekly columnist, includes a brief outline and introduction to writing a book proposal on her website.
“If it’s a big New York publishing house, they’re probably looking for an idea with relevancy or currency in the market, combined with an author who has a platform — visibility to the intended readership,” Ms. Friedman said.
Publishers also like to see numbers. Try to quantify your platform using metrics like your combined social media followers, newsletter subscribers or monthly page views on your blog.
Find an agent
“An agent is a near-requirement if you want to be published by one of the major New York publishing houses,” Ms. Friedman said. While you can approach smaller publishing houses and university presses directly, you’ll still need someone to look over your contract. If not an agent, you’ll need to hire a literary or intellectual property lawyer once you get to that step, she added.
Start your search for an agent using databases like AgentQuery and P & W’s Agents Database. You can also search Publishers Marketplace for their deals section (subscription required) and the Association of Authors’ Representatives. A lower-tech option: Look in the back of similar books to see who the author thanks in the acknowledgments.
You may have to query multiple agents about your idea. Ideally, one of them will bite and want to represent you. Then, you’ll have a helping hand through the rest of the process. The agent will pitch your book proposal or manuscript to publishers, which can lead to getting-to-know-you meetings with publishers and editors, or both. If a publisher loves your idea, your agent will then negotiate the contract and terms with input from you as needed. It sounds simple, but this can take much more time than many writers expect.
Now it’s time to write
Start by establishing your writing habit. Don’t look at your book as a monster, 80,000-word project; view it as a collection of tiny goals and achievements you can knock off one at a time. (One way to structure this type of working: make micro-progress, or the smallest units of progress.)
“Since money can equal time in some ways, I used my steady paycheck to buy myself time to write,” said Paulette Perhach, author of “Welcome to the Writer’s Life.” “For instance, I outsourced the cleaning of my place once a month while I went and wrote for three hours in a coffee shop.”
Ms. Perhach said she gave herself a small goal to write for one hour per day, then shared that goal with loved ones. She also joined writing groups, which can be a helpful step for many writers who may find it hard to turn in work without a real deadline. A 2014 Stanford study found that working on a team makes you feel motivated, even if you’re really working alone. If you have friends who like to write, you could organize a writer accountability group with weekly or monthly deadlines.
There are also existing groups and organizations you can join. In November, NaNoWriMo (which stands for National Novel Writing Month) encourages writers from all over the world to sign up on its website and begin working on a goal of writing a 50,000-word novel by the end of the month. Many libraries and writing centers host regular writing groups as well.
Think about schedules instead of deadlines
You’ll want to organize your writing workflow so you’re encouraged to keep up with the habit every day.
First figure out how much time you have to write each week, then schedule that writing time into your day. Some writers like to get their words out at night, after everyone has gone to bed. Others prefer to write as their first task of the day. Experiment with different times to find what works for you.
Once your writing schedule is in place, you’ll have to decide what you want to write. Books are big — where do you dig in first? In a lecture at Columbia University that was later published in “Changing My Mind: Occasional Essays,” the novelist Zadie Smith said there are “macro planners” and “micro managers.”
“You will recognize a macro planner from his Post-Its, from those Moleskines he insists on buying. A macro planner makes notes, organizes material, configures a plot and creates a structure — all before he writes the title page. This structural security gives him a great deal of freedom of movement,” Ms. Smith said in her lecture. Micro managers, on the other hand, have no master plan for their writing and simply figure out the ending when they get there.
Again, a little trial and error works well. You can try to just start writing your first draft, and if you find yourself stuck, start again with the outline and work from there. Or you might just try to start writing about something that excites you.
If your writing system feels chaotic, there are tools that can help you corral the mess. Scrivener is a popular writing program designed to help authors organize and research their books. When writing my book, I used a simple Excel spreadsheet that included my table of contents, along with the tasks that went with it. Each chapter also had its own separate Excel sheet that included more detail about what I wanted to include in that chapter, like interviews, references and research.
Dig in for the long haul
The most common question aspiring authors asked when I finished my book: How long did it take? It’s hard to quantify how long it took, but writing a book is an exercise in patience.
When I started to get serious about my idea, I bought “How to Write a Book Proposal.” From there, it was two and a half years until I convinced an agent to represent my idea, and another year and a half before my book was on a shelf.
“I think you should plan for at least one year to write the first draft of a book, and a second year to rewrite it,” Ms. Perhach said. Of course, it can take much longer than this, but most writers can expect at least a couple of years to pen a book.
“Writing is like putting together Ikea furniture,” she added. “There’s a right way to do it, but nobody knows what it is.”
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Guest Post: A little editing leads to happy ending for literary agent by Nancy Nigrosh
During the 10-plus years I was a single parent, I was consumed by my career as a literary agent. This was the kind of job that involved long-range strategies and 24/7 focus. I didn't have the time or energy left over to date. Instead, I devoted myself to many well-intentioned but futile attempts to rein in my troubled teen, who was moving in a perilously rebellious direction.
As a parent, my heart was breaking and yet as a woman I couldn't shake the persistent and inexplicable feeling that somewhere, at some point, I'd actually met the man I longed for, who'd somehow vanished from view. I often had the uncanny feeling he might be right under my nose, maybe even next door or down the block.
L.A. Affairs
I responded to all of this by putting my sorrow aside and going into a free fall, flinging my heart wide across the 'Net. I became "Ms. Aloft" (a lame reference to the fact I lived in a loft downtown) on a plethora of dating sites.
I checked my inbox with regularity but attracted only respondents who lied about everything from relationship status to height, weight and bank account. When I tried to explain all of this to a friend, I sobbed, and he said, "I know an Internet dating coach. Maybe she can help."
I phoned the expert, and to my surprise, she came right over. "No wonder you're attracting weak men," she said. "We have to do something about that profile picture."
"It was taken for an article I wrote for Variety!" I protested.
As she snapped a new photo with her phone, she explained, "You look like a dominatrix in that picture. Let's have a look at your closet."
I pulled out some of my nicest clothes and arranged them on the bed. She responded by tossing them aside and went right for the lingerie drawer. I could feel my heart pound.
"Put these on," she purred, handing me a pair of modest Chinese silk pajamas "then this … and this," referring to combinations I never would have thought of, snapping away with her phone.
Then she instructed me to close my eyes and imagine the man I sought. "Now, tell me how you feel about him. Be really specific." Words, just like the clothes in my closet I'd never imagine pairing, came pouring out for the first time.
Satisfied, she announced, "OK, now let's rewrite your profile." Though I wanted to reveal my true age, she advised against it: "You're a youthful-looking lady. They'll think your pictures are 10 years old and you're being dishonest. Put down that you're 10 years younger, then add you're actually 'somewhat older' … but 'identify with a younger vibe.' Then add that your pictures were taken this month, this year."
To lie and immediately acknowledge it seemed perfectly honest to me.
Next she asked, "How do you feel about him having children?" I sighed, "I assume every man has children." Flinty-eyed, she continued, "That's not what I asked." So I typed: "Though I have a wonderful 17-year-old, I'm not looking to raise any other children." Saying what I wanted suddenly wasn't so hard.
One evening I noticed a nice-looking face and clicked on his profile. I read about the woman he longed for. He described me to a T.
We made a plan to meet at a popular downtown L.A. spot. I immediately felt at ease, settling into the calm he cast over the tiny table we shared. I told him my true age, which was the same as his. We discovered we'd been classmates in the same school in New York in the same program the very same year. We retraced the steps of our separate journeys in migrating West. As I suspected, for many of the years since college, we'd been living less than two miles from each other in Santa Monica. It turned out that his sister-in-law, who lived in Los Angeles, was a longtime friend of mine. His cousin was an East Coast literary agent with whom I'd co-represented an author only a few years earlier.
He'd never married yet he always believed, as I did, that his destiny was out there, somewhere, and somehow he would find her.
He asked me to attend his nephew's engagement party, where I knew more of the guests than he did. We waltzed through our own private nostalgia ball, also becoming engaged.
Months later, at our wedding on our downtown rooftop, our violinist neighbor played sweet notes that seemed to sum up our long journey. I texted my dating coach: "Life is lived forward but understood backward. What could say 'happily ever after' better than an actual fiddler on an actual roof?"
Nigrosh is a consulting editor for authors and screenwriters in Los Angeles and teaches at UCLA Extension's Writers' Program.
Reposted from LA Times
The beautiful Icelandic tradition of giving books on Christmas Eve
Icelanders have a beautiful tradition of giving books to each other on Christmas Eve and then spending the night reading. This custom is so deeply ingrained in the culture that it is the reason for the Jolabokaflod, or “Christmas Book Flood,” when the majority of books in Iceland are sold between September and December in preparation for Christmas giving.
At this time of year, most households receive an annual free book catalog of new publications called the Bokatidindi. Icelanders pore over the new releases and choose which ones they want to buy, fueling what Kristjan B. Jonasson, president of the Iceland Publishers Association, describes as “the backbone of the publishing industry.”
"It's like the firing of the guns at the opening of the race," says Baldur Bjarnason, a researcher who has written about the Icelandic book industry. "It's not like this is a catalog that gets put in everybody's mailbox and everybody ignores it. Books get attention here."
The small Nordic island, with a population of only 329,000 people, is extraordinarily literary. They love to read and write. According to a BBC article, “The country has more writers, more books published and more books read, per head, than anywhere else in the world… One in 10 Icelanders will publish [a book].”
It seems there is more value placed on physical, paper books than in North America, where e-books have grown in popularity. One bookstore manager told NPR, “The book in Iceland is such an enormous gift, you give a physical book. You don't give e-books here." The book industry is driven by the majority of people buying several books each year, rather than the North American pattern of a few people buying lots of books.
When I asked an Icelandic friend what she thought of this tradition, she was surprised.
“I hadn't thought of this as a special Icelandic tradition. It is true that a book is always considered a nice gift. Yes, for my family this is true. We are very proud of our authors.”
It sounds like a wonderful tradition, perfect for a winter evening. It is something that I would love to incorporate into my own family’s celebration of Christmas. I doubt my loyalty to physical books will ever fade; they are the one thing I can’t resist collecting, in order to read and re-read, to beautify and personalize my home, to pass on to friends and family as needed. Combining my love for books and quiet, cozy Christmas Eves sounds like a perfect match.
Read more at Treehugger.com
Mary Ann and Joseph Anselmo's "Through the Fire" tells the Inspirational story of her fight against Cancer.
Researchers treat brain cancer patient with skin cancer drug
Researchers at Memorial Sloan Kettering Cancer Center (MSK) are exploring a new form of clinical trial called a basket trial, which is designed to examine responses to drugs based on specific mutations in patients’ tumors rather than where their cancer originated.
The study, published Thursday in the New England Journal of Medicine, consisted of 122 patients from 23 cancer centers around the world, and participants were diagnosed with either non-small cell lung, colorectal, ovarian or brain cancers. Each patient had his or her tumor genome sequenced so doctors could determine which mutation to target through precision medicine, according to a news release.
One patient in the study, MaryAnn Anselmo, had been diagnosed with stage 4 glioblastoma in 2013. Anselmo’s physicians decided to target the BRAF mutation in her tumor, and treated it with a drug recently approved for BRAF mutations in melanoma patients, TIME reported. Two years later, Anselmo is tumor free.
“This study is the first deliverable of precision medicine,” Dr. Jose Baselga, study author and MSK physician-in-chief and chief medical officer, said in the news release. “We have proven that histology-independent, biomarker-selected basket studies are feasible and can serve as a tool for developing molecularly targeted cancer therapy.”
“While we can— and should— be cautiously optimistic, this is what the future of precision medicine looks like,” he said.
Hyman told TIME that the basket study focused on BRAF mutations allows for researchers to study cancer patients as a group, despite their different diagnoses. The results found that 70 percent of patients with non-small cell cancer saw their tumors shrink by at least 30 percent in length, with the best response rate among patients with non-small cell lung cancer.
Researchers noted that the results of the study demonstrated that drugs can reach patients beyond the current approved use, but do not work for everyone. They suggest the results show the benefits of basket studies and call for more work to be done with these types of trials.
“One of the things that gets lost when we talk averages and medians is how many patients benefit and for how long,” Hyman told TIME. “There is a tremendous range and a concern that promoting the best successes sets the bar very high. But it also lets people know that things are not entirely hopeless, that there are people who have tremendous benefit from therapies and not get completely caught up in medians and averages.”
Reposted From Fox News
Music of the spheres!
Is outer space really the silent and lifeless place it's often depicted to be? Perhaps not. Astrophysicist and musician Matt Russo takes us on a journey through the cosmos, revealing the hidden rhythms and harmonies of planetary orbits. The universe is full of music, he says -- we just need to learn how to hear it.
This is dedicated to the one I love
I thought I’d reprint Gary
Wenkle Smith’s “Dedication” page as a great example of the evolving
relationship between an author and his faithful “tough-coach” editor, in this
case his wife, Pat Rearic Smith! May everyone evolve in this direction.

DEDICATION
To quote a song from my generation: “This is dedicated to the one I love.”
My wife, Pat Rearic Smith, has been my best friend, lover and wife for forty-six years. It hasn’t been easy being married to me, I assure you. Not all have been blissful years, and I am responsible for most of the unpleasantness. Yet, the good times have put those other days in the distant fog, and we have a great life today, without remorse or recriminations.
During these past several years while I have become serious about my writings, she has been the one person who has steadfastly stuck with me. She has been unbending in her desire to guide me past my many faults, as a writer and a man. When I tried to mold myself into the stories I wished to tell, she removed the frill and repetition written by someone who really hadn’t a clue about half the time. When I did know what I was doing, I still needed to ask her to help me do it much more simply.
Having trained to write as a lawyer made writing for enjoyment an onerous task. Lawyer’s are repetitive in our legal briefs. We are taught: tell them what you are going to tell them; then tell them; then tell them what you have told them. The best legal story tellers repeat themselves with eloquence.
My first editing with Pat was a war. I had asked her to help me with The Last Midnight, my first published novel. Then I rejected her many suggestions to the point of turning her away. After begging her to give me a second chance, I wasn’t much better at accepting her proposals that I give up significant amounts of my writing and live without it. I remember feeling betrayed at her intimation that she declared such a large amount of my precious words unworthy of publication. I confess to being burdensome and defensive.
I praise her for her amazing patience, and love. She has stuck with me in editing all that I have written. She can take long paragraphs I have labored over for hours and turn them into three sentences that say everything I was trying to convey. She can read an entire novel in a few days and make all the necessary corrections. It took a while, but now I don’t ask that she edit it so that I can see what she has changed. I accept her work without question and move forward with completion of whatever I have in progress.
So, to you my dear, love of my life, best friend, my Woman-Girl, I thank you for staying with a guy like me. I am truly grateful.
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